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Wood the Writer

~ Author of Tales From Undersea

Wood the Writer

Tag Archives: fantasy

City of Devils Cover and Blurb Reveal + Writing Update

15 Wednesday Jun 2022

Posted by Jessica Wood in author, Blog, blurb, cover reveal, indie, self publishing

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blurb reveal, cover reveal, dieselpunk, fantasy, steampunk, writing, ya fantasy

In Over York City, everyone can party like it’s 1929.

Detective Rory Sullivan is happy in his relationship with Colin Gilbert, the son of the Don, even if they have to keep it a secret. He rids the sky city of crime by day and spends time with his lover in the illegal, magically-hidden speakeasy by night.

But with both the police and the mafia at each other’s throats and poisoned alcohol circulating the speakeasies, more than their relationship could be in danger. The only people in the city they can trust is each other, but even that comes at a price. Rory might be forced to become a criminal to protect the people he loves.

Can Rory and Colin’s love survive in a city steeped in corruption, mechanical monsters, and crooked cops?

Peaky Blinders meets Firefly in this exciting dieselpunk series.

Pre-order now for 99 cents.

As you can see, the follow up to Sky’s Edge is almost ready. I only have proofreading and formatting to go until its ready. The release date is still set for August 28th, although I’ve set up the pre-order until then.

I’m also on the second draft on the third book on the series, titled Fall From the Sky. Without giving away too many spoilers, this one focuses on an art heist and musical theatre, because art and musicals happen to be two things I especially love.

In between these books, I’m also working on a new YA fantasy series titled Children of the Jaguar Empire, which will be based upon various world mythology including Aztec and Egyptian. I don’t have a lot else to reveal about this series just yet, but keep checking back for updates.

You can also join the steampunk newsletter for regular updates on the Sea and Skies series.

Worldbuilding Wednesday – Witches and Magic

26 Wednesday Jan 2022

Posted by Jessica Wood in Blog, steampunk, worldbuilding

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fantasy, magic, steampunk, witches, worldbuilding

Since they play such an important role in the story, I thought I’d explain a little about how magic users work in the Tales From Undersea series.

Magic exists. Where does it come from? Nobody knows. What is it made of? It isn’t clear. Who can use it? Technically anyone if they’re willing to put the time and effort into studying it. There are some who are naturally gifted with skills such as foresight and find it much easier to use magic. But anybody in the world of Undersea can technically use magic to some extent.

Magic generally requires some kind of energy sacrifice to work. Minor spells don’t take much energy, but a more difficult or complex spell such as locating an individual’s exact location will require several days in an almost trance-like state to work.

Sea Witches

Since they have been persecuted for so long on the surface, witches (a general term for magic users, although they can be male or female) moved Undersea once technology allowed them to. They found the free society a much more fertile ground for studying and developing magic. Once the factions began to emerge, witches naturally gravitated towards the Arthurian faction, inspired by the stories of the wizard Merlin. Other factions do use witches, but not nearly as often.

A magic school and society were also built in the Arthurian capital of Camelot. The purpose of both is to regulate the use of magic so it can’t be used for dangerous means. But there will always be some who do so, such as Elizabet Szekely (who is based upon the ‘Blood Countess’ Elizabeth Báthory). She was expelled from the Arthurian faction by King Stefan due to her dangerous actions, which only pushed her into joining an even more dangerous villain (I won’t say any more of that to avoid spoilers, but read Outcasts’ Alliance to find out more!).

Sky Witches

After technology developed and humans started building cities in the skies as well as Undersea, magic as instrumental. Many cities are kept afloat through the use of magic crystals which can only be found and powered by witches. Despite this development, after the Empire took over many of the sky cities, magic users reverted to using their skills in secret to avoid detection. Whilst the days of witch hunts were long since over, witchcraft was still feared in the Empire, or else viewed as nothing more than superstitious nonsense.

By the 1920s (the timeline in the upcoming Tales From the Skies series), most witches are merely sideshow attractions playing up the ‘magic gypsy’ image to sell tarot card readings or pry money from gullible or desperate people. But that doesn’t mean there aren’t still some genuine magic students in the skies, or that they aren’t using their skills for good.

Outcasts’ Alliance is out now! And what’s coming next

02 Sunday Jan 2022

Posted by Jessica Wood in author, Blog, book launch, fantasy, self publishing

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book launch, book release, dieselpunk, fantasy, steampunk, steampunk book

The final part of the Tales From Undersea trilogy is now available as an eBook! Click the cover below to grab your copy.

What’s coming next in 2022? Aside from hopefully being able to travel again. First of all, the Tales From Undersea series is getting a dieselpunk upgrade with the launch of a new series – Tales From the Skies. This series will be set in a sky city in the 1920s and will focus on a police/mafia romance, with lots of fun characters and fantasy elements.

As well as these books, I will also be jumping into the fantasy genre (although my books are arguably fantasy anyway) with the start of the Children of the Jaguar Empire series, a globe-trotting adventure based upon Aztec mythology.

I’m very proud of how my writing has developed over 2021. While I’m still far from the ‘quit your day job’ stage, I hope it will develop further in 2022.

Have a good New Year and may you receive many blessings for the next 12 months!

Worldbuilding Wednesday – Merfolk

08 Wednesday Dec 2021

Posted by Jessica Wood in Blog, Bonus content, fantasy, worldbuilding, writing

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fantasy, fantasy creatures, fantasy writing, merfolk, mermaids, worldbuilding, worldbuilding wednesday

For this blog’s first edition of ‘Worldbuilding Wednesday’ I thought I’d tell you all a little more about one of the most popular races in the Tales from Undersea series – the merfolk!

Merfolk are a race of human-fish hybrids, born from women (and occasionally men) thrown off ships or into the sea to their deaths, but survived thanks the sea goddess Sulis. Some of them have mated (don’t think too hard about that…) and created sea-born mermaids. Both human and sea-born merfolk have long lifespans, generally reaching sexual maturity at around age 50 and living for several hundreds of years.

They are generally friendly to humans and attempt to help any people who have also run into trouble on the ocean that they come across. In dire circumstances, they turn them into merfolk to save them. Outside of these race instances, merfolk tend to avoid humans, sometimes out of spite for being thrown overboard but mostly so they won’t be discovered. This is why few humans have seen merfolk and fewer have seen their settlements, so most still believe they are only myths. Some merfolk who have never seen humans believe that we are mythical.

However, some other groups of merfolk (particularly around Haiti) are vengeful towards humans and lure men to their deaths.

A merfolk can turn into a human, but it is a complex process which involves the ‘voice’ of a human who was responsible for throwing a person overboard and creating a merfolk.

They can only breath for short periods outside of water.

Merfolk cities are grand, full of works of art both hand-made and salvaged from shipwrecks. They are also innovative and have developed their own forms of technology, such as the anti-sonar device. Due to their rarity, this technology is greatly prized and sought after amongst humans.

Merfolk have domain over sea creatures and can command large creatures such as the dire-ray, which they often ride into battle. Merfolk are vicious in battle and wear their own armour, usually brandishing spheres.

 

If there’s anything you’d like me to cover in the next Worldbuilding Wednesday, let me know in the comments!

Six Steampunk Trends I love (and One I Hate)

01 Tuesday Jun 2021

Posted by Jessica Wood in Blog, books, fantasy, romance, steampunk, story, villain, writing

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dieselpunk, dystopian, enemies to lovers, fantasy, murder mystery, steampunk, steampunk books

I’ve been researching popular trends in steampunk books lately to better help my own writing, and in doing so I’ve uncovered some I really like, and a few I can’t stand. These are some of them:

  1. Magitech

I once heard someone say that magic has no place in steampunk since technology usually fills the same role. But steampunk often straddles the thin like between fantasy and science fiction, so why can’t we have both? Technical devices powered by magic are both fascinating and unique, and allow us to experience the best of both fantasy and sci-fi.

2. Steam-powered dictatorship

The popularity of the dystopian genre seems to have bled into steampunk in franchises such as Mortal Engines. It is a nice subversion for the standard steampunk setting where technology improves everyone’s lives and society lives in harmony. I especially love the setting in Kathryn Ann Kingsley’s Cardinal Wings series where a communist-style society has essentially taken over all of Europe.

3. Murder mystery

Perhaps it’s because of Sherlock Holmes, but there seem to be quite a few mystery series with a steampunk twist. My particular favourites are The Daemoniac by Kat Ross about a gender-flipped Sherlock Holmes and the Arcane Casebook series by Dan Willis which takes a more dieselpunk tone.

4. Art nouveau

While we mostly associate steampunk with Victorian aesthetics, it seems more common lately to include inspiration from the early 20th century and the art nouveau and art deco styles. As much as I like the Victorian era, I like these looks much better and find the simplistic lines much more pleasing. They can be used both to make a setting look cool or to make it appear imposing and threatening.

5. Propaganda

The role which propaganda plays in our public perception has been more of a hot-button issue in recent years. As sinister as it is, there is something oddly fascinating about how words and images can sway huge groups of people into a particular way of thinking, and how virtually every society has attempted it at some point in history. Steampunk is a particularly interesting genre to explore this, especially when combined with the dystopian elements I mentioned above.

6. Enemies to lovers

Readers have been going crazy over this trope lately, especially since we’ve started deconstructing classic villain archtypes. There’s something incredibly thrilling about reading two people from opposing sides realising they actually have a lot in common and going from one emotional extreme to the other. Once again, this works perfectly in steampunk fiction which loves both a good villain and a good romance.

And one trend I hate:

Everyone loves the hero

I enjoy romantic drama as much as the next reader or fanfiction writer, but something I notice a lot in the steampunk books I’ve read lately is protagonists with several love interests, or at least people who are interested in them. Sometimes it seems as if the entire world is falling at the main character’s feet within moments of meeting them. It runs the risk of portraying the character as unrealistic and there isn’t going to be much of a character arc unless somebody hates their guts.

 

What are your favourite and least favourite steampunk trends? Let me know in the comments below!

 

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Top Seven Books I Read in 2020

07 Thursday Jan 2021

Posted by Jessica Wood in adaptation, author, Blog, books, fantasy, story

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books, fantasy, mystery, read in 2020, reading, thriller, young adult

For everything 2020 was, it was at least a great year for staying in and reading. I topped my personal best by reading 52 books this year, according to Goodreads. These are some of the best books I read this year (note that this is ‘books I read in 2020’ and not ‘books that were released in 2020’):

  1. Good Omens by Neil Gaiman and Terry Pratchett

I watched the tv show before I read the book, which is the opposite of what I usually do. But the tv show was good enough to get me to read the book, and I really enjoyed both, for much the same reasons. It was just the sort of hilarious book I needed this year. And I can’t help but ship Crowley and Aziraphale.

2. The Graveyard Book by Neil Gaiman

Another Neil Gaiman book. I loved this one for its creepier atmosphere and the surprising twist which I almost didn’t believe even after I had just read it.

3. The Daemoniac by Kat Ross

Not only do I enjoy a good lady detective book (I’m actually planning one myself) but I also adore Victorian settings, gothic storylines, and Sherlock Holmes re-tellings. This book has them all. I’ll definitely be checking out more from this author.

4. You by Caroline Kepnes

I love the Netflix series, and the book doesn’t disappoint, either. It has some differences from the show, but also has more of an insight into Joe’s head, which makes him ten times creepier.

5. The Scorpio Races by Maggie Stiefvater

This one had been on my ‘to read’ list for a while and I finally got around to reading it. Once again, I wasn’t disappointed. If tend to find that when the reading community on Tumblr is constantly recommending something, I should probably check it out. That was definitely true for this book. I loved the bleakness of the remote setting (it almost reminded me of Craggy Island!) and the unique and often terrifying take on selkies.

6. Last Battle of the Icemark by Stuart Hill

I don’t see many people talking about this series anymore, which is a real shame. It has a compelling cast of characters, worldbuilding based upon several different historic cultures, and an exciting story. This last book was particularly exciting, and I loved seeing what happened to Medea.

7. Sword and Pen by Rachel Caine

I finally read the last book in my favourite series, and what an ending it was! It was the perfect way to end the series, except for the fact that my favourite couple didn’t get married! I was sad to hear that Rachel Caine passed away at the end of last year, since she was my favourite author and a large inspiration to me and many other writers. I still hope that readers can still find and enjoy her books, regardless.

 

What were the best books you read in 2020? What are you most looking forward to reading this year? Tell me in the comments!

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TV Review – Drifting Dragons

18 Monday May 2020

Posted by Jessica Wood in anime, Blog, criticism, fantasy, musings, series review, steampunk, story, tv, tv review

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animation, anime, anime review, fantasy, netflix, steampunk, television, tv, tv review

Newbie dragon hunter or ‘draker’ Takita has recently joined the crew of the airship Queen Zaza to work of her debt. But with the price of dragon oil dropping and drakers being treated with increased suspicion, the ship’s crew are barely skimming above the poverty line. Yet to Takita, it is worth it for a life of adventure, new-found friendship, and delicious dragon meat.

What drew me initially to this series was how similar it is to a steampunk series I’m currently writing, so I thought it would be useful research (that’s a good way of justifying procrastination). Yet even if I wasn’t writing steampunk, I would have been drawn to this series anyway by the gorgeous animation, exciting adventure, and the robust cast of amusing characters.

These characters are one of the main draws of the series, being well-rounded and highly likeable. It is almost a shame that the series only lasts for 12 episodes, meaning there isn’t enough time to flesh out all of them. I can only hope that a second season will give some of them more focus.

Food and cooking are a common theme throughout the series, and it is heartwarming to see how cooking up the dragon meat brings the cast together. Even as a vegetarian, a small part of me wants to try the dragon meat!

As a rookie, Takita helps to ease the audience into the world of draking. It also helps that there are several one-off episodes to ease the viewer in before the series gets to the darker and more dramatic multi-episode story arcs.

The stylish animation looks as if it came straight out of Studio Ghibli. The dragons each have unique designs and terrifying powers which sets them apart from the standard fantasy fare.

Although it is established that the dragons are a threat to humans in this world, the fact that they are hunted, butchered, and used as a commodity will put a bad taste in the mouths of some viewers. The parallels to real life whaling only make it more awkward. Yet even this establishes an interesting moral dynamic, as it is made abundantly clear how much the Queen Zaza is struggling for money and that the crew are only hunting dragons because it is their only means of survival in a harsh world which has all but rejected them.

For any viewers who can stomach it, Drifting Dragons is a great show for any fans of steampunk adventure or exciting fantasy.

My verdict – 5 out of 5.

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Why I love fairy tales (but I hate fairy stories)

08 Tuesday May 2018

Posted by Jessica Wood in anime, Blog, criticism, fairy tale, fantasy, musings, villain, writing

≈ 3 Comments

Tags

fairy story, fairy tale, fantasy, writing about fairies, writing fantasy

I love fairy tales and love writing stories adapting or subverting their tropes. But one thing you will never find me writing is stories about fairies, or even featuring fairies, because personally I can’t stand them and have no interest in writing about them.

If this may seem odd, consider the difference between a fairy tale and a fairy story. In his essay On Fairy Tales, J.R.R Tolkien defined a fairy tale as a story dealing with the land of faery and mankind’s relationship with it. They often work as cautionary tales about wandering into the realm of the fae and not being able to return to the ‘real’ world.

‘Faery’ is a fairly broad term but it generally refers to what ancient cultures believed was a world parallel to but connected to our own filled with other-worldly creatures. Fairies were one such creature, but not the only ones which were said to inhabit it.


By contrast, Tolkien defined fantasy as something set in an entirely invented world, like his own Middle Earth. More authors are making subversions by returning to the fae variety, but what we now call fairies tend to be creatures of fantasy rather than mythology. They tend to be small, humanoid beings, usually with wings and some form of magical powers.


The reason these fairies never resonated with me is because each interpretation tends to fall into one of these categories:

1. Too generic. It’s difficult for me to love any fantasy creature if the author doesn’t do at least something new with it.
2. Too girly. Not that I’m against girly (I’m a big fan of My Little Pony) but so many writers try to make their fairies too saccharine and sweet, which makes me feel like they just vomited glitter all over the page.
3. Too bitchy. I guess this is supposed to be a subversion of the girly variety, but it tends to come across to me as making them overly mean for no real reason.

This doesn’t mean that I hate all stories with fairies, however. I like the weather fairies in A Tiny Snow Fairy Sugar and the sweets spirits in Yumeiro Pâtissière since despite being overly cutsy, they were still different than the standard fare and their story arcs were just as strong and significant as those of their human friends.


By far my favourite fairies in any form of fiction were the three good fairies – Flora, Fauna, and Merryweather – in Disney’s version of Sleeping Beauty. This is because they were well-rounded, funny, and interesting characters, in fact they were far more heroic than the incredibly bland and useless titular character.


While their magical powers were fairly generic and the film does rely upon incredibly black and white ideas of good and evil, the three of them avoided being either too girly or too bitchy by becoming developed characters rather than fairy archetypes. They had positive and negative qualities, they created some of the best comedy that’s ever been seen in a Disney film, they were loving to Aurora despite her complete lack of a personality, and when the time came to it they were completely badass. Really, the King and Queen should have given control of the kingdom to them at the end, since they were the only ones who had any sense (destroying all the spinning wheels in the kingdom both destroyed the economy and left everyone naked, your majesty).

The villainess Maleficent is also technically a fairy (which is why the re-make made her more like the fae variety) but also greatly different than most ‘bad’ fairies in fiction. True her motivation is for incredibly petty reasons, only because she wasn’t invited to a party, but she is still one of the most memorable villains that Disney has ever made. Even sixty years later, she is still the benchmark against which all other animated villains are measured. The strong characterisation of both the good and evil fairies is what makes Sleeping Beauty into both a fairy tale and a good story about fairies.


What are your thoughts on fairy tales and fairy stories? What are your favourite and least favourite fictional fairies? Tell me in the comments below!

Book Review – Pegasus

27 Monday Feb 2017

Posted by Jessica Wood in Blog, book review, culture, fantasy, story, writing

≈ 1 Comment

Tags

book review, books, fantasy, fantasy book, lit, pegasus, reading, robin mckinley

pegasus

Pegasus by Robin Mckinley tells the story of a human kingdom which for over a thousand years has held an alliance with a race of sentient pegasi in order to keep both races safe from the monsters which ravage the land. Part of the treaty is that members of the human royal family are ceremoniously bound to members of the pegasi royal family. Despite this, the two races can only communicate through vague sign language and still know little about each other’s cultures.

This all changes on the day that Princess Sylvi, the fourth child of the current King, is bound to her pegasus Ebon, the fourth child of the pegasus king. They find that they can communicate with each other telepathically. While the two are happy with their new found friendship and some hope it can form a greater bond between humans and pegasi, others, especially the bitter court magician Fthoom, feel that it is wrong to go against a thousand years of tradition and it will break the alliance. As she grows closer to Ebon and the other pegasi, Sylvi comes to discover many secrets about both of their races that have been hidden for generations and which may well put their alliance in danger.

I began reading this book as I am also writing a boot that includes pegasi, and I was immediately drawn in by the new angle that the author takes to pegasi, making them much more than just horses with wings. Most notably, they have small feather like hands on the ends of their wings which allow them to make things. Sylvi’s Pegasus Ebon wishes to be a sculptor of all things.

It is unfortunate then that the major failing in this book is that it is incredibly slow paced, particularly at the beginning which feels much more like a history lecture and takes about four chapters to get to the first major plot point. It is at least interesting exposition which provides a good setup for the inciting incident and does at least make you want to keep reading, but it still feels like it could’ve been so much shorter and to the point. It made reading the book even more frustrating as I was genuinely enjoying it and becoming invested into the characters, but the bad pacing was so noticeable that I knew it would keep me from giving it a five star rating. I couldn’t even use the excuse that it is a classic book using archaic language as it only came out in 2010.

The rest of the book isn’t much better with sometimes a hundred pages between each plot point, and yet there is also a setup for a monster attack which is never carried through. There is a cliff hanger at the end with a sequel supposedly coming out soon which will hopefully complete this plot thread. But it still feels as if the entire story could’ve been condensed into one volume just by cutting down upon the lengthy parts.

Still, anyone who doesn’t mind sifting through this heavy exposition and enjoys fantasy with a unique perspective will still like this book. Sylvi and Ebon are likeable protagonists and you can’t help but feel drawn in by their strong bond and curiosity over each other’s cultures. I’ll be looking forward to the sequel, even if I might have to sit through a lot of lengthy prose for a second time.

Rating – 4 out of 5.

How to keep your character’s inventory

01 Tuesday Sep 2015

Posted by Jessica Wood in fantasy, musings, story, writing, writing advice

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characters, fantasy, fantasy writing, inventory, novel, novel writing, writing, writing advice

DSCF3685

How often has this happened in a book you’re reading: A character has encountered a deadly creature. They can’t run because the creature is too fast. They try ducking out of the way but they can’t do that forever. They throw stones but that just enrages the beast even more. Just when all seems hopeless, they pull out a sword from their belt and…Wait, since when did that character have a sword? That was never mentioned before!

Even worse is when the character is in the middle of a fight, and you, the reader, know they have some kind of weapon or object that would flatten the enemy in a second. But the fight scene just goes on and on but it never appears. You spend the entire scene screaming at the book ‘Just use it, you idiot!’ but they never do. Either the battle is won by random chance or an ally is killed in the process.

You can avoid this in your own writing by keeping an inventory of everything that your character has with them on their journey, like the inventory screen in a videogame, and a record of when they pick things up and when they leave things behind. If you don’t then it is easy to make errors like the ones I mentioned above and your readers will notice.

The way I keep my character’s inventories is fairly simple. I make a document and mark out every chapter when the characters are on their journey. I list the things that each character has when their journey starts and in which chapters they lose or acquire new things. I also consider what bags they have and how much they can carry at any one time. If a character left home with only the clothes on their back then they won’t be able to fit much in their pockets. If they have a horse with them then they can load up on much more. It’s as simple as that. I always have a reference to check when I’m writing. If you’re more of a visual thinker then you could make a collage or vision board of your characters inventory instead. Experiment a little and find what works best for you.

Much of the time, the acquisition or using up of equipment will happen off page. You’re not going to describe every time your characters go to the marketplace or stop for a snack. That would make for a very boring novel. If you keep a timeline of how much time passes within and between each chapter of your novel then you can use this with your inventory document to list what things were used up or bought during these intervals.

Be careful that you don’t fall victim to the videogame logic which says you can carry dozens of everything in your bags. It may work in Pokemon but it doesn’t work in reality, or indeed in a novel. Don’t have your characters do what they do in games either and pick up every useless thing they find in the hopes that it might be useful later or be sold for pennies at the next shop. Do you pick up every twig and mushroom when you go for a walk in the forest?

'Now what did I do with that plot essential item?'

‘Now what did I do with that plot essential item?’

Then again, maybe this does fit some characters personalities. The items your character carries can also be used to say something about them. If you want to show that a character is fussy and overly organised then describe them carrying a huge bag containing everything they could ever need, but probably won’t. If you want a character to be scatter-brained or ill-prepared for their adventure, show them carrying useless items or forgetting the essentials for their quest. Do any of your characters carry or wear items purely for sentimental reasons? (E.g. Katniss’ Mockingjay pin in The Hunger Games which becomes very important later on.)

Finally, don’t forget to also keep track of the amount of money in your character’s purse. You keep a close eye on how much money you have in real life, don’t you? If your character lives in a society that uses bartering instead of currency, how will that affect what they carry?

It’s something that is often overlooked, but these few simple tricks can help you avoid embarrassing errors in your novel, make the writing easier for yourself, and help you to visualise your novel and engage with its world and characters.

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