Tag Archives: fantasy

Why I love fairy tales (but I hate fairy stories)

08 Tuesday May 2018

Posted by in anime, criticism, fairy tale, fantasy, musings, villain, writing

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I love fairy tales and love writing stories adapting or subverting their tropes. But one thing you will never find me writing is stories about fairies, or even featuring fairies, because personally I can’t stand them and have no interest in writing about them.

If this may seem odd, consider the difference between a fairy tale and a fairy story. In his essay On Fairy Tales, J.R.R Tolkien defined a fairy tale as a story dealing with the land of faery and mankind’s relationship with it. They often work as cautionary tales about wandering into the realm of the fae and not being able to return to the ‘real’ world.

‘Faery’ is a fairly broad term but it generally refers to what ancient cultures believed was a world parallel to but connected to our own filled with other-worldly creatures. Fairies were one such creature, but not the only ones which were said to inhabit it.


By contrast, Tolkien defined fantasy as something set in an entirely invented world, like his own Middle Earth. More authors are making subversions by returning to the fae variety, but what we now call fairies tend to be creatures of fantasy rather than mythology. They tend to be small, humanoid beings, usually with wings and some form of magical powers.


The reason these fairies never resonated with me is because each interpretation tends to fall into one of these categories:

1. Too generic. It’s difficult for me to love any fantasy creature if the author doesn’t do at least something new with it.
2. Too girly. Not that I’m against girly (I’m a big fan of My Little Pony) but so many writers try to make their fairies too saccharine and sweet, which makes me feel like they just vomited glitter all over the page.
3. Too bitchy. I guess this is supposed to be a subversion of the girly variety, but it tends to come across to me as making them overly mean for no real reason.

This doesn’t mean that I hate all stories with fairies, however. I like the weather fairies in A Tiny Snow Fairy Sugar and the sweets spirits in Yumeiro Pâtissière since despite being overly cutsy, they were still different than the standard fare and their story arcs were just as strong and significant as those of their human friends.


By far my favourite fairies in any form of fiction were the three good fairies – Flora, Fauna, and Merryweather – in Disney’s version of Sleeping Beauty. This is because they were well-rounded, funny, and interesting characters, in fact they were far more heroic than the incredibly bland and useless titular character.


While their magical powers were fairly generic and the film does rely upon incredibly black and white ideas of good and evil, the three of them avoided being either too girly or too bitchy by becoming developed characters rather than fairy archetypes. They had positive and negative qualities, they created some of the best comedy that’s ever been seen in a Disney film, they were loving to Aurora despite her complete lack of a personality, and when the time came to it they were completely badass. Really, the King and Queen should have given control of the kingdom to them at the end, since they were the only ones who had any sense (destroying all the spinning wheels in the kingdom both destroyed the economy and left everyone naked, your majesty).

The villainess Maleficent is also technically a fairy (which is why the re-make made her more like the fae variety) but also greatly different than most ‘bad’ fairies in fiction. True her motivation is for incredibly petty reasons, only because she wasn’t invited to a party, but she is still one of the most memorable villains that Disney has ever made. Even sixty years later, she is still the benchmark against which all other animated villains are measured. The strong characterisation of both the good and evil fairies is what makes Sleeping Beauty into both a fairy tale and a good story about fairies.


What are your thoughts on fairy tales and fairy stories? What are your favourite and least favourite fictional fairies? Tell me in the comments below!

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Book Review – Pegasus

27 Monday Feb 2017

Posted by in book review, culture, fantasy, story, writing

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Pegasus by Robin Mckinley tells the story of a human kingdom which for over a thousand years has held an alliance with a race of sentient pegasi in order to keep both races safe from the monsters which ravage the land. Part of the treaty is that members of the human royal family are ceremoniously bound to members of the pegasi royal family. Despite this, the two races can only communicate through vague sign language and still know little about each other’s cultures.

This all changes on the day that Princess Sylvi, the fourth child of the current King, is bound to her pegasus Ebon, the fourth child of the pegasus king. They find that they can communicate with each other telepathically. While the two are happy with their new found friendship and some hope it can form a greater bond between humans and pegasi, others, especially the bitter court magician Fthoom, feel that it is wrong to go against a thousand years of tradition and it will break the alliance. As she grows closer to Ebon and the other pegasi, Sylvi comes to discover many secrets about both of their races that have been hidden for generations and which may well put their alliance in danger.

I began reading this book as I am also writing a boot that includes pegasi, and I was immediately drawn in by the new angle that the author takes to pegasi, making them much more than just horses with wings. Most notably, they have small feather like hands on the ends of their wings which allow them to make things. Sylvi’s Pegasus Ebon wishes to be a sculptor of all things.

It is unfortunate then that the major failing in this book is that it is incredibly slow paced, particularly at the beginning which feels much more like a history lecture and takes about four chapters to get to the first major plot point. It is at least interesting exposition which provides a good setup for the inciting incident and does at least make you want to keep reading, but it still feels like it could’ve been so much shorter and to the point. It made reading the book even more frustrating as I was genuinely enjoying it and becoming invested into the characters, but the bad pacing was so noticeable that I knew it would keep me from giving it a five star rating. I couldn’t even use the excuse that it is a classic book using archaic language as it only came out in 2010.

The rest of the book isn’t much better with sometimes a hundred pages between each plot point, and yet there is also a setup for a monster attack which is never carried through. There is a cliff hanger at the end with a sequel supposedly coming out soon which will hopefully complete this plot thread. But it still feels as if the entire story could’ve been condensed into one volume just by cutting down upon the lengthy parts.

Still, anyone who doesn’t mind sifting through this heavy exposition and enjoys fantasy with a unique perspective will still like this book. Sylvi and Ebon are likeable protagonists and you can’t help but feel drawn in by their strong bond and curiosity over each other’s cultures. I’ll be looking forward to the sequel, even if I might have to sit through a lot of lengthy prose for a second time.

Rating – 4 out of 5.

Writing Lesson of the Week – Taking a Break and Planning Ahead

22 Thursday Dec 2016

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As is normal for the second half of December, I’m taking a break from all writing that isn’t work related. Mostly it’s because I finished the second draft of my novel (wohoo!) and want to take a break before I start on the crucial third draft. But I haven’t stopped entirely. I have had an idea for a novel I want to write after this current trilogy of fantasy novels knocking around in my head for a while now. It’s a magical girl series set in my home town with characters based upon people I know. I really like the magical girl genre but since it originates from Japan, literally every magical girl story takes place in urban Japan so I thought it would be interesting to transplant the genre into a regular English town instead. Being back in my home town where I intend to set it is generating a lot of ideas for characters and locations.

As it’s going to take me a long time to finish this fantasy trilogy, I don’t know yet if I will end up working on this afterwards as I might have lost interest in the idea by then. But it is still something fun to do over the holidays to keep myself busy. Plus it could give me a head start on my next book when I do finish the trilogy. There isn’t much for me to do right now outside of walking the dog, watching movies, and drinking in the morning, so I may as well work on this book, and some minor details of my fantasy book, until its back home and back to real life again.

Writing Lesson of the Week – How to Write a Series

18 Tuesday Oct 2016

Posted by in adaptation, Common Criticism, fantasy, film, musings, story, writing, writing advice, writing lesson of the week

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I’ve taken a brief break from writing my novel as I’ve had a major freelance job come in, which means completing about a month’s worth of work in 9 days. I’m happy to be working, but also kind of questioning why I do this to myself.

I did see this post on another author’s blog about series books which are devoid of an exciting plot, devoting the entire first book in the series to the rising action with no real climax or a satisfying conclusion for the reader. It’s incredibly common especially for fantasy writers to write trilogies or series, myself included, but when publishing a book, I think we should learn the correct way to write them.

Tolkien started the trend of fantasy trilogies with The Lord of the Rings, but ironically this was actually unintentional. His book was published in three parts due to post-war paper shortages, which is why the end of The Fellowship of the Ring especially just sort of ends unexpectedly and picks up again in The Two Towers as if there wasn’t a break. The film adaptation handled it much better, by moving Boromir’s death to the end of Fellowship, providing a conclusion to his story arc, and ending one part of the story to begin another.

This is why all film trilogies are structured so that they can be watched and enjoyed as separate movies, rather than a single story told in three parts. If the credits started rolling after a random scene simply because it’s a third of the way through the story, you’d feel pretty cheated and wouldn’t be back to watch parts two and three.

Books should work in the same way. I initially planned my novel as a single story but had so many ideas that it will now be three. But I’m keeping the basic structure of the first book, with only a few unanswered questions and unresolved sub-plots, and even then only very minor ones, so that readers can still enjoy it as a coherent story and decide for themselves if they want to read the next book. While I am planning a plot twist for the end of book two, I still plan on wrapping up the story and main plot of that book and I hope that readers who have reached that point will be invested enough that the ending won’t bother them.

While I do wish there were more one-off fantasy books, I do still enjoy a good series, but only if it is written and structured correctly.

Writing Lesson of the Week – Changing Character Details Half Way Through a Draft

04 Tuesday Oct 2016

Posted by in Editing, fantasy, musings, self publishing, story, writing, writing advice, writing lesson of the week

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This is a new weekly feature I’ve started for this blog, which I intend to use for sharing writing tips I’ve picked up, updates on my writing progress, observations on what I’ve been watching or reading, or maybe even some short pieces of writing.

I’m about two thirds of the way through my novel’s second draft now, hoping to finish it by the end of the year, and I was a little annoyed by a revelation that caused me to change major character details. Specifically, there were two characters in my novel who used wind and earth magic. I initially put this in along with a fire mage and water mage for a four elements thing, five if you count the character who represents spirit. But I noticed that the wind magic user reveals her powers early on then doesn’t use them until the climax. The earth magic user is also a skilled melee fighter, which factors much more into the plot than her magic abilities. So I decided that as cool as the magic was, it had to go. The wind magic user now has her maturity, leadership, and manipulation as her key skills while the earth magic user can stick to being an awesome fighter. The fire and water mages can stay as their magic serves the plot much better. It also makes more sense to only have two magic users in the main cast as I’ve established that natural magic abilities are rare in my fantasy world. I can still have the two characters represent the elements of air and earth while not necessarily have them use elemental abilities.

While it is a good thing I picked up on these flaws before I published the book or sent it to agents, it’s still annoying that I’ll have to go back and change two thirds of this current draft. It’s inevitable that multiple drafts are required when writing a book, but it does make me worry how much stuff I’m going to change and how many drafts I’ll need. What if I keep on editing and never get around to publishing the book?

Even worse, what if I notice something after the book has been published but it’s too late to go back and change it? I’ve heard that a lot of writers feel this way. Sometimes they go back and re-write their old work, other times they just leave them and feel embarrassed whenever they’re brought up. Perhaps it’s just another part of being a writer that we all have to come to terms with. Or perhaps I’m being paranoid and the third or fourth drafts will be just fine. Either way, it does make me glad that I’m taking my time with writing this book rather than rushing it out so I have time to improve my skills and notice flaws like these before I put out my first book.

photo credit: Dunechaser <a href=”http://www.flickr.com/photos/12426416@N00/469027719″>Elemental Mages</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-sa/2.0/”>(license)</a&gt;

How to keep your character’s inventory

01 Tuesday Sep 2015

Posted by in fantasy, musings, story, writing, writing advice

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How often has this happened in a book you’re reading: A character has encountered a deadly creature. They can’t run because the creature is too fast. They try ducking out of the way but they can’t do that forever. They throw stones but that just enrages the beast even more. Just when all seems hopeless, they pull out a sword from their belt and…Wait, since when did that character have a sword? That was never mentioned before!

Even worse is when the character is in the middle of a fight, and you, the reader, know they have some kind of weapon or object that would flatten the enemy in a second. But the fight scene just goes on and on but it never appears. You spend the entire scene screaming at the book ‘Just use it, you idiot!’ but they never do. Either the battle is won by random chance or an ally is killed in the process.

You can avoid this in your own writing by keeping an inventory of everything that your character has with them on their journey, like the inventory screen in a videogame, and a record of when they pick things up and when they leave things behind. If you don’t then it is easy to make errors like the ones I mentioned above and your readers will notice.

The way I keep my character’s inventories is fairly simple. I make a document and mark out every chapter when the characters are on their journey. I list the things that each character has when their journey starts and in which chapters they lose or acquire new things. I also consider what bags they have and how much they can carry at any one time. If a character left home with only the clothes on their back then they won’t be able to fit much in their pockets. If they have a horse with them then they can load up on much more. It’s as simple as that. I always have a reference to check when I’m writing. If you’re more of a visual thinker then you could make a collage or vision board of your characters inventory instead. Experiment a little and find what works best for you.

Much of the time, the acquisition or using up of equipment will happen off page. You’re not going to describe every time your characters go to the marketplace or stop for a snack. That would make for a very boring novel. If you keep a timeline of how much time passes within and between each chapter of your novel then you can use this with your inventory document to list what things were used up or bought during these intervals.

Be careful that you don’t fall victim to the videogame logic which says you can carry dozens of everything in your bags. It may work in Pokemon but it doesn’t work in reality, or indeed in a novel. Don’t have your characters do what they do in games either and pick up every useless thing they find in the hopes that it might be useful later or be sold for pennies at the next shop. Do you pick up every twig and mushroom when you go for a walk in the forest?

'Now what did I do with that plot essential item?'

‘Now what did I do with that plot essential item?’

Then again, maybe this does fit some characters personalities. The items your character carries can also be used to say something about them. If you want to show that a character is fussy and overly organised then describe them carrying a huge bag containing everything they could ever need, but probably won’t. If you want a character to be scatter-brained or ill-prepared for their adventure, show them carrying useless items or forgetting the essentials for their quest. Do any of your characters carry or wear items purely for sentimental reasons? (E.g. Katniss’ Mockingjay pin in The Hunger Games which becomes very important later on.)

Finally, don’t forget to also keep track of the amount of money in your character’s purse. You keep a close eye on how much money you have in real life, don’t you? If your character lives in a society that uses bartering instead of currency, how will that affect what they carry?

It’s something that is often overlooked, but these few simple tricks can help you avoid embarrassing errors in your novel, make the writing easier for yourself, and help you to visualise your novel and engage with its world and characters.

How to Write Love at First Sight

04 Thursday Jun 2015

Posted by in Common Criticism, culture, fairy tale, fantasy, film, musings, romance, story, writing, writing advice

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Can you guess how this is going to work out?

Can you guess how this is going to work out?

People seem to be in one of two camps when it comes to love at first sight. Either it’s the ultimate epitome of romance and true love or it’s a creepy, unhealthy fixation that will never work out. This is why the fairy tale image of love at first sight leading to an instant happy ever after is going through a deconstruction in recent years and most modern readers are turned off by it.

There is a reason why it emerged as a literary trope and even why it still appears in some stories today. First meetings are emphasised in fiction because they are important in real life as well. Our first meeting and first impressions of someone will determine what our future relationship with them will be like. As much as we’d like to think we’re completely objective, scientists do say that it takes as little of one tenth of a second to decide if we like someone upon first seeing their face.

From a historical standpoint, it’s easy to see why this used to be a more acceptable form of storytelling. People used to die sooner and were expected to marry young so they had to latch onto the first piece of marriage material they came across and not let go. Divorce was also frowned upon so they were expected to be happy with their chosen partner for their whole lives, or at least pretend to be.

As society has changed, the idea of love at first sight has changed with it. Just as we aren’t expected to settle down with someone we’ve just met, so we don’t expect fictional characters to either.

Even so, there are still people who believe in love at first sight and it apparently does happen to some people. Some of these relationships do work out but others end horribly. So can it ever be pulled off in fiction? I’ve found that there are some cases when it can:

When to write love at first sight.

Short time frame. This is why love at first sight is so often associated with Disney films. The writers only have an hour and a half to make you buy into a relationship and love at first sight saves them a lot of time on development. This is why it rarely if ever works in a novel or long running television series because there is plenty of time to develop a relationship naturally.

A legitimate reason. To use Disney as an example again, Frozen did a very good job of establishing why Anna would fall instantly in love with Prince Hans – she’s spent most of her life isolated from her sister and only has one day to find a husband to keep her company throughout the rest of her lonely days. Of course it doesn’t work out but her reasons for falling instantly in love still make a lot more sense than the classic Disney Princesses.

Magical power. Maybe a character can predict what their true love’s first words to them will be or they were star crossed lovers in a previous life and have been sub-consciously drawn to each other. There is some room for creativity here. Magical powers can be a satisfactory explanation but if done badly they can come across as lazy writing, obvious plot devices and an excuse to skip out on the development of the relationship. In the worst cases they can also be downright creepy. Remember how appalled everyone was by the ‘imprinting’ scene in Twilight?

It’s not supposed to work out. Maybe the reasons why people are against this trope are the very things you are going for. It could be a villain with an unhealthy fixation on someone or a clueless romantic with no idea how true love really works. Even Romeo and Juliet, the most famous and glorified example of love at first sight was actually supposed to be a warning against hasty marriages.

Lust at first sight. This is a legitimate excuse because it does happen and lust is different than love. A crush at first sight is also understandable. I think all of us can say we’ve gotten a crush on someone just by looking at them, even if we later found out that their personalities weren’t as great as their looks.

Historical fiction. As I said, people’s attitudes to love at first sight have changed so you might be able to explain it in a historical context. But keep in mind that aside from different attitudes, people in the past were still the same as us in every other way and their hasty marriages didn’t always lead to happily ever after.

So there are some instances when you can write a character falling in love at first sight, but these are just starting points to the development of a relationship. In stories, build up is everything so you have to make your readers believe why somebody is worth going through a whole book’s worth of trials for.

I mentioned in a previous article that love triangles only work if they are written well. This is perhaps even truer for love at first sight. It’s not that writers can’t use it but it needs to be handled in a precise way to work effectively. Sometimes it can be done successfully but it is very rare and attempts to do so more often fail. If your character does fall in love at first sight and you want the readers to support their relationship then at least spend time developing it and the characters properly and have the characters decide if they want to make the relationship work in the long term.

8 creatures that fantasy needs more of.

12 Friday Dec 2014

Posted by in Dungeons and Dragons, fantasy, musings, My Little Pony Friendship is Magic, story, writing

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I love dragons. And griffins and pegasi and unicorns and mermaids. That’s why I populate my fantasy worlds with them, as do many authors. But these standard fantasy creatures have been done to death so much they have become boring and unoriginal. Writers don’t need to restrict themselves to fantasy archetypes. There are numerous creatures in mythology and monster manuals that are just as interesting, weird and terrifying and serve the purpose just as well. These are just some of the creatures I’d like to see more of in fantasy:

1. Kelpie

kelpie

From Scottish folklore, they look like those weird water ponies from My Little Pony except that they can take on human form outside of water, except for their hooves. They lure people to ride on their backs and then drag them under water and drown them. An interesting and twisted alternative to mermaids.

  1. Dames Blanches

Or ‘white women’ are like the bridge keepers that show up in fantasy and won’t let you pass unless you answer a riddle, except instead of a riddle they’ll throw you into a thistle patch if you refuse to dance with them.

  1. Tsukumogami

Yoshikazu_Kasa-obake

A Japanese myth of objects gaining life and sentience after 100 years. My favourites are the ittan-momen, bolts of cotton that wrap around people’s necks to choke them and the kasa-obake, living umbrellas that hop around on one leg. There is a whole list on Wikipedia: http://en.wikipedia.org/wiki/Tsukumogami. This sounds like the sort of overblown whimsy you see in Ghibli films, but there’s no reason a fantasy novel can’t have a similar concept.

4. Beholder.

beholder

Possibly one of Dungeons and Dragon’s most famous creatures, they look like big floating heads with scary huge teeth and single eyes. From their eye stalks they fires rays that can cause damage, put you to sleep, restrain, levitate, confuse, induce fear, or disintegrate.

As they are registered property of Wizards of the Coast, you probably can’t use the word ‘beholder’ but you can use them as the base for your own monster.

5. Dryad

Tree nymphs from Greek mythology, with similar creatures in many other countries’ myths as well. They usually appear as human women and their lives are tied to their trees. They must replant their trees whenever they move somewhere new and if the tree dies then they die with it.

  1. Gelatinous cube.

Gelatinous_Cube

Anyone who’s ever played Dungeons and Dragons has just groaned. These things are horrible and nearly impossible to defeat. They are literally just ten foot cubes of ooze which cause paralysis when touched and absorb anything they come into contact with. You’d better have a good magic user in your party because they can’t be hurt with physical force or weapons.

  1. Will-o-wisp.

will o wisp

There are many stories of lights that float over swamps or bogs, seemingly to lure unsuspecting travelers away from safe paths to their deaths, but there are many variations. Scandinavian folklore says they point the way to treasure, especially on Midsummer’s day. The German version likes to make fun of couples making out. There are numerous possibilities that your wisps can have.

8. Golem

Golem

Also known as a construct, guardian, homunculus, and many other names, these are inanimate beings made of metal, stone, wood, mud, or sometimes even human flesh brought to life by magic, spells or some kind of energy. I don’t know why but I’m fascinated by things like these. Maybe it’s because mythology had the concept of a robot long before science fiction ever did.

Some tips for filling your fantasy world with monsters:

  • Use mythology books or RPG monster manuals for inspiration. But if the creatures are under copyright, such as the ones invented for the Dungeons and Dragons games, use them as a base instead of directly copying them.
  • If you still want to include dragons or griffins or any other standard fantasy creature into your book, that’s still fine, as long as you find an original angle for it and don’t rely on decades old stereotypes that have long since become old. For instance, Futurama had a beholder working an office job!

    'Please don't tell my supervisor I was sleeping!'

    ‘Please don’t tell my supervisor I was sleeping!’

  • Avoid the ‘calling a rabbit a smeerp’ trope. This is where authors are trying to be clever by using a made up word for something that doesn’t need it, which only confuses the reader. It would make sense if the dragons in your fantasy world are called ‘wryms’ or ‘drakes’ but not if they are called ‘Qiznars’.
  • Use real life animals for inspiration. How about a dire hyena or a ten foot tall swan? All mythology has a basis in reality, after all.
  • Combining two animals into one is another popular option. Just off the top of my head I have penguin-monkey, owl-toad, and horse-bear. Ok, those need work but you get what I mean.
  • Mix and match your mythological creatures to create original combinations. One of the best short stories I ever read was a dryad who fell in love with a dwarf.

Fantasy writers and readers, are there any little known creatures you’d like to see in more fantasy stories?

Wicked Lovely Desert Tales volume 3 – Manga review

06 Tuesday Nov 2012

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This is my first review in quite a while, so it seems fitting to return to an old foe. The final installment in Melissa Marr’s Desert Tales manga trilogy. I’ve reviewed the first two books already (the reviews are here and here) and if you don’t have time to read them, the basic summary is that I didn’t much care for them. The main issues I have are:
1. They’re confusing for people who aren’t familiar with the Wicked Lovely novels.
2. The characters are dull, unrealistic and annoying.
3. The story is all talk, no action.
4. The artwork is average at best.

And trust me, that’s me being kind.

Here’s a plot summary, but keep in mind I haven’t read the novels so there is a very likely chance that I get things wrong. You can call me out on them if you want:

The manga is set in the same world of Huntsdale as the novels, where beings known as faeries live unbeknownst to mortals. Faeries are humanoid creatures with magical powers and long life spans, but can only live in certain places (e.g. an ice faerie can’t set foot in a desert) and can’t touch certain materials such as iron and steel which are poisonous to them.

The faeries have their own political system and all follow a certain monarch, the main ones in the manga being the Summer and Winter courts. The only exceptions are the solitary fey who are like the biker gangs of the faerie world.

The manga tells the story of Rika, a human girl who was transformed into a faerie and forced to live her life in the desert, where she has become the ‘alpha.’ She falls in love with a mortal artist named Jayce and through some sort of accident he becomes able to see faeries and he and Rika form a relationship. All the while there is a battle of power going on in the desert and Rika must fight to keep her position as alpha and keep the desert safe.

I’ve probably made it all sound very exciting but trust me, it’s not. Any exciting or interesting moments are breezed over for endless prattling on about boring political matters. And good luck trying to understand any of it if you haven’t read all of the novels in the series.

So enough expo dump, let’s get started on book 3 of Desert Tales. Whoops, I’m starting to rip off Linkara! I won’t do that again.

First up the cover. Nothing to get excited about, they’re just showing off their serious faces. Rika’s boobs are slightly pushed out but that’s about it.

Open the book and you only need to get one panel in for a return to the bad artwork. Shy the fox faerie, who is apparently also the desert alpha which I don’t remember from before, is looking for Rika and witnesses some desert fey pestering humans. They commit horrible crimes like tripping people up and giving a little boy a small cut on his finger. Despite having a relatively small role in the manga thus far, they are going to be the main focus of the final book.

We then see Rika and Jayce about to leave the desert and being spied on by other desert fey. They’re surprised that Jayce can see them and Rika reveals that she gave him faery sight. So why was that never mentioned before? Is she talking about the time Jayce fell on her and then he could see her all of a sudden? It doesn’t take long for this manga to start confusing the hell out of me.

The two of them have a little talk about the nature of their relationship. It seems faeries don’t date mortals because our lifespans are much shorter than theirs. Jayce isn’t bothered because they’re happy in the present, showing that he really hasn’t put any real thought into this different lifespans thing or it’s implications.

Now this is an issue I’m writing about in my own fantasy novel, and I plan on having my main character really feel the reality of it and make it one of the main obstacles in the relationship (I won’t tell you how it ends).

Many other works of fiction have dealt with this issue much better (even Twilight made it a major plot point!) than just saying ‘well I’m happy now so who cares?’ For instance, the Lord of the Rings films handled it very well and went into it in great depth. How will Jayce feel when he’s an old man and Rika is still a young, hot teenage girl surrounded by equally young and hot faeries? And has he considered how sad Rika will be having to live for centuries without the one she loves? Read the Mayfly December article on TV Tropes for some decent examples of this issue.

So after that not-quite-romantic moment, Rika and Jayce go to see the Winter Queen to ask for her help. And how do they get there? Magical faerie super speedy running power!

Maybe this is why I don’t like faerie literature much – a lot of the time their powers seem undetermined and they pull faerie powers out their arses whenever the situation calls for it. In this volume alone there is this, the faerie sight, doing spins off of buildings and ‘faeries can’t lie.’ Just like Stephanie Myer’s vampires, just giving the characters a bunch of unexplained mystical powers doesn’t automatically make them supernatural beings. I mean, dragons may be incredibly powerful and can kill you in all manner of ways, but you know you couldn’t ask one to thread a needle. I know that analogy may have made no sense, but I assure you it did in my head.

Now the Winter Queen Donia is the only character in this entire manga who I actually like and am interested to read about. She has a beautiful character design with long flowing hair, a white wolf by her side and snowflakes in the background in every panel she’s in. She’s a lot like Gwen from Merlin, soft, gentle and intelligent but still able to queen it up when she needs to. Most importantly, she’s not ungodly annoying or inconsistent like the rest of this cast. Even her tragic romance with Keenan, who has been a real prick throughout the rest of the story, is surprisingly engaging. If the manga and novels had all been about her, I would happily read them, even with the slightly off writing style.

But of course, we don’t spend much time with her before we’re back to Shy and his…Girlfriend? When did Shy get a girlfriend? I thought he fancied Rika in the last book? He never once mentioned he had a girlfriend but now she’s just there and seemingly important I guess. Not only that but the two of them are sickingly lovey-dovey. Because how else are the readers supposed to figure out that these characters are supposed to be in love?

The two of them go to eat in a diner which is also being plagued by desert fey and a waitress is rude to them. I have no idea why the waitress is rude to them. Maybe she’s just as confused about this sudden plot point as I am. Last time there was the girl on the skateboard for no reason at all. I guess the story just really needed an unnecessarily rude waitress to break up the tension.

So after another fight scene that lasts for a few pages, there’s another long bout of talking and talking and more talking. I think this may be why I dislike this series – We see them talk about all sorts of exciting things – fights and disappearing faeries and potential wars, but do we see any of it? No, it’s like in a soap opera where you only get to see the characters talking about the important or exciting thing that just happened.

Also, Keenan shows up for only one scene in this manga, despite being talked about a heck of a lot. Wasn’t he sort of a big deal in the first two books? He’s even in the picture I’ve put at the top of the page. And then this happens and I really wish I had an interpreter to tell me what is supposed to be going on. Has Melissa Marr even read a manga before?

Back in the desert, Rika and Shy team up to go fight the big bad Mali (who despite being the main villain, has barely any exposure in this entire series) and regain control of their desert. Apparently they’re going to share the alpha duties now. Or maybe they did already. Was that what this whole story was supposed to be about, because I think I missed that.

So in pure badly written villain style, Malli is just standing there waiting for them with her minions by her side and her entire negotiation is ‘No.’ Wow, how late did she stay up writing that?

Afterwards there’s a scene of Jayce sketching in the desert with some of the desert fey watching him and they talk about the benefits of peace in the desert. This would have been a pretty nice scene, but it is also ruined by bi-polar character disorder. Jayce, who was portrayed as pretty peaceful up until now, brandishes a knife, supposedly to threaten the faeries. Then on the same page, one of the fey asks Jayce to sketch him and Jayce smiles happily saying ‘I’d love to.’ I feel like we missed a couple of lines of dialogue there.

Next we have Rika and Shy gathering up the desert fey I guess and informing them about their alpha-hood. And yet another faery super power comes out of nowhere – Rika can do spins off of buildings now! The panels are also set up very sloppily so it’s hard to figure out where the characters are positioned or what they’re doing or feeling.

This leads to the biggest anti-climax ever, or at least it would have been if there had been any decent build up to begin with. Mali is defeated and forced into exile. The desert is free and Rika and Shy sit and look at the moon and….That’s it! End of manga!

All that’s left is a brief epilogue where Shy introduces his girlfriend to Rika and Jayce, and the two of them (Rika and Jayce that is) vow to be together for the rest of their lives. Or the rest of Jayce’s life at least. Huh, that’s actually sort of a depressing ending…

I know there are a lot of people who like the Wicked Lovely series, but I also know there are a fair share of people who dislike them, along with me. Maybe it’s just because I’m not in the intended age bracket, the same reason I didn’t like Sugar Rush. Maybe I’ve just never been that into faery literature ever since Tinkerbell in Peter Pan. I never liked that little bitch. Maybe I really would enjoy the manga if I was a fan of the novels. Or maybe it really is terrible.

Putting aside the novels, the manga alone fails on it’s own merits. It has a few good parts, but otherwise there is nothing engaging or special about the art, characters or script. The romance plot is barely there, in fact it’s hard to define what the plot is supposed to really be. I don’t think Melissa Marr knows enough about manga scripts to be able to write a good one. Congratulations to her for trying though, not many people get the opportunity to have a manga published. But the whole thing just feels overly talky and is set out more like a novel than a manga.

If you’re not a fan of Melissa Marr and Wicked Lovely and have read manga before, avoid this series. From what little I’ve seen of the novels, I wouldn’t really recommend those either, except perhaps for teenage girls who are into Twilight. This is just another series that falls into the manga sinkhole.

Cloud verdict – 3/10.

But on the bright side, at least there isn’t a manga adaptation of Twilight! Wait, what’s that? They’ve done what?! Nooooooo!!!