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~ Author of Tales From Undersea

Wood the Writer

Category Archives: romance

Top Six Books I Read in 2021

10 Monday Jan 2022

Posted by Jessica Wood in author, Blog, books, fairy tale, fantasy, pirate, romance, villain

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books, children's books, fantasy books, reading, steampunk books, ya books

Since 2022 is already in full swing, I thought I’d make my first post of the year about my favourite books I read in the past year. According to Goodreads, I managed to read 56 books in 2021! One more than my goal of 55! These were the ones I liked the best:

(Note, this is ‘books I read in 2021’ and not ‘books which were published in 2021’)

  1. The Girl the Sea Gave Back by Adrienne Young

I do love a good Norse-inspired fantasy, and this one didn’t disappoint. Tova is a relatable ‘out of place’ protagonist, hated by her community yet completely essential to them. The romance between her and Halvard was a little sudden, but I loved how it played out in the end.

2. Steel Rose by Kathryn Ann Kingsley

I wasn’t sure I was going to enjoy a ‘villain romance’ at first, especially since this is essentially the romance between a freedom fighter and a quasi-communist leader (I live in Finland and we don’t exactly like communists). But this book surprised me. What drew me in most to this book was the dieselpunk world of airships, art-deco buildings, and an interesting concept of communism essentially taking over all of Europe. I’m excited to read further books in this series to see how this corrupt government falls.

3. Sherwood by Meagan Spooner

I already wrote a full review gushing over this book. To avoid repeating myself, this is a feminist re-telling of Robin Hood from Maid Marion’s perspective. I especially love how the feminist message is portrayed without being overly preachy and still fitting in with the attitudes of the time period.

4. The Bad Beginning by Lemony Snicket

It took me far too long to start the Series of Unfortunate Events books, especially considering the TV show is my favourite series, and the reason Neil Patrick Harris is my favourite actor. I wasn’t disappointed by the book version, and some lines really shook me, even knowing how the story was going to unfold.

5. Knightmare Arcanist by Shami Stovall

While this may seem like another ‘kids with powers’ YA book, the likeable characters, range of unique mythical creatures, and exciting plot set it apart from all the other cookie cutter YA fantasy books I read on a regular basis.

6. To Kill a Kingdom by Alexandra Christo

Fairy tale retellings are very popular right now, but I have to admit I prefer the darker versions. This book is a loose retelling of The Little Mermaid with a sinister twist – the mermaid is a siren who has to capture the heart of the prince. By which I mean his literal heart, not just his love. This book also has a great supporting cast, vivid locations, and an exciting plot. And did I mention pirates? Yeah, if you can’t tell, I also have a thing for pirates.

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All the Relationships in Fruits Basket Ranked

06 Tuesday Jul 2021

Posted by Jessica Wood in adaptation, anime, Blog, fandom, romance, shojo

≈ 1 Comment

Tags

anime relationships, fruits basket, fruits basket 2019, fruits basket anime, fruits basket manga, relationships

Now that the Fruits Basket anime has come to an end, I’d like to indulge in it a little longer by ranking all of the relationships in the series from my most to least favourite. Remember that this is all my personal opinion, so don’t complain if I rank your favourite ship low on the list, or your least favourite near the top.

Major spoilers for Fruits Basket, obviously.

  1. Yuki and Machi

Yes, I’m putting them even ahead of the main couple. Personally, I love this relationship dynamic just a little bit more and how it provides some of my favourite romantic moments. The two understand each other so well long before they officially get together, such as Machi breaking down a door to prevent Yuki from having a panic attack and Yuki later breaking a piece of chalk to prevent Machi from having an anxiety attack. It wasn’t so much that Yuki helped Machi gain a personality but more he let her realise parts of herself that she didn’t know were there. And Yuki was finally able to break free of the confines of the Sohma family thanks to Machi, who was practically the only girl at school who didn’t idolise him but saw him as he truly was.

2. Tohru and Kyo

Of course I couldn’t put them too low. Their love literally broke a generations-long curse! Watching Kyo change from an angry hot-head to a caring boyfriend all thanks to Tohru really shows how much he deserves such a special girl. It isn’t just Tohru; thanks to her influence he is gentler and more sociable with everyone. Even outside of romantic scenes, they interact so naturally and can’t get enough of each other’s company.

3. Hatsuharu and Isuzu

Not only do I adore their matching goth aesthetic (even their accessories match, now that is relationship goals) but I adore how Hatsuharu helped Rin through her trauma, and she in turn helped him transform from a punk kid to a responsible adult. Come to think of it, Rin seemed to pick up a few things from Tohru. Haru did realise that not all of his actions were right and he hurt Rin in some ways, yet he still vowed to do the right thing for her, while Rin realised it was ok to rely upon his support. It’s also kind of hilarious that after years of having a crush on her, Haru just came straight out and said ‘Wanna kiss?’ one day completely out of the blue.

4. Ayame and Mine

They’re both a little nuts, but that’s what makes them so perfect for each other. Even before the curse was broken, the two of them were completely overjoyed just being in each other’s presence and complement each other’s overwhelming confidence and sense of style. Mine probably knew about the curse for a long time and not only hid it from Akito but was perfectly happy being with Ayame, even if it meant she couldn’t hug him. Thank God the two can be all over each other now. Keeping with the theme of personal improvement, Mine also helped Ayame realise how cruelly he had treated Yuki in the past and was fully supportive when he tried to mend their relationship.

5. Ritsu and Mitsuru

It’s a shame we don’t see much of this couple, as they are another completely adorable pair. Not only do they fully relate to each other’s anxiety disorders but in a bonus manga, Mitsuru had no idea whether Ritsu was a man or a woman but didn’t care either way. I imagine she might not even find out until their wedding night! I’m glad we got to see a little more of their blossoming relationship in the anime and how they are a calming influence on each other.

6. Kisa and Hiro

Yes, they’re still too young and probably haven’t started a proper relationship yet, but it is easy to imagine they will eventually get together. Hiro recognised how he hurt Kisa, both intentionally and unintentionally, and realised he had to change for the better, even if it meant getting over his jealousy over Tohru. He became the knight who can protect Kisa.

7. Kakeru and Komaki

I’ll never forgive the anime for cutting out Komaki. She was such an integral part of Kakeru’s character arc. She helped him realise that ‘white knighting’ for her wasn’t right when it involved shooting other people down. That and it’s hilarious how he both plays pranks on her and finds even her smallest traits adorable. She truly is his ‘meat angel’.

8. Hatori and Mayuko

It’s not that I particularly dislike this couple, more it’s not one of my favourite side-plots. But it is a nice change of pace amidst so much high school drama to read a story about two mature adults who have already faced relationship issues and finally found peace with each other.

9. Kureno and Arisa

Even ignoring the age difference, there are a lot of red flags in this relationship. Kureno only seemed to fall for Arisa because she was one of the first people he met outside the Sohma family, they have little in common (not exactly Kureno’s fault since the confines of the Sohmas haven’t left him much room to develop a personality), and they are completely head-over-heels in love after interacting twice. I suppose the implication was supposed to be that their relationship was over before it even began thanks to the curse, but they still essentially decide to live happily-ever-after as soon as it’s broken rather than get to know each other naturally.

10. Ren and Akira

They are a perfect example of how some relationships can bring out the worst in a person. Akira certainly loved Ren, but only because his isolation left him with few options other than arranged brides. Ren was so jealous and possessive over Akira that she projected it onto their child, and Akira did little to stop this behaviour. Plus for all her talk of loving Akira, she was quick to jump into bed with Shigure just to spite Akito.

11. Kyoko and Katsuya

Yes, they did create the miracle that is Tohru Honda, but that doesn’t make their relationship much better if you really think about it. First of all, when they met Katsuya was an adult and Kyoko was only around fourteen. Secondly, they have little in common apart from both being lonely. Thirdly, Kyoko only married Katsuya because she had just been kicked out of her parent’s house and was dependant on him. The Honda family were a little right to be wary of her because she had a recent history of gang violence, and anger issues don’t go away just because you get married. Thankfully Kyoko matured and became a responsible mother after Katsuya died and realised she didn’t need to depend upon him her entire life.

12. Shigure and Akito

These two and their relationship dynamic are actually one of the most fascinating parts of the series for me. But that’s not the same as being healthy. Akito is a victim of abuse carrying on the cycle of abuse and is severely mentally ill. Shigure is cruel, manipulative, and willing to throw anyone under the bus to get what he wants, and justifies it by claiming it’s all for Akito’s sake. If some of the relationships above weren’t questionable enough, Shigure fell for Akito the night she was conceived and has retained that toxic hold over her ever since. He even slept with Akito’s mother just to make her jealous. And they still got married and had a son. The sequel manga did go some way to rectify this unhealthy relationship, but I still don’t see a bright future for the two of them.

 

What are your favourite and least favourite relationships in Fruits Basket? Let me know in the comments!

Six Steampunk Trends I love (and One I Hate)

01 Tuesday Jun 2021

Posted by Jessica Wood in Blog, books, fantasy, romance, steampunk, story, villain, writing

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dieselpunk, dystopian, enemies to lovers, fantasy, murder mystery, steampunk, steampunk books

I’ve been researching popular trends in steampunk books lately to better help my own writing, and in doing so I’ve uncovered some I really like, and a few I can’t stand. These are some of them:

  1. Magitech

I once heard someone say that magic has no place in steampunk since technology usually fills the same role. But steampunk often straddles the thin like between fantasy and science fiction, so why can’t we have both? Technical devices powered by magic are both fascinating and unique, and allow us to experience the best of both fantasy and sci-fi.

2. Steam-powered dictatorship

The popularity of the dystopian genre seems to have bled into steampunk in franchises such as Mortal Engines. It is a nice subversion for the standard steampunk setting where technology improves everyone’s lives and society lives in harmony. I especially love the setting in Kathryn Ann Kingsley’s Cardinal Wings series where a communist-style society has essentially taken over all of Europe.

3. Murder mystery

Perhaps it’s because of Sherlock Holmes, but there seem to be quite a few mystery series with a steampunk twist. My particular favourites are The Daemoniac by Kat Ross about a gender-flipped Sherlock Holmes and the Arcane Casebook series by Dan Willis which takes a more dieselpunk tone.

4. Art nouveau

While we mostly associate steampunk with Victorian aesthetics, it seems more common lately to include inspiration from the early 20th century and the art nouveau and art deco styles. As much as I like the Victorian era, I like these looks much better and find the simplistic lines much more pleasing. They can be used both to make a setting look cool or to make it appear imposing and threatening.

5. Propaganda

The role which propaganda plays in our public perception has been more of a hot-button issue in recent years. As sinister as it is, there is something oddly fascinating about how words and images can sway huge groups of people into a particular way of thinking, and how virtually every society has attempted it at some point in history. Steampunk is a particularly interesting genre to explore this, especially when combined with the dystopian elements I mentioned above.

6. Enemies to lovers

Readers have been going crazy over this trope lately, especially since we’ve started deconstructing classic villain archtypes. There’s something incredibly thrilling about reading two people from opposing sides realising they actually have a lot in common and going from one emotional extreme to the other. Once again, this works perfectly in steampunk fiction which loves both a good villain and a good romance.

And one trend I hate:

Everyone loves the hero

I enjoy romantic drama as much as the next reader or fanfiction writer, but something I notice a lot in the steampunk books I’ve read lately is protagonists with several love interests, or at least people who are interested in them. Sometimes it seems as if the entire world is falling at the main character’s feet within moments of meeting them. It runs the risk of portraying the character as unrealistic and there isn’t going to be much of a character arc unless somebody hates their guts.

 

What are your favourite and least favourite steampunk trends? Let me know in the comments below!

 

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It’s not me, it’s my characters!

14 Sunday Feb 2021

Posted by Jessica Wood in Blog, musings, romance, sale, self publishing, story, writing

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books sale, ebook sale, romance, writing

You’ve probably heard a lot of authors say that the characters take charge of the plot and hijack the story. Some even claim that they don’t intend for their characters to fall in love but they do it on their own.

It happens to me far too often. I don’t intend yet another romantic subplot on top of all the others I have already. But the characters go and fall in love anyway, then the romance becomes a major part of the story. With the Undersea series, I always intended for romance to be a major part of the story and to have a diverse range of relationships (straight, gay, interracial, mermaids, and so forth). But two secondary characters called Rico and Shiro seemed to fall in love entirely on their own. The more I wrote them, the more I realised they would need their own subplot in the second and third novels. It’s ended up becoming one of my favourite parts of the story to write and a major part of the plot. I’ve even come up with new spin-off books for these couples.

Most likely it’s just my subconscious realising that those characters are a good fit for one another, have good chemistry, or the subplot would benefit the story. But sometimes it does feel as if the characters really have become the masters of their own narrative.

Sale for UK readers

In keeping with the Valentine’s theme, Traitor’s Revenge will be on sale for only 99p during Valentine’s weekend in the Amazon UK store. My last sale was only applicable for the US store, so I didn’t want any UK readers to miss out.

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Why is Fantasy Obsessed With Royalty?

22 Friday Feb 2019

Posted by Jessica Wood in author, Blog, Common Criticism, criticism, culture, fairy tale, fantasy, musings, romance, story, writing

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creative writing, culture, fairy tale, fantasy writing, royalty, writing

If you polled fantasy readers on the most overdone tropes in fantasy fiction, chances are that most of them will name something like ‘the rebellious princess’ or ‘the stableboy who becomes king’ or any of the other numerous royalty tropes which frequently appear in fantasy. Yet it doesn’t stop fantasy authors from churning out a constant stream of books about royals, or readers from consuming them. It has reached the point that members of a royal family have almost become the go-to cast for a fantasy novel, and sometimes it can be difficult to find a fantasy book which doesn’t feature a member of the monarchy in some form. If royals are such an overdone fantasy cliché, why are we still so obsessed with them?


Photo by King’s Church International on Unsplash

…And they lived happily ever after

It all goes back to where modern-day fantasy spawned from – fairy tales. The standard fairy tale plot is a princess gets captured or imprisoned, a hero shows up out of nowhere to save her, and he is rewarded with the princess’ hand in marriage and half the kingdom.

They may be old and horribly outdated much of the time, yet they are still the stories we are told as children, whether it is through bedtime stories or Disney movies. This teaches us from a young and impressionable age that being a Princess is something special and desirable and that a Prince is ideal marriage material.


Photo by Susanne Jutzeler from Pexels

The real-life fairy tale

This also explains why society is so obsessed with royalty in real life, despite several dark periods of history making royalty almost entirely obsolete in modern times. We’re well aware that modern monarchs are only figureheads with no real power anymore. Most of us are also aware that they’re living comfortable lives which none of us can ever hope for. Yet that didn’t stop tens of thousands of people from descending on London last year to watch the wedding of Prince Harry and Meghan Markle in Windsor Castle, or thousands more from watching it live on television. They have what we’ve been taught to desire, but instead of feeling jealous, we adore them for it.

Escape into fantasy

Time Magazine explains that our obsession with real life royals is a parasocial relationship, similar to our relationships with our favourite fictional characters. We form one-sided relationships and become invested in the drama and stories of their lives without actually interacting with them or having them directly impact our lives in any meaningful way.

Whether they are real life or fictional, royals provide us with a necessary means of escapism. The British people don’t care that the royal family are costing them money at a time when their financial and political future is uncertain. They ignore the fact that high expectations and constant media bombardment probably make the life of a royal more stressful than it appears in pictures. They prefer to think about the dresses and parties and the smiling faces they see in the newspaper.

Carfax2 / WikiCommons

Fantasy is one of the prime forms of escapist fiction, and what could be more escapist than picturing yourself as the beautiful princess living in a fairy tale castle and falling in love with the handsome prince? Even the old fairy tales provided an escapist fantasy for regular people to envision themselves rising above their stations and becoming royalty.

Prawny / Pixabay

In reality, being a public figurehead would be incredibly stressful, a castle would be cold and drafty to live in, and falling in love at first sight with a prince you barely know probably wouldn’t work out in the long term. Yet even knowing all this, it’s still much nicer to just think about the happily ever after.

The media cycle

Media outlets know that royalty is used as a form of escapism and that they can use this obsession to increase their sales. Being fed a constant stream of articles, images, and news pieces about royals keeps them in our collective consciousness and keeps people buying newspapers or clicking on news websites. Disney keeps on making movies about princesses because they are fully aware that they will sell more toys and more trips to Disneyworld. Similarly, publishers keep putting out book after book featuring royals because they know that as overdone as it is, readers will keep buying them, and the publishing cycle will continue.

Updating a tale as old as time

Yet a constant stream of books about royalty doesn’t necessarily have to be a bad thing, or a sign of an unoriginal writer. Our knowledge of royalty also comes from history and folklore. Historically, a king was much more of an ‘everyman’ and representative of the people with a lot more say in the management and safety of his kingdom. This makes royals ideal protagonists for fantasy fiction based upon a historical setting, since they will need to make decisions which affect their entire kingdom. It provides more leverage for everybody’s favourite trope, the forbidden romance, with the royal finding a way to marry for love rather than political reasons. If you look closely enough at history, you’ll find that there are many more obscure royals or little-told-stories which would make for great fantasy books.

There are a multitude of creative ways that modern readers can use royalty to subvert the old tropes and put a fresh spin on them to attract more readers. This is why we are seeing more stories about overweight princesses, transgender princes, or royals from cultures which aren’t quasi-European. The beautiful princess and the handsome prince are still good starting points for writers, but it is up to them what to do with these old favourites.

Recommended fantasy books about royalty:

The Icemark Chronicles by Stuart Hill

The Mists of Avalon by Marion Zimmer Bradley

Pegasus by Robin McKinley

Top eight writing fumbles which ruin a good story

02 Friday Mar 2018

Posted by Jessica Wood in author, Common Criticism, criticism, romance, story, tv, writing, writing advice

≈ 2 Comments

Tags

good story turned bad, story, writing a story, writing advice, writing tips

Have you ever found yourself getting really into a work of fiction – binge watching entire seasons at a time, buying all the merchandise, or gushing about it on social media – but later on you find yourself hating the work you used to love? Sometimes it is simply a case of our tastes changing naturally over time, or sometimes it’s a change in the writing staff or management. But often it is due to the writer making a bad decision which turns even the most loyal fans away. These are some of the biggest writing mistakes which ruin a good story which you should avoid in your own writing:

Abandoning the premise

While some bad stories fail to live up to their premise, others abandon theirs altogether and alienate their existing fanbase. For example, say you have a gritty, relatable drama about regular working-class characters but then halfway through the characters suddenly win the lottery and it turns into a comedic farce about living amongst the wealthy elite. Those are two excellent premises on their own but switching from one to another in the same continuity is just a slap in the face to any fans who enjoyed the original premise.

Forced romantic conflict

I love romance plots with a burning passion, but I completely despise those which are inserted into a story for the sake of it, or which rely upon outdated or unpopular plots such as a love triangle, affair, or misunderstanding. If you do want to include a romance plot or test the couple, at least make it meaningful and fitting with the story and characters.

A delve into darkness

It is beneficial for a story to become increasingly dark as it goes on, since it gradually ups the stakes and provides deeper conflict. Yet more writers seem to be under the impression that they need to make the story as dark and disturbing as possible early on, which only makes the characters unlikeable and the story too depressing to follow or finish. Game of Thrones is probably the main cause of this trend, yet what most people don’t realise is that despite the increasingly dark tone, there still remains an element of hope that our favourite characters may still survive and fix everything. That is what keeps us enthralled with the series, not the endless stream of blood, death, and rape.

Dragging out the drama

In a failed attempt to keep fans interested, some writers drag out their conflicts almost indefinitely, or at least way past the point when they should have been concluded. This can actually have the opposite effect in turning fans away from the plot, since they have little incentive to follow it if they don’t believe it will ever be solved. Similarly, if you introduce a mystery or burning question into the narrative, don’t drag it along further than it needs to, otherwise the fans will stop caring.

Hitting the reset button

Have you ever reached a satisfying conclusion for a season of a tv show or a book in a series, only for the author to suddenly undo it all at the very end, or set up yet another long string of incredibly similar challenges for the characters to face? It fails because it makes the entire journey you have just followed feel completely pointless, and hints that the next instalment will just be a rehash of the first. If you are writing a series, build upon each new instalment with something new and the fans will stay interested for as long as you write it.

Too many plot twists

Plot twists are like rollercoasters; exiting when ridden one at a time, but if you ride several one after another then you’re just going to feel sick. If you have too many plot twists or plot twists which are too close together, the fans will barely be able to catch their breath before the next one comes along. Generally, I would say limit yourself to only one or two plot twists per book or season and give the fans plenty of breathing room each time to process them.

An unsatisfactory ending

Whether the story ends with joy or tragedy, it at least needs to be satisfactory and fitting to what the rest of the story has been building up to. No matter how good the rest of the story is, a bad ending will taint the entire thing and leave fans raging.

 

Which writing mistakes do you think ruin a good story? What has made you hate a story that you used to love? Tell me in the comments below!

 

Top Four Book Subplots Which Were Better Than the Main Plot

20 Monday Nov 2017

Posted by Jessica Wood in author, Blog, Common Criticism, criticism, fantasy, romance, story, villain, writing, writing advice

≈ 4 Comments

Tags

creative writing, lit, subplot, writing, writing tips

Subplots and side characters serve an important narrative role in fiction. They fill out the world and break up the story so that the main cast aren’t overwhelmed with solving every problem. This is why authors should give just as much love and attention to them as they do the main plot and characters. But there are some books in which the subplots and the characters within them are actually better than the main plot. Sometimes you find yourself dragging through the main plot and waiting with anticipation for the subplot to start up again. These are some subplots which I liked far better than the novel’s main plot (again, this is all opinion based, so don’t get your panties in a bunch if I include something you like):

Eragon – Roran’s story

The main plot: A Gary-Stu stumbles upon an adorable baby dragon and a bunch of other abilities and makes a lot of powerful friends. They travel the world of inexplicable geography to rip of Star Wars and every other fantasy story ever to take down the evil emperor, who is only evil because the author says he is. At one point the protagonist spends an entire chapter hanging around some woods and thinking about how ants are neat.

The sub plot: A normal farm boy with no special powers or privileges goes out into a world he barely knows to avenge his fallen father, save the survivors of his village, and rescue his true love, all so that he can return to living a normal life with the ones he loves.

So awesome that they were of course cut from the movie

The Hunger Games – Basically any of the other subplots

The main plot: A girl appears on a reality tv death show, takes down the government, and still has time for the most overblown love triangle ever. All for a poorly thought out social commentary that rich people are bad (who knew?).

The sub plot: Two kindred spirits both suffering from post-traumatic stress have a forbidden romance with one of them being used by the President as a sex slave, yet still help the other deal with their mental issues. When they finally wind up happy together, one of them is unceremoniously killed off-page.

The other sub plot: At age 12, Rue is already caring for her younger siblings until she is chosen for The Hunger Games, or super happy death camp. She survives for a long time thanks to her hiding abilities until her death sparks the first riot amongst the regular population which leads to the takedown of the government.

How the entire series went in my head

His Dark Materials – Mary Malone and the mulefa

The main plot: Two super special awesome kids with overpowered plot devices go on a quest to kill God, despite having no real qualms against him, go to the world of the dead just because they can, and have a tragic ending for no real reason. The message is that religion is a lie, even though God and the afterlife literally exist in this multiverse.

The sub plot: A nun-turned-scientist discovers gateways between worlds and comes to live with a bizarre alternate reality race who help her uncover the nature of the entire universe and how to save it.

The Princess Bride – Inigo Montoya’s revenge

The main plot: In the book version at least, two overblown romance novel stereotypes with no real personalities or likeable attributes go through a bunch of overblown romance novel clichés and almost die for each other BECAUSE TRUE LOVE!!

The sub plot: A man who witnessed his father’s murder as a child dedicates his entire life to avenging him, but instead becomes a washed up drunk assisting the main idiots with their stupid problems. He finally gets his revenge in the most awesome fight scene ever and becomes a legendary pirate, showing us how far a person will really go for the sake of true love.

The real reason we all read the book

Top Five Anime Cliches That Novelists Should Avoid

13 Monday Nov 2017

Posted by Jessica Wood in anime, Common Criticism, criticism, fantasy, romance, shojo, story, villain, writing, writing advice

≈ 1 Comment

Tags

anime, creative writing, lit, novel writing, writer, writing tips

When I began my first novel, I spent a lot of my free time watching anime. This bled into my writing and caused me to fill my book with characters and plot elements similar to those I had seen in anime.

It was only when I looked back at my first drafts that I saw just how out of place this influence was. These tropes are perfectly acceptable in anime, even if most of them are considered clichés, but don’t belong in a novel. If you’re having the same problem that I had, these are some of the anime stereotypes to look out for and leave out of your novel:

Complex love charts

Practically every anime has a complex chart of who has a crush on who, setting the ground for how the chart will be sorted out and who is going to end up with who in the end. A novel doesn’t have the same amount of time for relationship development as a 52-episode anime, so it won’t have the space to solve such a complex love chart. Novel readers also aren’t as into love triangles as anime fans are, despite what publishers will have you believe. Keep your love charts as simple as possible and resolve them fully by the end of your book.

But the chart says…

Anime hair

I’m majorly jealous of the girls in anime. They all have wacky hair colours in styles that are impossible in real life. It’s tempting to give your novel characters a similar appearance in order to make them a little more different or quirky. But while we expect girls in anime to have weird hair colours and styles, it won’t make as much sense in a novel, unless you can somehow explain where a medieval-esque fantasy society are getting so much hair dye.

Oh sure, it’s easy when you wear a wig…

Casual physical abuse

The trademark of the ‘yandere’ character is to punch their love interest into the sunset for the smallest of mistakes. Not only is this considered horribly abusive behaviour, it makes the characters despicable, not lovable. In real life, this person would either be in jail or undergoing severe psychiatric treatment. If your novel characters abuse their partners, or anyone else, it should only be if you are writing them as purposefully villainous.

Typical anime love interest

Harems

A classic anime story – A completely normal, average guy, serving as the surrogate for the romantically frustrated male audience, winds up with at least half a dozen beautiful young girls, who all magically love him despite his complete lack of a personality. It’s a male fantasy that may work in anime and visual novel games, but has no place in actual novels.

Not pictured: Personality

Lovable pervert

I think it’s fairly obvious what this character is all about. It’s difficult to make an outwardly perverted character likeable, as they will come across as creepy and rapey instead. If you try to make this character into the love interest, it will be even more unbelievable, as nobody will believe that this person can magically become monogamous through the power of love. Your novel characters may experience attraction or a sexual awakening like everyone does, but try to keep their perversions to a minimum.

Top five books with good premise but bad execution

27 Sunday Aug 2017

Posted by Jessica Wood in author, Blog, book review, criticism, fantasy, musings, romance, steampunk, story, top 5 list, writing

≈ 5 Comments

Tags

book criticism, books, creative writing, lit, writing

If you could name one thing in common with all your favourite books, it would probably be that they all have an excellent premise. Perhaps it is a new twist on an old genre, a unique location, or a fascinating character. It is the thing which made you choose the book over thousands of others on the shelves.

But like me, you might have frequently found yourself drawn into a book by its excellent premise only to find that the content of the book is severely lacking, or not what you were expecting. These are some of the books I have read which I had high hopes for but which I felt weren’t carried out well (this is all opinion based so don’t get your panties in a bunch if I slag off a book that you like):

Obsidian Mirror by Catherine Fisher

The premise: A teenage boy travels to a remote English villa to find out what happened to his missing father, and uncovers mysterious secrets.

The execution: Mystery, time travel, steampunkish tech, faeries, and some other stuff I just didn’t get all jammed together into one book. This book had a strong opening, but then threw so much stuff at me all at once that I barely had time to take it all in or keep track of what was going on.

The King’s Sister by Anne O’Brien

The premise: A story about Elizabeth of Lancaster, sister of King Henry IV and a little-known figure of history.

The execution: Medieval soap-opera melodrama and problems which were either solved way too quickly or just seemed to solve themselves eventually anyway.

Bearers of the Black Staff by Terry Brooks

The premise: A highly different fantasy which is set not in another world or the distant past, but in the post-apocalyptic far future.

The execution: Just another bog-standard sword-and-sorcery fantasy. There are so many things that could have been done with this premise- Magic duels in the ruins of skyscrapers, contemporary stories becoming folklore, everyday modern objects viewed as sacred artefacts. If you want this same premise done much better, read the Mortal Engines series instead.

The Wolf Princess by Cathryn Constable

The premise: A teenage orphan and her friends get the chance to travel to a remote palace in Russia and uncover hidden family secrets.

The execution: Cliched characters, a protagonist who is barely active in her own story, and huge, completely noticeable plot holes.

Dragon’s Child by M.K. Hume

The premise: An origin story for King Arthur, focusing heavily on the Roman Britain setting.

The execution: Murder, rape, torture, paedophilia, slavery, and just plain uncomfortable reading.

 

What are some books which you thought were going to be great but severely let you down? Tell me in the comments below.

How to write a love/hate relationship

20 Sunday Aug 2017

Posted by Jessica Wood in author, Common Criticism, criticism, romance, story, writing, writing advice

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Tags

books, lit, love hate relationship, romance writing, writing

I’ve previously written about some of the classic romance writing tropes which I can’t stand, and today I have another to add to the list: Love/hate relationships. These are fictional relationships in which a couple do nothing but fight, sometimes even physically abuse each other, yet at the insistence of the author and the rest of the cast, it is evidence that they are falling in love.

It’s clear why this type of relationship in fiction isn’t too popular anymore and why people are beginning to severely question it. Who looks at a real-life couple arguing and thinks that is what they want from a relationship? It isn’t very romantic to hook up with someone when you still hate them.

Yet readers still love reading about interesting and complex relationships and a dynamic between two incredibly strong-willed individuals working through their feelings can be a good one when done correctly. Hate turning to love is still a popular fanfiction plot as readers enjoy seeing how their favourite characters can go from one emotional extreme to the other. They just don’t want to be tricked into supporting an unrealistic couple with no reason to love one another. These are some of the top ways to write a believable love/hate relationship without dipping into abusive territory:

Write a character arc

The golden rule of writing applies to love/hate relationships too. Rather than showing a couple spend an entire work of fiction bickering then have them suddenly admit their attraction and hook up at the end, give them an actual character arc to show how they and their relationship change over the course of the story. Show how intense hatred can turn to intense love through character interaction gradually softening the relationship.

Overcome a character flaw

An integral part of the character arc is to show a character with a severe flaw which they come to realise and improve. Perhaps the reason your characters start out in a love/hate relationship is because one or both has trust issues or was raised in an abusive household. These can explain the character’s motivation and give them an interesting Hero’s Journey which the readers will want to follow.

Make it comedic

Another way you can get away with a love/hate relationship is to write it in a comedic context. This stems all the way back to Shakespeare’s Much Ado About Nothing, possibly the very first love/hate relationship story. We can laugh at Benedick and Beatrice’s quips yet still have the sense that they genuinely care for each other and feel happy when they sort things out at the end.

Gielgud_and_Leighton_in_Much_Ado_1959

Don’t write physical or mental abuse

The main criticism against love/hate relationships is that authors confuse abusive behaviour with regular domestic arguments, or believe that regular fights are a normal part of relationships. Thankfully people are now waking up to how damaging this message is, but there are still too many borderline abusive relationships in fiction. Arguments may be a common part of relationships, but they should be presented in a constructive manner to allow a couple to air their grievances occasionally, not happen all the time. It should go without saying that physically abusive behaviour has no place in a romance, not even in a comedic context.

Make it purposefully self-destructive

You might, however, decide to go down the opposite route and write this type of relationship as self-destructive on purpose. This can demonstrate the realities of a co-dependant relationship and how it will rarely work out. There are many fascinating real-life examples of couples with a ‘can’t live with them, can’t live without them’ type dynamic. For example, the biopic Sid and Nancy depicts the real-life relationship between the Sex Pistols’ bassist Sid Vicious and his girlfriend Nancy Spungen and the disastrous impact it had on their lives.

 

What are some good and bad examples of love/hate relationships that you have seen in fiction? Tell me in the comments below.

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