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Wood the Writer

~ Author of Tales From Undersea

Wood the Writer

Tag Archives: writing fantasy

Why I love fairy tales (but I hate fairy stories)

08 Tuesday May 2018

Posted by Jessica Wood in anime, Blog, criticism, fairy tale, fantasy, musings, villain, writing

≈ 3 Comments

Tags

fairy story, fairy tale, fantasy, writing about fairies, writing fantasy

I love fairy tales and love writing stories adapting or subverting their tropes. But one thing you will never find me writing is stories about fairies, or even featuring fairies, because personally I can’t stand them and have no interest in writing about them.

If this may seem odd, consider the difference between a fairy tale and a fairy story. In his essay On Fairy Tales, J.R.R Tolkien defined a fairy tale as a story dealing with the land of faery and mankind’s relationship with it. They often work as cautionary tales about wandering into the realm of the fae and not being able to return to the ‘real’ world.

‘Faery’ is a fairly broad term but it generally refers to what ancient cultures believed was a world parallel to but connected to our own filled with other-worldly creatures. Fairies were one such creature, but not the only ones which were said to inhabit it.


By contrast, Tolkien defined fantasy as something set in an entirely invented world, like his own Middle Earth. More authors are making subversions by returning to the fae variety, but what we now call fairies tend to be creatures of fantasy rather than mythology. They tend to be small, humanoid beings, usually with wings and some form of magical powers.


The reason these fairies never resonated with me is because each interpretation tends to fall into one of these categories:

1. Too generic. It’s difficult for me to love any fantasy creature if the author doesn’t do at least something new with it.
2. Too girly. Not that I’m against girly (I’m a big fan of My Little Pony) but so many writers try to make their fairies too saccharine and sweet, which makes me feel like they just vomited glitter all over the page.
3. Too bitchy. I guess this is supposed to be a subversion of the girly variety, but it tends to come across to me as making them overly mean for no real reason.

This doesn’t mean that I hate all stories with fairies, however. I like the weather fairies in A Tiny Snow Fairy Sugar and the sweets spirits in Yumeiro Pâtissière since despite being overly cutsy, they were still different than the standard fare and their story arcs were just as strong and significant as those of their human friends.


By far my favourite fairies in any form of fiction were the three good fairies – Flora, Fauna, and Merryweather – in Disney’s version of Sleeping Beauty. This is because they were well-rounded, funny, and interesting characters, in fact they were far more heroic than the incredibly bland and useless titular character.


While their magical powers were fairly generic and the film does rely upon incredibly black and white ideas of good and evil, the three of them avoided being either too girly or too bitchy by becoming developed characters rather than fairy archetypes. They had positive and negative qualities, they created some of the best comedy that’s ever been seen in a Disney film, they were loving to Aurora despite her complete lack of a personality, and when the time came to it they were completely badass. Really, the King and Queen should have given control of the kingdom to them at the end, since they were the only ones who had any sense (destroying all the spinning wheels in the kingdom both destroyed the economy and left everyone naked, your majesty).

The villainess Maleficent is also technically a fairy (which is why the re-make made her more like the fae variety) but also greatly different than most ‘bad’ fairies in fiction. True her motivation is for incredibly petty reasons, only because she wasn’t invited to a party, but she is still one of the most memorable villains that Disney has ever made. Even sixty years later, she is still the benchmark against which all other animated villains are measured. The strong characterisation of both the good and evil fairies is what makes Sleeping Beauty into both a fairy tale and a good story about fairies.


What are your thoughts on fairy tales and fairy stories? What are your favourite and least favourite fictional fairies? Tell me in the comments below!

The Villain Redemption Story. Part 3 – How to Write a Villain Redemption Story

04 Friday Nov 2016

Posted by Jessica Wood in Common Criticism, culture, fantasy, story, villain, writing, writing advice

≈ 1 Comment

Tags

novel writing, story, story arc, villain, villain redemption, writers, writing, writing advice, writing fantasy, writing tips

In this series, I’ve previously looked at why you should consider a villain redemption arc, when is the right time in a story to redeem a villain, and the things to avoid. Now it’s time to finally look at how to write the villain redemption arc.

Just like with any good writing trope, a villain redemption story relies on one important ingredient – A story arc. In cartoons, you may see villains changing their tune completely with the minimum amount of convincing, but that is mostly due to time constraints. In a novel, particularly in a fantasy story, you have more space to write an ongoing story arc to show the villain’s gradual change. In real life, people don’t change their entire attitude in a single day or after hearing a single heartfelt speech. It takes years for that sort of change to happen. Here are a few other ways that you can write this story arc:

  1. Leave Hints Throughout the Story

Similar to dropping foreshadowing throughout your story, leaving some hints that your villain has the potential for good will help when it does come time for them to change. It goes beyond ‘they’re evil but still love their pet dog’. Even the worst people in history had loved ones and pets they cared for. It could instead be an indication of the outside forces that turned them bad or having them show a hint of sympathy at a time when they didn’t need to.

  1. Research Real Life Cases

All good writers do their research, and the same is true here. It is useful to look up some real life examples of former extremists who changed their attitudes to see how it can happen realistically. Check out this story of a former member of a South African militia. You can see that there was a key moment when he realised that he was on the wrong side, but it only came about after a long period of doubt, and even that wasn’t enough for him to leave the militia immediately.

  1. Show the Consequences

So the villain has left their evil ways behind, now they can join the good guy’s team and fight evil themselves, right? It isn’t quite as clean as that. Actions have consequences and even if the person has been forgiven and is trying to redeem themselves, they will have to deal with these consequences and travel a difficult road to redemption.

First there is the emotional weight they have to deal with. How do they feel when they realise the thing they’ve believed in their whole lives was a lie? Do they respond with denial, depression, or by turning their anger against a new target? It isn’t always easy for people to abandon their old lives, especially if they still have family ties towards it.

They don’t have to be completely perfect straight away, but can instead transition into being good, or at least better than they were. It is more realistic, and holds more emotional weight, to show them accidentally letting out an offensive slur, acting aggressively, or holding onto old habits rather than immediately opening a puppy farm. And of course, there will still be a lot of guilt for them to deal with.

  1. Make the Punishment Fit the Crime
Sure he killed dozens of people, but at least he didn't eat their flesh.

Sure he killed dozens of people, but at least he didn’t eat their flesh.

Even if you want your character to be forgiven, they should ideally have to undergo some form of punishment for their crimes first. A reader will feel cheated if a former villain immediately gets away with everything they did just because they said ‘I’ll be good from now on’. Similarly, if a villain has taken steps for redemption but still receives an unfair punishment, the reader will feel equally cheated.

  1. Subvert the Tropes

As much as I’ve said that there are certain tropes that should be avoided, you can still put interesting twists on them to create a unique story. Take the mind wipe, for instance. Instead of brainwashing the villain into their own ideology, suppose the hero has to do it because they have no choice (I seriously thought this was how Gravity Falls was going to end). This opens up the possibility for the hero to question their own morality, having a sort of redemption arc of their own. Perhaps they could use it as an opportunity to teach the villain how to use their powers for good. And what could happen if the villain does get their memories back? The story possibilities that come from subverted tropes are endless.

 

There are a lot of villain redemption stories which weren’t handled well. But those that are become some of the most emotional, interesting, and though provoking stories of all. Be sure to focus on the story arc and avoid the pitfalls and you can have a unique redemption plot in your own novel.

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