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Wood the Writer

~ Author of Tales From Undersea

Wood the Writer

Tag Archives: writers

Why Your Stories Should be Fun

23 Tuesday Apr 2019

Posted by Jessica Wood in author, Blog, Common Criticism, criticism, story, writing, writing advice

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Tags

creative writing, lit, writers, writing, writing advice, writing tips

If you’ve ever heard or read stories written for a creative writing workshop, or judged a writing contest, you’ll likely have seen a similarity amongst almost all of them – They all tend to be dark, gloomy, and depressing. This is because many people who are just starting out as writers have an idea that for writing to be good, it has to be serious and at least give the illusion of being deep. Or at least, they think that this is the only type of writing which will get them recognition from writing teachers and contest judges. And considering the amount of MFA teachers and literary contest judges which support this way of thinking, they’re not wrong.

Even professionals seem to be believing this to some extent, given the huge increase in the amount of ‘dark and gritty’ tv shows, movies, and books which have come out ever since Game of Thrones became the most popular show on television.

I believed the same thing for a long time during my early writing days. My first novel was a YA fantasy story, yet it was still about as angst-ridden as they come. A lot of it was a reaction to a bad period of my life, and expressing it creatively did help me a lot at the time. Yet once I ditched the angsty novel and started writing one with a more light-hearted and comedic bent, I started to enjoy writing much more. It’s also been surprisingly beneficial to my mental health as well.

When should stories be dark?

Don’t get me wrong, I’m not immedietly turned off by a story just because it’s dark or has a sad ending. I just finished binge-watching You which is insanely creepy and has a sad ending, yet it has still made me want to read the book it was adapted from. The essence of drama does come from characters suffering, after all. Authors who have been through bad situations, or have relatives or ancestors who have, often need to record their experiences in the form of fiction as a form of both personal therapy and preservation.

What I’m trying to get at is that while these stories may be good, they may be popular, and they may win awards, it doesn’t mean that every single story needs to be the same, as so many Hollywood producers seem to assume. Just because a story can be dark, that doesn’t mean it has to be.

Game of Thrones works as a dark story because intended it as a subversion of the noble-bright nature of classic fantasy stories such as Lord of the Rings. You works as a dark story because it is a reflection of the far too prevalent real world phenomenon of women being stalked and harassed by ‘nice guys’.

There are certain types of stories which should deal with serious issues, and other types which should exist simply to cheer up audiences. When you come home from a tough day at work, you are much more likely to turn on a light-hearted comedy than a gritty realistic drama, because in that situation, you need the comedy. In many ways, this makes a story more memorable and more likely that the viewer will want to watch more, or re-watch the show.

Fiction is primarily a form of escapism, both for audiences and authors. So, they absolutely should read about characters struggling through and overcoming difficult situations. But if all readers see is characters constantly dying or giving into despair with no hope, they aren’t going to be caught up in the escapism.

Light and dark

Light does not necessarily have to mean the complete absence of dark. Even stories which are classed as comedies or are made for children can still delve into serious issues, often using humour to soften the blow. In many ways, these are my favourite types of stories, and I admire authors who can deal with these more sensitive issues while still retaining a comedic bend. A Series of Unfortunate Events is intentionally dark and outright points out in the narration that nothing is ever going to go right for the child protagonists. Yet audiences stay hooked because both the show and books make such good use of dark humour. You can see the same thing in many other works. My Little Pony had an episode about cults. Recess had an episode about psychological torture. Do I even need to mention the number of deaths in Disney movies?

Writing such stories is a positive experience, but that definitely doesn’t make it an easy one. Comedy isn’t nearly as easy to write as people assume it to be. I still have days when I’m so frustrated with my story that I need to take a step back from it to de-stress myself.

Remember what your story is

If you do like writing dark stories or want to impress a contest judge or your MFA teacher with a serious story, there’s nothing wrong with that. Just don’t think it’s the only thing which makes you a writer. Stories are intended to be entertaining and entertainment is supposed to be fun, not depressing. Whether it’s a concert, a television show, or a sports game, entertainment is designed to give people a good time. There is no reason why your stories shouldn’t be the same way.

The Villain Redemption Story. Part 3 – How to Write a Villain Redemption Story

04 Friday Nov 2016

Posted by Jessica Wood in Common Criticism, culture, fantasy, story, villain, writing, writing advice

≈ 1 Comment

Tags

novel writing, story, story arc, villain, villain redemption, writers, writing, writing advice, writing fantasy, writing tips

In this series, I’ve previously looked at why you should consider a villain redemption arc, when is the right time in a story to redeem a villain, and the things to avoid. Now it’s time to finally look at how to write the villain redemption arc.

Just like with any good writing trope, a villain redemption story relies on one important ingredient – A story arc. In cartoons, you may see villains changing their tune completely with the minimum amount of convincing, but that is mostly due to time constraints. In a novel, particularly in a fantasy story, you have more space to write an ongoing story arc to show the villain’s gradual change. In real life, people don’t change their entire attitude in a single day or after hearing a single heartfelt speech. It takes years for that sort of change to happen. Here are a few other ways that you can write this story arc:

  1. Leave Hints Throughout the Story

Similar to dropping foreshadowing throughout your story, leaving some hints that your villain has the potential for good will help when it does come time for them to change. It goes beyond ‘they’re evil but still love their pet dog’. Even the worst people in history had loved ones and pets they cared for. It could instead be an indication of the outside forces that turned them bad or having them show a hint of sympathy at a time when they didn’t need to.

  1. Research Real Life Cases

All good writers do their research, and the same is true here. It is useful to look up some real life examples of former extremists who changed their attitudes to see how it can happen realistically. Check out this story of a former member of a South African militia. You can see that there was a key moment when he realised that he was on the wrong side, but it only came about after a long period of doubt, and even that wasn’t enough for him to leave the militia immediately.

  1. Show the Consequences

So the villain has left their evil ways behind, now they can join the good guy’s team and fight evil themselves, right? It isn’t quite as clean as that. Actions have consequences and even if the person has been forgiven and is trying to redeem themselves, they will have to deal with these consequences and travel a difficult road to redemption.

First there is the emotional weight they have to deal with. How do they feel when they realise the thing they’ve believed in their whole lives was a lie? Do they respond with denial, depression, or by turning their anger against a new target? It isn’t always easy for people to abandon their old lives, especially if they still have family ties towards it.

They don’t have to be completely perfect straight away, but can instead transition into being good, or at least better than they were. It is more realistic, and holds more emotional weight, to show them accidentally letting out an offensive slur, acting aggressively, or holding onto old habits rather than immediately opening a puppy farm. And of course, there will still be a lot of guilt for them to deal with.

  1. Make the Punishment Fit the Crime

Sure he killed dozens of people, but at least he didn't eat their flesh.

Sure he killed dozens of people, but at least he didn’t eat their flesh.

Even if you want your character to be forgiven, they should ideally have to undergo some form of punishment for their crimes first. A reader will feel cheated if a former villain immediately gets away with everything they did just because they said ‘I’ll be good from now on’. Similarly, if a villain has taken steps for redemption but still receives an unfair punishment, the reader will feel equally cheated.

  1. Subvert the Tropes

As much as I’ve said that there are certain tropes that should be avoided, you can still put interesting twists on them to create a unique story. Take the mind wipe, for instance. Instead of brainwashing the villain into their own ideology, suppose the hero has to do it because they have no choice (I seriously thought this was how Gravity Falls was going to end). This opens up the possibility for the hero to question their own morality, having a sort of redemption arc of their own. Perhaps they could use it as an opportunity to teach the villain how to use their powers for good. And what could happen if the villain does get their memories back? The story possibilities that come from subverted tropes are endless.

 

There are a lot of villain redemption stories which weren’t handled well. But those that are become some of the most emotional, interesting, and though provoking stories of all. Be sure to focus on the story arc and avoid the pitfalls and you can have a unique redemption plot in your own novel.

Top Seven Worst Types of Love Interest

28 Thursday Jan 2016

Posted by Jessica Wood in Blog, Common Criticism, musings, romance, story, tv, writing, writing advice

≈ 5 Comments

Tags

bad writing, creative writing, love interest, muse, romance, romance cliches, romance fiction, story, writers, writing

A while ago I talked about the types of love story that turn my stomach. Today I’m going to talk about the types of love interest which make me throw a book into a fireplace, or throw the remote at the television. I’m not going to go on about Mary Sues or Manic Pixie Dream Girls because other people have already given hilarious parodies of those. These are the ones which I personally can’t stand.

  1. The Plank of Wood.

A Plank of Wood appropriately named Rod.

A Plank of Wood appropriately named Rod.

This is when the love interest is so underdeveloped they could be replaced by a plank of wood and it wouldn’t make much difference to the story or romance arc. This can happen generally with poorly written characters but its even worse if that character is supposed to be a love interest. How are we supposed to buy that this person can be loved if they have virtually no personality or redeeming features?

  1. The Karma Love Interest

big bang

Something which frequently appears in sitcoms with a ‘beauty and the geek’ romance. This is where the love interest, usually a female, is an embodiment of all the popular girls who refused to date the geeky guy in high school, making up for what horrible bitches all the girls were to him. Or perhaps it’s a girl who wouldn’t give him the time of day in high school but is now hopelessly in love with him, despite the fact that he hasn’t changed at all. I’m not the only one who felt that Ross and Rachael would just break up again a few years after the grand finale. I don’t even get why they would be interested in the type of girl who made their adolescence a living hell anyway.

It’s unfortunate because it almost implies that guys, no matter how horrible their personalities are, don’t have to try and change themselves but simply wait for girls to come around, stop being bitches, and fall in love with them. Yet if the genders are reversed, the girl will have to drastically change both inside and out to get the guy. Wow, I just made a horrifying revelation…

  1. The Muse

No amount of catchy pop tunes can save this romance.

No amount of catchy pop tunes can save this romance.

Closely linked to the manic pixie dream girl who often has a bit of the muse within her. This is where Person A falls for Person B not so much for who they are but for how they inspire them to create their artworks. Again, it is unfortunate as it is clear there is little basis for the couple to form a relationship and once the artist has finished his project, he can just dump her and find a new muse.

Just as bad is when an artist falls in love with a literal muse, which has been overused to the point of tedium. In fact, while writing this post I got the idea for a short story about a human falling in love with a muse for who they are, not for their artistic inspiration.

  1. The Replacement

'I know I had a crush on The Doctor last week but this is totally fine.'

‘I know I had a crush on The Doctor last week but this is totally fine.’

Often a form of lazy writing when a writer can’t think of what else to do with a character so they just shove in a new love interest for the sake of drama. The object of a character’s affections has just died or decided they’re not interested. What to do, show them getting on with their life? Think of an interesting new story for them? Nah, let’s shoe-horn in another love interest right away.

  1. The Dumbass in Distress

We all know where this is going...

We all know where this is going…

Another old trope which is still discussed a lot, Person A falls for Person B because he saves her, often repeatedly. But if it’s such an outdated story, why does it still keep appearing? Is it because we still see the person being rescued as the reward and believe they should fall in love with the rescuer as thanks? The whole concept of falling for someone because they saved your life makes no sense anyway. Sure they’re probably a good person if they saved someone, but they probably just did that because they saw that person in danger and natural instincts kicked in. It’s really not much to base an entire relationship upon.

  1. The One That Got Away

Don't do what Gatsby does...

Don’t do what Gatsby does…

This is when a would-be-couple is separated for many years then they re-enter each other’s lives again. Either Person A will suddenly fall in love with Person B again despite barely thinking about them for years or will still love them throughout the years not for who they are but for who they were years ago. People change a lot as time goes by so the person they are pining for has probably become a different person than the one they originally fell for. I think it can work if the characters get to know each other all over again and find that they still have things they like about each other, but I don’t think things that happened ten years ago should be the basis for an entire relationship.

  1. The Love Interest…And Not Much Else

I actually love Ygritte but god damn it...

I actually love Ygritte but god damn it…

Sure writers often have to insert characters to serve the role of love interest, but there are too many characters who exist only to be a love interest and have no purpose to exist beyond that. They might not even like or even interact with any other characters in the story because they only have eyes for the protagonist. It is much better for this character to make an impact not only in the romance part of the story but some other aspect of it as well, which doesn’t mean being kidnapped by the villain and used as the reward. Not only will the readers like them much more but they will be a better-rounded and developed character.

 

Are there any other types of love interest which turn you off? What love interests do you want to see more of instead? List them in the comments below!

 

 

Can you write a story in six words?

18 Monday May 2015

Posted by Jessica Wood in Editing, musings, Short story, story, writing, writing advice

≈ Leave a comment

Tags

creative writing, editing, flash fiction, micro fiction, micro fiction writing, novel writing, novelist, short story, six word story, writer's block, writers, writing, writing contest

51sHBTWKJkL._SY300_

Last year I wrote this article about how writing flash fiction, that is stories of 1,000 words or less, can help make you a better novel writer. I got some great feedback about that post from people saying how useful it was. One of the examples I noted was Ernest Hemingway’s famous six word story which he supposedly wrote on a bet:

‘For Sale: Baby shoes. Never worn.’

That’s the one everyone quotes as it’s the original and probably the best, but there are many other great examples.

This year I decided to take my micro fiction writing a step further when I saw a six word short story competition and decided to enter. At first I didn’t know where to start so I tried a technique I use when I’m trying to come up with new ideas. I made a list of about a dozen six word stories then left it for a night. The next day I went back to look over the list and found which ones worked. I re-worked and tweaked those stories until I thought they were right.

Regrettably, I became distracted by something else and almost missed the closing date of the contest. I ended up entering my stories at the last minute without doing a final check through them. Unsurprisingly, I didn’t win the contest but it was still a wonderfully creative exercise. I think it would make a great warm up exercise for a Creative Writing class or a way to get out of writer’s block. You can practise your writing skills and challenge yourself creatively without having to spend ages writing out a short story.

As a novelist and a Tolkein enthusiast, I always use excessive waffle in my stories so I think there are certain professions that are much better at this exercise than I am. Advertising copywriters are essentially doing this to sell products. News headlines need to grab the reader instantly. When you think about it, there are examples all around us of people telling micro stories every day. Some of them reminisce with us more than full length novels do. How many famous advertising slogans have been stuck in your head since you were a child?

It may seem hard to sum up an entire event or emotion in a few words but we do it all the time in our everyday speech. When we swear, we are basically venting all of our feelings and frustrations in a single word. We use the simplest words to express our deepest emotions, ‘Thank you’ or ‘I love you’.

As you can see, six word stories can teach us a lot about the usage and beauty of our language. I’m still learning how to write them myself so I’m not going to go into how it’s done just yet, but I do recommend you give it a go. It’s hard to get right but if you do, you’ll find how to write a great story with the bare minimum of waffle, which will help you with your long form writing. Maybe try writing a six word story every day or when you’re trying to get over a writing slump. You might even get good enough to enter or even win a contest.

Have you ever tried writing a six word story? Do you have any advice for how to write one? Leave a comment and tell me.

Why I Hate Love Triangles

17 Friday Apr 2015

Posted by Jessica Wood in anime, Blog, writing, writing advice

≈ 15 Comments

Tags

anime, character, character development, drama, plot, romance, story, storytelling, villain, writers, writing, writing advice

fruits basket

When I was at school and just getting started with writing, I devoured shojo manga and anime. This somehow got the idea into my head that love triangles and complex love charts were the key to drama and therefore great storytelling. As such, I made sure that all of my stories had love triangles in the hopes that they would become better.

It was only when I became a little better at writing that I looked at my plots and realised that the love triangles I had shoehorned in for the sake of drama were completely unnecessary. They did nothing but add unneeded subplots and worst of all made my characters seem unlikeable.

Now I avoid love triangles as much as possible, or at the very least the ‘which boy should I choose’ variety (and yes, it is almost always a girl who has to choose between two boys). I also started to avoid reading stories that rely solely on love triangles for their drama. I’m clearly not the only one who feels this way; just look at the backlash against Twilight and its ‘Team Edward’ and ‘Team Jacob’ camps. But then again, there are also books like The Hunger Games which subvert the trend and make a love triangle work. So is it really possible?

These are the reasons I’ve found why love triangles seldom work:

  1. Creating unnecessary drama. As I mentioned above, many newbie writers, myself included, fall into the trap of thinking all love stories need love triangles to give them more drama. In fact, most of the time they merely create a pointless obstacle to the main couple getting together.
  2. Telling us who the ‘right’ type of love interest is. How many times have you read a book and wished that the protagonist got together with someone else, instead of the partner they ultimately chose? Even if that person is obviously wrong for them and in the worst cases abusive, they are meant to be together because the writer said so. If the protagonist had a fling with the ‘wrong’ person then they are punished for it before realising the error of their ways.
  3. There is always a backup boyfriend. The worst implication of love triangles is that if something happens to the chosen guy, it doesn’t matter that much because the girl has another guy who’s madly in love with her who she can run to. That person has to live with the knowledge that they were ultimately the second choice and only with the girl because they got lucky.
  4. And a backup love interest for the losing partner. How many love triangle stories have been resolved with a forgotten minor character showing up at the last minute and making an instant connection with the losing partner? The writer wants everyone to have a happy ending but can’t consider that a character getting over someone and doing something else with their life is an option. One of the reasons that even hardcore fans turned away from Twilight (I promise this is the last time I’ll use that as an example) was when the losing partner Jacob imprinted on Bella and Edward’s newborn daughter. I suppose the implication was supposed to be that he could tell that she would grow up to be his soulmate, but it came across as incredibly creepy and probably the worst possible way to end his story.
  5. The characters are turned into horrible people. The moment I stopped putting love triangles in my stories was when I realised that the characters I was trying to portray sympathetically were coming across as horrible because they were jealous of each other. It’s hard to like a character who will string along two different people and put them both through hell just because they can’t make up their mind who they want to be with. If done incorrectly, love triangles can make characters seem indecisive, cruel, malicious, and uncaring. There is also the trap that one of the love interests will be painted as a villain just to make the other look better by comparison. Think of Rose’s fiancé in Titanic for an example. It’s not particularly good writing when you need to show a character being mean to emphasise that the other character is nice.
  6. It’s obvious that one partner is going to either fail or be the villain. It’s not so much drama if we know that only one love interest will be chosen. Nine times out of ten that person is obvious from the outset, making the whole idea of a love triangle seem pointless. Love triangles involving villains or the above example of one partner being nasty are also far too common. These stories make it clear that the protagonist will be pushed into the loving arms of the person they were obviously going to end with while the other will spend their nights crying and eating ice cream.
  7. Everybody loves someone who doesn’t deserve it. Most of us are lucky to have just one person fall in love with us, so why does your protagonist get two or more? If your character is just such a nice person that many people would realistically be in love with them then fine. But chances are they aren’t, or your character isn’t as special as you think they are.

So is it possible to make love triangles work? It’s difficult but if your writing is good enough, then yes. The most important way I’ve found to do this is with good character development. Give both of your potential love interests clear goals, motivations and both positive and negative character traits to show genuine reasons why your protagonist would want to be with them. Develop your protagonist equally well so that the reader can believe why they are so beloved. If you are going to introduce a backup love interest for the losing party, develop that character as well and give them their own story arc. Unless you’re intentionally going for tragedy, leave every character in a good place by the end of the story with something they genuinely wanted and needed.

Writers, how do you make love triangles work in your stories? What do you think are the best and worst examples in fiction?

How not to write an e-book.

04 Wednesday Feb 2015

Posted by Jessica Wood in Editing, indie, story, writing

≈ 5 Comments

Tags

book, characters, dialogue, ebook, editing, manuscript, self publishing, writers, writing

I’ve been working with self published authors for a few years now and I can honestly say it’s the best job in the world. There’s nothing better than reading a great manuscript, helping to make it the best it can possibly be and watching the writer succeed.

I love that self publishing has allowed more authors than ever before to get their work out there without the rejection letters diminishing their confidence. But the downside is that it has opened the floodgates for every hack author to put their book out and hope it will mean instant overnight success. If you’re really serious about being a self published author, then these are the sins you want to avoid:

  1. Ask a friend to be your editor.

Asking a friend who got a C in GCSE English to edit your entire manuscript in exchange for a few beers isn’t a very fair exchange. Even a basic edit of a book takes time so it’s a pretty big favour to ask someone to do for free, meaning they’ll probably just half arse it and hope you won’t notice. If you want to sell any books, it’s worth the expense to hire an editor. If you really don’t have the money, at least ask a fellow writer to help you and maybe offer to edit their manuscript in exchange.

  1. Replace the plot with pages of dialogue.

Few writing sins will give you away as an amateur more than this one. I can’t tell you the number of terrible novels I’ve come across where the plot comes to a screeching halt for the characters to bitch at each other like they’re in a soap opera. Bad novelists constantly alternate between this and my next point.

  1. Describe every little detail.

When the characters aren’t arguing, they ditch the dialogue completely and describe every moment of the drive home from work and every random thought about cheating on their husband that pops into their heads. It drags the story down and makes it a chore to read. If this happens in your novel, then take out the red editing pen and cut mercilessly and brutally.

  1. Don’t bother with drafts.

You wouldn’t study for an exam by briefly looking over the notes you took in class and you would think writers wouldn’t put their books up for sale without writing a second, third or even fourth draft to eradicate any errors. It takes time and effort but the end result is a great book that will sell. Perhaps more importantly, the process will help you become a better writer.

  1. Ignore the craft of writing.

I think that the reason some writers do these things is because they don’t really care about being writers, or have a very warped idea of what being a writer actually entails. If you want to write a book, even as a hobby, you have to study and practice the craft of writing, just as you would for any other skill. This means reading as much as you can, joining a writer’s group, reading magazines and blogs about writing. The list goes on.

  1. Write a book just for fame and fortune.

This is the worst and sadly most common reason I see for people putting out terrible novels. They read rags to riches stories about people selling record number of e-books and think it’s an easy way to make money. Unfortunately, these success stories are rare and usually don’t mention the hundreds of hours and several failed books that came before the success.

Of course I believe that authors should do whatever they can to make money from their writing. At heart all of us just want to make a living doing what we really love and we should pursue that as much as possible. But there’s a difference from making money by doing what you truly love and pushing a book onto the market as if it’s any other product to be sold.

You only need to look at a few statistics to see how hard it is to make decent money from a book, which is why the truly successful, talented and happy writers do it as a labour of love, because frankly that’s the only reason you can do it.

 

These are just a few of the mistakes I’ve seen from the thankfully small number of hack writers I’ve worked with. If you’re reading this blog then that means you obviously care enough about writing to read about it and actually learn how to write a book.

But as all good authors know, writing the book is just half the battle. Next time I’ll tell you how not to market an e-book.

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