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~ Author of Tales From Undersea

Wood the Writer

Tag Archives: anime

TV Review – Drifting Dragons

18 Monday May 2020

Posted by Jessica Wood in anime, Blog, criticism, fantasy, musings, series review, steampunk, story, tv, tv review

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animation, anime, anime review, fantasy, netflix, steampunk, television, tv, tv review

Newbie dragon hunter or ‘draker’ Takita has recently joined the crew of the airship Queen Zaza to work of her debt. But with the price of dragon oil dropping and drakers being treated with increased suspicion, the ship’s crew are barely skimming above the poverty line. Yet to Takita, it is worth it for a life of adventure, new-found friendship, and delicious dragon meat.

What drew me initially to this series was how similar it is to a steampunk series I’m currently writing, so I thought it would be useful research (that’s a good way of justifying procrastination). Yet even if I wasn’t writing steampunk, I would have been drawn to this series anyway by the gorgeous animation, exciting adventure, and the robust cast of amusing characters.

These characters are one of the main draws of the series, being well-rounded and highly likeable. It is almost a shame that the series only lasts for 12 episodes, meaning there isn’t enough time to flesh out all of them. I can only hope that a second season will give some of them more focus.

Food and cooking are a common theme throughout the series, and it is heartwarming to see how cooking up the dragon meat brings the cast together. Even as a vegetarian, a small part of me wants to try the dragon meat!

As a rookie, Takita helps to ease the audience into the world of draking. It also helps that there are several one-off episodes to ease the viewer in before the series gets to the darker and more dramatic multi-episode story arcs.

The stylish animation looks as if it came straight out of Studio Ghibli. The dragons each have unique designs and terrifying powers which sets them apart from the standard fantasy fare.

Although it is established that the dragons are a threat to humans in this world, the fact that they are hunted, butchered, and used as a commodity will put a bad taste in the mouths of some viewers. The parallels to real life whaling only make it more awkward. Yet even this establishes an interesting moral dynamic, as it is made abundantly clear how much the Queen Zaza is struggling for money and that the crew are only hunting dragons because it is their only means of survival in a harsh world which has all but rejected them.

For any viewers who can stomach it, Drifting Dragons is a great show for any fans of steampunk adventure or exciting fantasy.

My verdict – 5 out of 5.

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My Top Five Favourite Pieces of Junk Food Media

06 Tuesday Aug 2019

Posted by Jessica Wood in Blog, film, top 5 list, tv

≈ 1 Comment

Tags

animation, anime, bee movie, cardcaptor sakura, film, friends, moominvalley, mst3k, mystery science theatre 3000, television, the moomins, top five list

I enjoy a wide range of books, tv shows, and films. I also enjoy a wide variety of different types of food. Often the way we consume media is similar to the way we eat. There are days when we want to eat a fine gourmet meal or watch or read something deep and important. But there are also days when we’re tired or stressed and just want to stop at Burger King or watch a stupid movie. It isn’t the most nutritious food there is or the most intellectually stimulating entertainment to choose from, but it’s comforting and easy, and there are days when we need that. That’s why I call these types of books, shows, and films ‘junk food media’.

It’s not as if these works never deal with tough themes or have sadder moments. It’s just that they don’t make up the main bulk of the story, and there are always plenty of uplifting moments to get you through them.

These are my personal favourite junk food pieces of pop culture which never fail to cheer me up when I’m in a bad mood:

Cardcaptor Sakura

Not only is Sakura an adorable and perpetually cheerful little ball of funshine, the town she and her friends live in is essentially a utopia. The cast have an endless supply of lovely clothes, eat delicious dinners every night, and live in houses which are almost unaffordable in real-life Japan. Even most of the problems which Sakura faces are a mere apocalypse of mild peril (the threat in one episode was that their cakes were too sweet). Sakura and company do still go through the many perils of growing up and feeling their first heartbreak. The episodes dealing with Sakura’s dead mother are especially tear-jerking. Yet even while watching these moments, you always know they’re going to make it through, which is why the series is so endearing even over 20 years after its debut.

The Moomins

Yes, it’s basically the law that I have to include this on my list when I live in Finland. But there’s a reason why the show is so insanely popular in the country. Moominvalley is a throwback to a more rustic, relaxing time of countryside living. That and the cast of fun, quirky characters makes any variation of this massive franchise fun to watch. Again, there are sadder moments. The scene where Snufkin leaves for the winter could easily be symbolic of losing a loved one or having a friend move away (the author, Tove Jansson, seemingly based it upon her best friend fleeing the Nazis). My particular favourite is the UK-produced new version, mostly because it has prominent British comedians amongst the English cast, including Matt Berry as the voice of Moominpapa.

Friends

Maybe it’s because the show is ‘lifestyle porn’. Maybe it’s because I’ve seen it so many times that it is comfortable and familiar. Or maybe it just is that good. Whatever the reason, watching Friends feels like having coffee and cake in Central Perk. As much as I love the darker comedy of British shows or the more subtle humour of modern sit-coms, I will always have a soft spot for these cosy, found family, laugh-out-loud comedies.

Bee Movie

It’s a children’s film about bees suing the human race for using their honey, and is apparently full of political symbolism. And a woman leaves her boyfriend for a bee. I have no idea if the writers intended for this film to be taken seriously or if they knew how absurd their premise was and made it silly on purpose, knowing that nobody would ever take it seriously. Either way, the film is unapologetically stupid, nonsensical, and completely lacking in morals and I couldn’t love it more.

Mystery Science Theatre 3000

One of the reasons I love Bee Movie so much is that it’s so bad that it lends itself to making jokes about it as you watch – also known as ‘riffing’. MST3K invented this concept and is still going strong with it 30 years later (in fact, the show is only slightly older than I am). Not only is it hilarious to hear riffs on terrible old movies, but the skits by the hosts and bots are insanely fun. It almost feels as if you’d like to hang out on the Satellite of Love. Well, almost…

What are your favourite pieces of ‘junk food media’ that never fail to cheer you up on a bad day? Tell me in the comments below!

Top Five Anime Cliches That Novelists Should Avoid

13 Monday Nov 2017

Posted by Jessica Wood in anime, Common Criticism, criticism, fantasy, romance, shojo, story, villain, writing, writing advice

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anime, creative writing, lit, novel writing, writer, writing tips

When I began my first novel, I spent a lot of my free time watching anime. This bled into my writing and caused me to fill my book with characters and plot elements similar to those I had seen in anime.

It was only when I looked back at my first drafts that I saw just how out of place this influence was. These tropes are perfectly acceptable in anime, even if most of them are considered clichés, but don’t belong in a novel. If you’re having the same problem that I had, these are some of the anime stereotypes to look out for and leave out of your novel:

Complex love charts

Practically every anime has a complex chart of who has a crush on who, setting the ground for how the chart will be sorted out and who is going to end up with who in the end. A novel doesn’t have the same amount of time for relationship development as a 52-episode anime, so it won’t have the space to solve such a complex love chart. Novel readers also aren’t as into love triangles as anime fans are, despite what publishers will have you believe. Keep your love charts as simple as possible and resolve them fully by the end of your book.

But the chart says…

Anime hair

I’m majorly jealous of the girls in anime. They all have wacky hair colours in styles that are impossible in real life. It’s tempting to give your novel characters a similar appearance in order to make them a little more different or quirky. But while we expect girls in anime to have weird hair colours and styles, it won’t make as much sense in a novel, unless you can somehow explain where a medieval-esque fantasy society are getting so much hair dye.

Oh sure, it’s easy when you wear a wig…

Casual physical abuse

The trademark of the ‘yandere’ character is to punch their love interest into the sunset for the smallest of mistakes. Not only is this considered horribly abusive behaviour, it makes the characters despicable, not lovable. In real life, this person would either be in jail or undergoing severe psychiatric treatment. If your novel characters abuse their partners, or anyone else, it should only be if you are writing them as purposefully villainous.

Typical anime love interest

Harems

A classic anime story – A completely normal, average guy, serving as the surrogate for the romantically frustrated male audience, winds up with at least half a dozen beautiful young girls, who all magically love him despite his complete lack of a personality. It’s a male fantasy that may work in anime and visual novel games, but has no place in actual novels.

Not pictured: Personality

Lovable pervert

I think it’s fairly obvious what this character is all about. It’s difficult to make an outwardly perverted character likeable, as they will come across as creepy and rapey instead. If you try to make this character into the love interest, it will be even more unbelievable, as nobody will believe that this person can magically become monogamous through the power of love. Your novel characters may experience attraction or a sexual awakening like everyone does, but try to keep their perversions to a minimum.

Top Ten Anime and Manga to Inspire Writers

14 Sunday May 2017

Posted by Jessica Wood in anime, art, author, convention, fairy tale, film, shojo, story, top ten list, tv

≈ 2 Comments

Tags

anime, inspiring anime, inspiring manga, manga, writer

The stories which inspire you to write will largely depend upon the genre in which you write. However, I have found that stories about the journey of writers, or people of any creative discipline, are especially inspirational and motivating. Here are just a few of the top anime and manga which use this to inspire writers, or any creatives:

  1. Princess Tutu

Have you ever had the feeling that your story is running wild and your characters are making decisions on their own? Well this is an anime in which that literally happens. It starts off as an enchantingly strange tale of a duck-turned-human at a ballet school who turns into a magical girl and uses complex ballet moves to save her beloved prince. It takes its fairy tale inspiration and parodies, subverts, twists, and turns it every possible way. The ballet and classical music references are so accurate that the anime is even used as a reference in university courses and has had academic papers written about it.

2. Whisper of the Heart

One of Studio Ghibli’s most understated films tells the simple story of a young writer working on her first story, adjusting to changes in her life, and finding her place in the world. Some write this film off as boring or lacking in conflict, especially compared to some other Ghibli films, but it is an often painfully honest portrayal of the process that writers go through in their early stages. Like Shizuka, many of us do like to believe that life is like a fairy tale and become sourly disappointed when it doesn’t turn out to be true. But that doesn’t mean that we can’t find great stories within our own lives.

All writers will know this feeling

3. Kiki’s Delivery Service

Another Ghibli film and another about a young person discovering their unique talents and forging their own life path. Again, Kiki’s Delivery Service can come across to some as slow and boring as it has no antagonist (outside of one little bitch who rejects her grandmother’s lovingly baked pie). The antagonistic force is actually Kiki’s lack of self-confidence as she goes through a period of transformation in finding her unique skill as a witch. There is also a lengthy portion about Kiki’s interaction with a young artist, which helps her to determine her reasons for doing what she does and gain her confidence back.

Ursula’s painting from Kiki’s Delivery Service

4. Sunshine Sketch

Also known as Hidamari Sketch, I have rambled on before about how this is one of my favourite anime and manga series, both for its lovable characters and how accurately it portrays the emergence of a trainee artist. The protagonist Yuno suffers disappointing setbacks and encouraging accomplishments as she tries to find out what she wants out of her artistic career, while also spending plenty of time having fun with her friends.

5. Kaleido Star

An anime about a girl training at a huge Cirque du Soleil style show, I love how this series portrays both the struggles of an emerging performer and of an established performer, almost in equal measure. It faces some tough issues that artists actually face at the beginning, such as becoming overly arrogant, wanting to hog the spotlight, and the balance between creating art and making revenue from it. It also subverts the recent American Idol idea that a positive attitude alone is enough to succeed, showing that setbacks can and do happen and can even cripple a career. Instead, the message is that consistent hard effort and learning from mistakes are the only way to succeed. The circus performances are also a tonne of fun to watch.

6. Dramacon

Back in the heyday of Tokyopop’s domination of the manga marketplace, they put out this three issue series by Russian-Canadian artist Svetlana Chmakova about a romance blooming at an anime convention. Not only is it a hilarious send up of fandom culture and the convention circuit, it also carries many lessons of becoming a creator, particularly of comics, such as accepting constructive criticism. The standard ‘fantasy forbidding parent’ plot is somewhat clichéd and the suffering artist plot is settled a little too easily, but it still alludes to several harsh truths about being a full time creator, presenting both the positive and negatives. There is an entire scene spelling out the multiple reasons not to be a creator and it is made clear that it is a large risk that requires a strong backbone even if you do become successful.

7. Love Live! School Idol Project

In this anime, a high school student starts up a school idol group as a way to drum up publicity for her school and prevent it from shutting down. Perhaps a somewhat naïve reason to get into the arts, but one which ultimately pays off and helps each of the group members to discover great things about themselves, which is why their group is fittingly named μ (muse). Plus there are more than enough musical numbers and cute outfits to entertain.

8. Full Moon Wo Sagashite

Another series about a wannabe singer, but one with a more rounded and tragic plot. In this case, the protagonist, Mizuki, loves to sing but has a malignant tumour in her throat that can only be cured by removing her vocal cords. She opts out of the surgery to achieve her dream of being a singer, even though it means she only has a year left to live. This is a rather tragic take on the ‘follow your dreams’ plot, but one that is subverted as the story goes on. Knowing that she only has a year left to live actually frees Mizuki from many of the pressures of the music industry and allows her to focus on her music rather than the industry drama.

9. Velvet Blue Rose

This obscure manga is hard to find in English, as unfortunately Tokyopop went bankrupt before the entire series could be translated. But if you can find it, it is both an entertaining story with vibrant characters and an inspiring tale on creating beautiful things for the happiness of others. The wedding dress makers in this manga frequently take on impossible jobs which keep them up multiple nights in a row, yet their passion for their work and the smile on the customer’s faces is what keeps them going. Yet there is also an underlying message about getting out of the studio once in a while to spend time with the people you love. Oh, and lots of lovely pictures of wedding dresses.

10. The Wind Rises

This one more than any other anime on this list will make you cry buckets, but in a good way. It is fitting that for Hayao Miyazaki’s final film he paid tribute to his hero, the real life plane engineer Jiro Horikoshi. The outbreak of World War Two means Jiro has to live with the fact that the planes he loves so much and works on so passionately are being used to kill people. And as we know from history, he was on the losing side of the war. Despite its highly controversial subject matter, it is a tragic yet also inspiring story, teaching us that we can’t control how our work will be used, critiqued, or interpreted, but that shouldn’t stop us from trying to make the world a better place. Watching this film actually taught me that the most important thing about being a creative is creating something that inspires others.

What anime and manga inspire you as a writer or creator? Tell me in the comments below!

Why I Hate Love Triangles

17 Friday Apr 2015

Posted by Jessica Wood in anime, Blog, writing, writing advice

≈ 15 Comments

Tags

anime, character, character development, drama, plot, romance, story, storytelling, villain, writers, writing, writing advice

fruits basket

When I was at school and just getting started with writing, I devoured shojo manga and anime. This somehow got the idea into my head that love triangles and complex love charts were the key to drama and therefore great storytelling. As such, I made sure that all of my stories had love triangles in the hopes that they would become better.

It was only when I became a little better at writing that I looked at my plots and realised that the love triangles I had shoehorned in for the sake of drama were completely unnecessary. They did nothing but add unneeded subplots and worst of all made my characters seem unlikeable.

Now I avoid love triangles as much as possible, or at the very least the ‘which boy should I choose’ variety (and yes, it is almost always a girl who has to choose between two boys). I also started to avoid reading stories that rely solely on love triangles for their drama. I’m clearly not the only one who feels this way; just look at the backlash against Twilight and its ‘Team Edward’ and ‘Team Jacob’ camps. But then again, there are also books like The Hunger Games which subvert the trend and make a love triangle work. So is it really possible?

These are the reasons I’ve found why love triangles seldom work:

  1. Creating unnecessary drama. As I mentioned above, many newbie writers, myself included, fall into the trap of thinking all love stories need love triangles to give them more drama. In fact, most of the time they merely create a pointless obstacle to the main couple getting together.
  2. Telling us who the ‘right’ type of love interest is. How many times have you read a book and wished that the protagonist got together with someone else, instead of the partner they ultimately chose? Even if that person is obviously wrong for them and in the worst cases abusive, they are meant to be together because the writer said so. If the protagonist had a fling with the ‘wrong’ person then they are punished for it before realising the error of their ways.
  3. There is always a backup boyfriend. The worst implication of love triangles is that if something happens to the chosen guy, it doesn’t matter that much because the girl has another guy who’s madly in love with her who she can run to. That person has to live with the knowledge that they were ultimately the second choice and only with the girl because they got lucky.
  4. And a backup love interest for the losing partner. How many love triangle stories have been resolved with a forgotten minor character showing up at the last minute and making an instant connection with the losing partner? The writer wants everyone to have a happy ending but can’t consider that a character getting over someone and doing something else with their life is an option. One of the reasons that even hardcore fans turned away from Twilight (I promise this is the last time I’ll use that as an example) was when the losing partner Jacob imprinted on Bella and Edward’s newborn daughter. I suppose the implication was supposed to be that he could tell that she would grow up to be his soulmate, but it came across as incredibly creepy and probably the worst possible way to end his story.
  5. The characters are turned into horrible people. The moment I stopped putting love triangles in my stories was when I realised that the characters I was trying to portray sympathetically were coming across as horrible because they were jealous of each other. It’s hard to like a character who will string along two different people and put them both through hell just because they can’t make up their mind who they want to be with. If done incorrectly, love triangles can make characters seem indecisive, cruel, malicious, and uncaring. There is also the trap that one of the love interests will be painted as a villain just to make the other look better by comparison. Think of Rose’s fiancé in Titanic for an example. It’s not particularly good writing when you need to show a character being mean to emphasise that the other character is nice.
  6. It’s obvious that one partner is going to either fail or be the villain. It’s not so much drama if we know that only one love interest will be chosen. Nine times out of ten that person is obvious from the outset, making the whole idea of a love triangle seem pointless. Love triangles involving villains or the above example of one partner being nasty are also far too common. These stories make it clear that the protagonist will be pushed into the loving arms of the person they were obviously going to end with while the other will spend their nights crying and eating ice cream.
  7. Everybody loves someone who doesn’t deserve it. Most of us are lucky to have just one person fall in love with us, so why does your protagonist get two or more? If your character is just such a nice person that many people would realistically be in love with them then fine. But chances are they aren’t, or your character isn’t as special as you think they are.

So is it possible to make love triangles work? It’s difficult but if your writing is good enough, then yes. The most important way I’ve found to do this is with good character development. Give both of your potential love interests clear goals, motivations and both positive and negative character traits to show genuine reasons why your protagonist would want to be with them. Develop your protagonist equally well so that the reader can believe why they are so beloved. If you are going to introduce a backup love interest for the losing party, develop that character as well and give them their own story arc. Unless you’re intentionally going for tragedy, leave every character in a good place by the end of the story with something they genuinely wanted and needed.

Writers, how do you make love triangles work in your stories? What do you think are the best and worst examples in fiction?

Manga review – Strawberry Panic volume 2.

27 Thursday Nov 2014

Posted by Jessica Wood in anime, art, manga review, musings, series review, shojo, story, writing

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anime, backstory, bad writing, bifauxnen, character, character development, japan, love story, manga, mary sue, plot, relationships, romance, story, strawberry panic, yuri

The other week I wrote a review of the first volume of the Strawberry Panic manga. In summary, the characters were vapid Mary Sues, the book didn’t realise it had a plot until half way through and Catholic nuns are surprisingly ok with schoolgirl lesbians. I also found the second and final volume in the local library so of course I want to review that too and find out just how many more ways this manga could be terrible.

The last book ended on a cliffhanger on who Amane’s partner in the Etoile competition was, and we finally see that it is….Some character that has never been seen or mentioned before. What was the point of the cliffhanger?

By the way, it’s worth noting that Kaname is the only dark skinned character in the series and her appearance was completely changed in the anime. It seems that even Japan is whitewashing its characters…

sp 2.1 001

This scene also leaves me a little confused about what relation the Etoile candidates are supposed to have with each other. The position is supposed to be held by two girls, usually one older and one younger, who work together and share the Etoile’s duties. I watched the anime and assumed the position was supposed to be held by two girls with a strong, sister like bond between them, which is why Nagisa and Tamao entered together in the anime. Maybe it’s a mistranslation, but the dialogue in the manga suggests that the Etoile must be a pair of lovers. Not just any lovers, but those who have sworn to be together for all eternity.

It gets even more confusing when Amane says she doesn’t want to enter the contest with Kaname because they both sort of look like boys (although the miniskirts kind of give it away). That’s a problem…how exactly? I thought she was opposed to it because she has a crush on Hikari and Kaname is kind of a bitch. (In the anime she tried to rape Hikari several times.)

Flirting during class is fine but this is scandalous!

Flirting during class is fine but this is scandalous!

Meanwhile, Hikiari and Yaya are in the locker room and…you can guess where this is going, can’t you? Yaya ‘accidently’ unhooks Hikari’s bra then tells her she needs to wear sexy lingerie to impress Amane. Did I mention that these two are in middle school?

She also says ‘Is it the same one you wore at the library the other day?’ implying that they really did do it in that scene in the library! Wow, this manga actually referenced something that happened before! Too bad it doesn’t really contribute anything to the overall story arc.

Shizuma pushing decisions onto Nagisa has finally had some consequences as the other girls who are jealous of Nagisa and Shizuma’s new ‘relationship’ have forced clean up duty onto her and Tamao to punish her. And yet Nagisa is the one who apologises for it and says it’s her fault! Did she forget that Shizuma forced her into it without her consent? Did saying no ever occur to her? Worst of all, Shizuma only did all of this to show off Nagisa as her latest girlfriend! And Nagisa is such a ditz that she just says ‘that’s ok then!’ and starts angsting over a girl she spent maybe an hour of time with. This manga is not only stupid and poorly written, it’s starting to make me angry.

Next we learn that Shizuma previously entered the Etoile contest with her former lover who died of a terminal illness or something. I know that it’s getting repetitive for me to keep comparing the manga and the anime, but in the anime Shizuma’s backstory was hinted at several times before devoting an entire episode to revealed it in a dramatic and heart breaking way. In the manga it’s brought up with virtually no foreshadowing and rushed out as a pitiful explination for Shizuma’s actions, plus an excuse to show girls in swimsuits.

It doesn’t even contribute that much to the story since the very next scene is of Shizuma getting cosy with Nagisa (and I swear they were having a garden party in their pyjamas). Since she’s seemingly already gotten over her past and moved on with Nagisa, it doesn’t form any kind of road block to the two of them getting together.

Oh yeah, she’s in torment. You can just see how torn up she is.

Oh yeah, she’s in torment. You can just see how torn up she is.

The Etoile contest finally begins with a sort of opening ceremony in which the various candidates are forced to essentially vow to be in love for all eternity. No pressure girls, you’re only making a promise to be with the same person forever in front of your Catholic Gods. It’s not like your lover could break up with your or die or something. Oh wait…

Awkward...

Awkward…

And it is only after making this vow of eternal love that Nagisa actually asks someone about Shizuma. How is it that this manga took so long to start the story and still develops their relationship too rapidly? What do the two of them even know about each other?

Next we have the first round of the contest – A horse race where the ‘older sisters’ need to race their horses to a tower where the ‘little sisters’ are being held. The little sisters have to jump from the tower, be caught by the horse rider and race together to the finish line. I’m starting to wonder how much these girls parents are paying to send them to this school and how much they are actually told about their education because THIS CONTEST IS INCREDIBLY STUPID AND DANGEROUS!! This manga is so awful it’s making me type all in caps and overuse the exclamation mark!!

The whole thing is so reliant on split second timing and expert level horse riding skills that it would be very likely for one of the girls to crack her head open or be trampled by a horse. In fact, the tower is so overcrowded that Nagisa gets knocked out and almost falls to her death. She’s only lucky that Shizuma somehow caught her in time.

sp 2.6 001

‘I wish I was doing a spelling test right now.’

 

This contest feels like something out of Ouran High School Host Club, put together just for the romantic visuals of girls being rescued from a tower and carried by their ‘princes’. In fact, I think even Ouran would consider this too over the top.

What does this have to do with being an Etoile? What does an Etoile even do anyway? The manga never explains what the Etoile’s duties are other than look pretty and have the rest of the student body swoon over her. In the anime it mostly involves growing flowers. Does the position often involve rescuing princesses from towers? Maybe the next round will be slaying a dragon while serving tea.

The horse race between Shizuma and Amane is probably the only exciting part of the whole manga, as idiotic as it is, but it’s over in about two pages and we don’t even get to see the end, just a cut to the prize giving scene to reveal that Amane won. But of course she would because she’s in the equestrian club and this round gave her a huge unfair advantage.

sp 2.7 001

In the final scene, Nagisa and Shizuma confess their feelings for each other and kiss, ending with ‘Continued in volume 3!’ You’ll be waiting a long time for that because this manga was unsurprisingly cancelled after only two volumes.

sp 2.8 001

This book was at least somewhat better than the first one. There are far fewer stupid moments, the scenes fit together most of the time and there’s an actual plot. The art is nice and the girls all look adorable, despite one panel where Nagisa looks stoned instead of aroused. But the plot that we do get is awful, the main romance is developed poorly and there are many parts that just made me angry. Nagisa has so little personality and Shizuma is so unsympathetic that it’s hard to feel any support for the two of them getting together.

If you want a cute yuri love story that actually develops characters, relationships and backstories then watch the anime or track down the light novels. You won’t be missing much by skipping this manga.

Manga review – Strawberry Panic volume 1.

14 Friday Nov 2014

Posted by Jessica Wood in adaptation, anime, manga review, musings, random, series review, shojo, story, writing

≈ 2 Comments

Tags

adaptation, anime, Aoi Nagisa, character development, dialogue, fanfiction, girl love, Hanazono Shizuma, light novel, manga, manga review, mary sue, review, romance, strawberry panic, sub plot, writing, yuri

It’s been a very long time since I’ve done a review on this blog, but after seeing this manga at the library in my new town, I knew I had to tear it to shreds. I’m just evil like that sometimes.

cover 1

Strawberry Panic is a yuri series about the various romantic relationships of a group of students attending three affiliated catholic all girl’s schools. It started life as a series of short stories in Dengeki G’s Magazine with couples decided by reader polls. Their success was followed up by light novel, visual novel, and a manga adaptations and then an anime series. It seemingly wasn’t until the anime adaptation that the series developed any plot, character development or charm. (I haven’t read the light novels but they sound fairly good too.) This volume of the manga reads like a terrible fanfiction; just a bunch of gooey, pointless romantic scenes all squashed together with only the barest hint of a plot holding them all together. The characters are even described as typical Mary Sues with ‘ivory hair’ ‘porcelain skin’ and ‘goddess like beauty’.

SP 3 001

The first volume starts the same as the anime with new student Aoi Nagisa getting lost on her first day at St Miator academy and becoming instantly enamoured when she runs into the beautiful and mysterious Hanazono Shizuma. She is the ‘Etoile’ who is basically like the royalty of the three schools. The story then quickly cuts to a week later when Nagisa has to accompany Shizuma on their assigned duty to collect holy water for the Easter celebration. The nuns must have been waiting for that holy water until Christmas because almost half of the book is the two of them wandering around to various places along the way and getting into random ‘romantic’ scenarios. They even have one in the middle of a crowded classroom, during class! Was the sister just sitting at the back playing Angry Birds while this was going on?

SP 4 001

The catholic school setting of this series has always confused me. I think it might have been for the ‘forbidden love’ angle but considering that virtually every character in this series is a lesbian and the staff never seem too bothered with the various lesbian couples, possibly even encouraging them to get together, their relationships hardly seem forbidden. The sister in the manga even says ‘the student going with you today will have an “eventful” time, won’t she?’.

‘Now girls, no lesbian sex while class is in session. Save that for mass this evening.’

‘Now girls, no lesbian sex while class is in session. Save that for mass this evening.’

Yes, the sisters of this school are fully aware of all the lesbian sex that is happening all the time and don’t even care! Maybe this is set in a world where Catholicism is more lax on these things, but then why include the catholic school setting in the first place then?

All this stupidity distracted me from the story, what little there is. Nagisa and Shizuma seemingly forget all about their classes or the holy water and go to the library, where the students all meet up for ‘liaisons’. There’s a really weird scene between two supporting characters, Hikari and Yaya, who are there to spy on Hikari’s crush, a popular girl named Amane, who is so popular she is nicknamed ‘The Prince’. Yaya has a crush on Hikari and randomly starts touching her up. And then we go back to Nagisa and Shizuma and the scene is never mentioned again! This will happen a lot in this manga, in fact the whole thing is basically random seduction scenes that are dropped and never brought up for the rest of the story.

SP 5 002

About half way through the manga suddenly remembers it has a plot and there’s a long tedious dialogue about the upcoming Etoile elections, but it’s still nothing more than a bunch of random scenes spliced together that go nowhere.

Meanwhile, Nagisa’s best friend and room mate Tamao has come to find Nagisa and Shizuma. I assume they spent so long fetching the holy water that everyone thought they had died. Tamao and Nagisa’s relationship is basically an expy of Sakura and Tomoyo from Cardcaptor Sakura, minus all likability. Tamao has a huge crush on Nagisa, who remains oblivious despite Tamao’s rather…disturbing attachment to her. While this was mostly played for laughs in the anime and you could still admire the close friendship between the two, in the manga it’s downright creepy. If you thought Tomoyo dressing up Sakura and video taping her was weird, then stay away from this manga.

Tamao stumbles upon Nagisa with Shizuma and assumes that they’ve already done it, and with the amount of time they’ve been away it’s understandable that she’d make that assumption. But Nagisa cheers her up with a cheesy ‘we’re such good friends yay!’ scene that still sounds like it came out of a poorly written love confession.

SP 7 001

To halt Tamao’s advances towards Nagisa, Shizuma announces that she’s going to enter the Etoile competition with Nagisa and then just leaves, so Nagisa doesn’t really have any choice in the matter despite being the supposed main character.

While in the anime Nagisa was naïve and clumsy, she was also kind, cheerful and actually called Shizuma out on her actions. In the manga she feels like nothing more than a Barbie doll who cares more about how pretty her uniform is than anything else, with dialogue like ‘Hymns sound kinda cool!’. She just drifts from scene to scene and lets things happen to her rather than have any actual say in them. ‘Nagisa, you’re my lover now.’ ‘Nagisa, we’re entering the Etoile competition now.’ ‘Nagisa, we’re going to fight an army of orcs now.’

SP1 001

After all that, I’m not sure they even delivered the holy water…

The last chapter switches focus to Hikari and Amane, who were by far my favourite couple in the anime. Too bad their sweet, emotional story is a copy of Nagisa and Shizuma’s, except with more whining and George Lucas esque dialogue.

Bleurgh....

Bleurgh….

The Etoile entrants are announced and Amane isn’t happy with who she’s been paired with. The book ends on a sort of cliffhanger, teasing the identity of who Amane’s partner is, but since this hasn’t been foreshadowed at all I’m sure it’s not that exciting anyway.

I feel bad comparing this manga to a fanfic because there are tonnes of fanfics that are much better written than this manga. It’s just fluffy spank material with no substance to it at all and barely any effort put into the writing. I found the second and final volume in the library as well so I’ll be reviewing that next week. I just really want to know if they finally deliver the holy water…

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