TV Review – Drifting Dragons

18 Monday May 2020

Posted by Jessica Wood in anime, Blog, criticism, fantasy, musings, series review, steampunk, story, tv, tv review

Tags

animation, anime, anime review, fantasy, netflix, steampunk, television, tv, tv review

Newbie dragon hunter or ‘draker’ Takita has recently joined the crew of the airship Queen Zaza to work of her debt. But with the price of dragon oil dropping and drakers being treated with increased suspicion, the ship’s crew are barely skimming above the poverty line. Yet to Takita, it is worth it for a life of adventure, new-found friendship, and delicious dragon meat.

What drew me initially to this series was how similar it is to a steampunk series I’m currently writing, so I thought it would be useful research (that’s a good way of justifying procrastination). Yet even if I wasn’t writing steampunk, I would have been drawn to this series anyway by the gorgeous animation, exciting adventure, and the robust cast of amusing characters.

These characters are one of the main draws of the series, being well-rounded and highly likeable. It is almost a shame that the series only lasts for 12 episodes, meaning there isn’t enough time to flesh out all of them. I can only hope that a second season will give some of them more focus.

Food and cooking are a common theme throughout the series, and it is heartwarming to see how cooking up the dragon meat brings the cast together. Even as a vegetarian, a small part of me wants to try the dragon meat!

As a rookie, Takita helps to ease the audience into the world of draking. It also helps that there are several one-off episodes to ease the viewer in before the series gets to the darker and more dramatic multi-episode story arcs.

The stylish animation looks as if it came straight out of Studio Ghibli. The dragons each have unique designs and terrifying powers which sets them apart from the standard fantasy fare.

Although it is established that the dragons are a threat to humans in this world, the fact that they are hunted, butchered, and used as a commodity will put a bad taste in the mouths of some viewers. The parallels to real life whaling only make it more awkward. Yet even this establishes an interesting moral dynamic, as it is made abundantly clear how much the Queen Zaza is struggling for money and that the crew are only hunting dragons because it is their only means of survival in a harsh world which has all but rejected them.

For any viewers who can stomach it, Drifting Dragons is a great show for any fans of steampunk adventure or exciting fantasy.

My verdict – 5 out of 5.

Why I love fairy tales (but I hate fairy stories)

08 Tuesday May 2018

Posted by Jessica Wood in anime, Blog, criticism, fairy tale, fantasy, musings, villain, writing

≈ 3 Comments

Tags

fairy story, fairy tale, fantasy, writing about fairies, writing fantasy

I love fairy tales and love writing stories adapting or subverting their tropes. But one thing you will never find me writing is stories about fairies, or even featuring fairies, because personally I can’t stand them and have no interest in writing about them.

If this may seem odd, consider the difference between a fairy tale and a fairy story. In his essay On Fairy Tales, J.R.R Tolkien defined a fairy tale as a story dealing with the land of faery and mankind’s relationship with it. They often work as cautionary tales about wandering into the realm of the fae and not being able to return to the ‘real’ world.

‘Faery’ is a fairly broad term but it generally refers to what ancient cultures believed was a world parallel to but connected to our own filled with other-worldly creatures. Fairies were one such creature, but not the only ones which were said to inhabit it.

By contrast, Tolkien defined fantasy as something set in an entirely invented world, like his own Middle Earth. More authors are making subversions by returning to the fae variety, but what we now call fairies tend to be creatures of fantasy rather than mythology. They tend to be small, humanoid beings, usually with wings and some form of magical powers.

The reason these fairies never resonated with me is because each interpretation tends to fall into one of these categories:

1. Too generic. It’s difficult for me to love any fantasy creature if the author doesn’t do at least something new with it.
2. Too girly. Not that I’m against girly (I’m a big fan of My Little Pony) but so many writers try to make their fairies too saccharine and sweet, which makes me feel like they just vomited glitter all over the page.
3. Too bitchy. I guess this is supposed to be a subversion of the girly variety, but it tends to come across to me as making them overly mean for no real reason.

This doesn’t mean that I hate all stories with fairies, however. I like the weather fairies in A Tiny Snow Fairy Sugar and the sweets spirits in Yumeiro Pâtissière since despite being overly cutsy, they were still different than the standard fare and their story arcs were just as strong and significant as those of their human friends.

By far my favourite fairies in any form of fiction were the three good fairies – Flora, Fauna, and Merryweather – in Disney’s version of Sleeping Beauty. This is because they were well-rounded, funny, and interesting characters, in fact they were far more heroic than the incredibly bland and useless titular character.

While their magical powers were fairly generic and the film does rely upon incredibly black and white ideas of good and evil, the three of them avoided being either too girly or too bitchy by becoming developed characters rather than fairy archetypes. They had positive and negative qualities, they created some of the best comedy that’s ever been seen in a Disney film, they were loving to Aurora despite her complete lack of a personality, and when the time came to it they were completely badass. Really, the King and Queen should have given control of the kingdom to them at the end, since they were the only ones who had any sense (destroying all the spinning wheels in the kingdom both destroyed the economy and left everyone naked, your majesty).

The villainess Maleficent is also technically a fairy (which is why the re-make made her more like the fae variety) but also greatly different than most ‘bad’ fairies in fiction. True her motivation is for incredibly petty reasons, only because she wasn’t invited to a party, but she is still one of the most memorable villains that Disney has ever made. Even sixty years later, she is still the benchmark against which all other animated villains are measured. The strong characterisation of both the good and evil fairies is what makes Sleeping Beauty into both a fairy tale and a good story about fairies.

What are your thoughts on fairy tales and fairy stories? What are your favourite and least favourite fictional fairies? Tell me in the comments below!

Book Review – Pegasus

27 Monday Feb 2017

Posted by Jessica Wood in Blog, book review, culture, fantasy, story, writing

≈ 1 Comment

Tags

book review, books, fantasy, fantasy book, lit, pegasus, reading, robin mckinley

Pegasus by Robin Mckinley tells the story of a human kingdom which for over a thousand years has held an alliance with a race of sentient pegasi in order to keep both races safe from the monsters which ravage the land. Part of the treaty is that members of the human royal family are ceremoniously bound to members of the pegasi royal family. Despite this, the two races can only communicate through vague sign language and still know little about each other’s cultures.

This all changes on the day that Princess Sylvi, the fourth child of the current King, is bound to her pegasus Ebon, the fourth child of the pegasus king. They find that they can communicate with each other telepathically. While the two are happy with their new found friendship and some hope it can form a greater bond between humans and pegasi, others, especially the bitter court magician Fthoom, feel that it is wrong to go against a thousand years of tradition and it will break the alliance. As she grows closer to Ebon and the other pegasi, Sylvi comes to discover many secrets about both of their races that have been hidden for generations and which may well put their alliance in danger.

I began reading this book as I am also writing a boot that includes pegasi, and I was immediately drawn in by the new angle that the author takes to pegasi, making them much more than just horses with wings. Most notably, they have small feather like hands on the ends of their wings which allow them to make things. Sylvi’s Pegasus Ebon wishes to be a sculptor of all things.

It is unfortunate then that the major failing in this book is that it is incredibly slow paced, particularly at the beginning which feels much more like a history lecture and takes about four chapters to get to the first major plot point. It is at least interesting exposition which provides a good setup for the inciting incident and does at least make you want to keep reading, but it still feels like it could’ve been so much shorter and to the point. It made reading the book even more frustrating as I was genuinely enjoying it and becoming invested into the characters, but the bad pacing was so noticeable that I knew it would keep me from giving it a five star rating. I couldn’t even use the excuse that it is a classic book using archaic language as it only came out in 2010.

The rest of the book isn’t much better with sometimes a hundred pages between each plot point, and yet there is also a setup for a monster attack which is never carried through. There is a cliff hanger at the end with a sequel supposedly coming out soon which will hopefully complete this plot thread. But it still feels as if the entire story could’ve been condensed into one volume just by cutting down upon the lengthy parts.

Still, anyone who doesn’t mind sifting through this heavy exposition and enjoys fantasy with a unique perspective will still like this book. Sylvi and Ebon are likeable protagonists and you can’t help but feel drawn in by their strong bond and curiosity over each other’s cultures. I’ll be looking forward to the sequel, even if I might have to sit through a lot of lengthy prose for a second time.

Rating – 4 out of 5.

How to keep your character’s inventory

01 Tuesday Sep 2015

Posted by Jessica Wood in fantasy, musings, story, writing, writing advice

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characters, fantasy, fantasy writing, inventory, novel, novel writing, writing, writing advice

How often has this happened in a book you’re reading: A character has encountered a deadly creature. They can’t run because the creature is too fast. They try ducking out of the way but they can’t do that forever. They throw stones but that just enrages the beast even more. Just when all seems hopeless, they pull out a sword from their belt and…Wait, since when did that character have a sword? That was never mentioned before!

Even worse is when the character is in the middle of a fight, and you, the reader, know they have some kind of weapon or object that would flatten the enemy in a second. But the fight scene just goes on and on but it never appears. You spend the entire scene screaming at the book ‘Just use it, you idiot!’ but they never do. Either the battle is won by random chance or an ally is killed in the process.

You can avoid this in your own writing by keeping an inventory of everything that your character has with them on their journey, like the inventory screen in a videogame, and a record of when they pick things up and when they leave things behind. If you don’t then it is easy to make errors like the ones I mentioned above and your readers will notice.

The way I keep my character’s inventories is fairly simple. I make a document and mark out every chapter when the characters are on their journey. I list the things that each character has when their journey starts and in which chapters they lose or acquire new things. I also consider what bags they have and how much they can carry at any one time. If a character left home with only the clothes on their back then they won’t be able to fit much in their pockets. If they have a horse with them then they can load up on much more. It’s as simple as that. I always have a reference to check when I’m writing. If you’re more of a visual thinker then you could make a collage or vision board of your characters inventory instead. Experiment a little and find what works best for you.

Much of the time, the acquisition or using up of equipment will happen off page. You’re not going to describe every time your characters go to the marketplace or stop for a snack. That would make for a very boring novel. If you keep a timeline of how much time passes within and between each chapter of your novel then you can use this with your inventory document to list what things were used up or bought during these intervals.

Be careful that you don’t fall victim to the videogame logic which says you can carry dozens of everything in your bags. It may work in Pokemon but it doesn’t work in reality, or indeed in a novel. Don’t have your characters do what they do in games either and pick up every useless thing they find in the hopes that it might be useful later or be sold for pennies at the next shop. Do you pick up every twig and mushroom when you go for a walk in the forest?

‘Now what did I do with that plot essential item?’

Then again, maybe this does fit some characters personalities. The items your character carries can also be used to say something about them. If you want to show that a character is fussy and overly organised then describe them carrying a huge bag containing everything they could ever need, but probably won’t. If you want a character to be scatter-brained or ill-prepared for their adventure, show them carrying useless items or forgetting the essentials for their quest. Do any of your characters carry or wear items purely for sentimental reasons? (E.g. Katniss’ Mockingjay pin in The Hunger Games which becomes very important later on.)

Finally, don’t forget to also keep track of the amount of money in your character’s purse. You keep a close eye on how much money you have in real life, don’t you? If your character lives in a society that uses bartering instead of currency, how will that affect what they carry?

It’s something that is often overlooked, but these few simple tricks can help you avoid embarrassing errors in your novel, make the writing easier for yourself, and help you to visualise your novel and engage with its world and characters.

How to Write Love at First Sight

04 Thursday Jun 2015

Posted by Jessica Wood in Common Criticism, culture, fairy tale, fantasy, film, musings, romance, story, writing, writing advice

≈ 3 Comments

Tags

fairy tale, fantasy, fiction, historical fiction, love at first sight, romance fiction, story, storytelling, writing, writing advice, writing fairy tales, writing fiction, writing tips

Can you guess how this is going to work out?

People seem to be in one of two camps when it comes to love at first sight. Either it’s the ultimate epitome of romance and true love or it’s a creepy, unhealthy fixation that will never work out. This is why the fairy tale image of love at first sight leading to an instant happy ever after is going through a deconstruction in recent years and most modern readers are turned off by it.

There is a reason why it emerged as a literary trope and even why it still appears in some stories today. First meetings are emphasised in fiction because they are important in real life as well. Our first meeting and first impressions of someone will determine what our future relationship with them will be like. As much as we’d like to think we’re completely objective, scientists do say that it takes as little of one tenth of a second to decide if we like someone upon first seeing their face.

From a historical standpoint, it’s easy to see why this used to be a more acceptable form of storytelling. People used to die sooner and were expected to marry young so they had to latch onto the first piece of marriage material they came across and not let go. Divorce was also frowned upon so they were expected to be happy with their chosen partner for their whole lives, or at least pretend to be.

As society has changed, the idea of love at first sight has changed with it. Just as we aren’t expected to settle down with someone we’ve just met, so we don’t expect fictional characters to either.

Even so, there are still people who believe in love at first sight and it apparently does happen to some people. Some of these relationships do work out but others end horribly. So can it ever be pulled off in fiction? I’ve found that there are some cases when it can:

When to write love at first sight.

Short time frame. This is why love at first sight is so often associated with Disney films. The writers only have an hour and a half to make you buy into a relationship and love at first sight saves them a lot of time on development. This is why it rarely if ever works in a novel or long running television series because there is plenty of time to develop a relationship naturally.

A legitimate reason. To use Disney as an example again, Frozen did a very good job of establishing why Anna would fall instantly in love with Prince Hans – she’s spent most of her life isolated from her sister and only has one day to find a husband to keep her company throughout the rest of her lonely days. Of course it doesn’t work out but her reasons for falling instantly in love still make a lot more sense than the classic Disney Princesses.

Magical power. Maybe a character can predict what their true love’s first words to them will be or they were star crossed lovers in a previous life and have been sub-consciously drawn to each other. There is some room for creativity here. Magical powers can be a satisfactory explanation but if done badly they can come across as lazy writing, obvious plot devices and an excuse to skip out on the development of the relationship. In the worst cases they can also be downright creepy. Remember how appalled everyone was by the ‘imprinting’ scene in Twilight?

It’s not supposed to work out. Maybe the reasons why people are against this trope are the very things you are going for. It could be a villain with an unhealthy fixation on someone or a clueless romantic with no idea how true love really works. Even Romeo and Juliet, the most famous and glorified example of love at first sight was actually supposed to be a warning against hasty marriages.

Lust at first sight. This is a legitimate excuse because it does happen and lust is different than love. A crush at first sight is also understandable. I think all of us can say we’ve gotten a crush on someone just by looking at them, even if we later found out that their personalities weren’t as great as their looks.

Historical fiction. As I said, people’s attitudes to love at first sight have changed so you might be able to explain it in a historical context. But keep in mind that aside from different attitudes, people in the past were still the same as us in every other way and their hasty marriages didn’t always lead to happily ever after.

So there are some instances when you can write a character falling in love at first sight, but these are just starting points to the development of a relationship. In stories, build up is everything so you have to make your readers believe why somebody is worth going through a whole book’s worth of trials for.

I mentioned in a previous article that love triangles only work if they are written well. This is perhaps even truer for love at first sight. It’s not that writers can’t use it but it needs to be handled in a precise way to work effectively. Sometimes it can be done successfully but it is very rare and attempts to do so more often fail. If your character does fall in love at first sight and you want the readers to support their relationship then at least spend time developing it and the characters properly and have the characters decide if they want to make the relationship work in the long term.

8 creatures that fantasy needs more of.

12 Friday Dec 2014

Posted by Jessica Wood in Dungeons and Dragons, fantasy, musings, story, writing

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beholder, dames blanches, dragon, dryad, dungeons and dragons, fantasy, fantasy archetypes, fantasy creature, fantasy creatures, fantasy story, fantasy world, fantasy writing, gelatinous cube, golem, griffin, kelpie, mermaid, monster, monsters, pegasus, tsukumogami, unicorn, will-o-wisp, writing advice, writing tips

I love dragons. And griffins and pegasi and unicorns and mermaids. That’s why I populate my fantasy worlds with them, as do many authors. But these standard fantasy creatures have been done to death so much they have become boring and unoriginal. Writers don’t need to restrict themselves to fantasy archetypes. There are numerous creatures in mythology and monster manuals that are just as interesting, weird and terrifying and serve the purpose just as well. These are just some of the creatures I’d like to see more of in fantasy:

1. Kelpie

From Scottish folklore, they look like those weird water ponies from My Little Pony except that they can take on human form outside of water, except for their hooves. They lure people to ride on their backs and then drag them under water and drown them. An interesting and twisted alternative to mermaids.

Dames Blanches

Or ‘white women’ are like the bridge keepers that show up in fantasy and won’t let you pass unless you answer a riddle, except instead of a riddle they’ll throw you into a thistle patch if you refuse to dance with them.

Tsukumogami

A Japanese myth of objects gaining life and sentience after 100 years. My favourites are the ittan-momen, bolts of cotton that wrap around people’s necks to choke them and the kasa-obake, living umbrellas that hop around on one leg. There is a whole list on Wikipedia: http://en.wikipedia.org/wiki/Tsukumogami. This sounds like the sort of overblown whimsy you see in Ghibli films, but there’s no reason a fantasy novel can’t have a similar concept.

4. Beholder.

Possibly one of Dungeons and Dragon’s most famous creatures, they look like big floating heads with scary huge teeth and single eyes. From their eye stalks they fires rays that can cause damage, put you to sleep, restrain, levitate, confuse, induce fear, or disintegrate.

As they are registered property of Wizards of the Coast, you probably can’t use the word ‘beholder’ but you can use them as the base for your own monster.

5. Dryad

Tree nymphs from Greek mythology, with similar creatures in many other countries’ myths as well. They usually appear as human women and their lives are tied to their trees. They must replant their trees whenever they move somewhere new and if the tree dies then they die with it.

Gelatinous cube.

Anyone who’s ever played Dungeons and Dragons has just groaned. These things are horrible and nearly impossible to defeat. They are literally just ten foot cubes of ooze which cause paralysis when touched and absorb anything they come into contact with. You’d better have a good magic user in your party because they can’t be hurt with physical force or weapons.

Will-o-wisp.

There are many stories of lights that float over swamps or bogs, seemingly to lure unsuspecting travelers away from safe paths to their deaths, but there are many variations. Scandinavian folklore says they point the way to treasure, especially on Midsummer’s day. The German version likes to make fun of couples making out. There are numerous possibilities that your wisps can have.

8. Golem

Also known as a construct, guardian, homunculus, and many other names, these are inanimate beings made of metal, stone, wood, mud, or sometimes even human flesh brought to life by magic, spells or some kind of energy. I don’t know why but I’m fascinated by things like these. Maybe it’s because mythology had the concept of a robot long before science fiction ever did.

Some tips for filling your fantasy world with monsters:

Use mythology books or RPG monster manuals for inspiration. But if the creatures are under copyright, such as the ones invented for the Dungeons and Dragons games, use them as a base instead of directly copying them.
If you still want to include dragons or griffins or any other standard fantasy creature into your book, that’s still fine, as long as you find an original angle for it and don’t rely on decades old stereotypes that have long since become old. For instance, Futurama had a beholder working an office job!
‘Please don’t tell my supervisor I was sleeping!’
Avoid the ‘calling a rabbit a smeerp’ trope. This is where authors are trying to be clever by using a made up word for something that doesn’t need it, which only confuses the reader. It would make sense if the dragons in your fantasy world are called ‘wryms’ or ‘drakes’ but not if they are called ‘Qiznars’.
Use real life animals for inspiration. How about a dire hyena or a ten foot tall swan? All mythology has a basis in reality, after all.
Combining two animals into one is another popular option. Just off the top of my head I have penguin-monkey, owl-toad, and horse-bear. Ok, those need work but you get what I mean.
Mix and match your mythological creatures to create original combinations. One of the best short stories I ever read was a dryad who fell in love with a dwarf.

Fantasy writers and readers, are there any little known creatures you’d like to see in more fantasy stories?

Wood the Writer

~ Author of Tales From Undersea

Tag Archives: fantasy

Top Seven Books I Read in 2020

TV Review – Drifting Dragons

Why I love fairy tales (but I hate fairy stories)

Book Review – Pegasus

How to keep your character’s inventory

How to Write Love at First Sight

8 creatures that fantasy needs more of.