Category Archives: My Little Pony Friendship is Magic

How to Write a Long Term Relationship

19 Monday Jun 2017

Posted by in anime, author, Common Criticism, My Little Pony Friendship is Magic, romance, shojo, story, writing, writing advice

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There is a reason why most love stories end at the ‘happily ever after’ part; after we’ve seen the couple finally confess their love or defeat the obstacles which were preventing them from getting together, we like to believe that they skipped merrily into the sunset and never had any problems ever again. We don’t like to acknowledge that in reality, even the most loving relationships can still have problems, and most don’t work out at all. It doesn’t help that most couples in fiction who are supposed to be a representation of true love wouldn’t work out for very long in the real world. This leads to many writers depicting a long term couple as boring, relying upon old stereotypes, or piling unnecessary drama upon them.

As someone who has been in a long term relationship for nearly 12 years (I’m only 28, by the way), I can tell you that there are ways that you can write one and make it just as interesting and heart-warming as a couple who have only just gotten together. Here are a few top ways:

Dealing with realistic issues

Rather than using a string of soap opera melodrama to test the couple’s relationship, it is much better to show them going through realistic and relatable issues. This could be health problems, issues with their families, or the stress of raising a child. These are the real tests of a relationship which determine if it will last. Readers will respond to them much more than yet another forced temporary breakup.

For instance, in My Little Pony: Friendship is Magic, Princess Cadence and Shining Armour are supposed to be the literal embodiment of romantic love, but they were criticized for being too perfect. In recent seasons they had a baby, Flurry Heart, and had to deal with the stress of caring for their first child, which turned opinions on the characters around and suddenly made them much more realistic and grounded.

Animated ponies are more relatable than most soap opera characters

Five love languages

Author Gary Chapman theorised in his book The Five Love Languages that there are five ways that couples show love for each other, and that we need all of them, not just one or two, to make a relationship work long term. These are gifts, quality time, words of affirmation, acts of service, and physical contact. Ensure that your fictional couples use all of these to show how their relationship remains strong.

Leave out the arguments

I for one am really sick of the so-called joke of two people arguing ‘like an old married couple’ as proof that they are a perfect couple. It is true that even the best relationships do involve arguments over petty things such as leaving the fridge door open or who was supposed to take the dog for a walk. We all get stressed at times or make mistakes so it is inevitable. But readers don’t want to be reminded of these disputes when they are indulging in escapism, so it’s best to leave them out of your fiction.

Have the relationship evolve

One of the things I love about the Japanese anime My Love Story is that the love confession scene, which would be at the end of any other anime, happens in episode three out of 24. The rest of the show is dedicated to the two figuring out their first major relationship by going on dates, setting up their friends, and getting to know each other’s families. It goes to show that you can definitely have a romance story arc that doesn’t end after ‘I love you’.

Don’t make the reader question why they’re married

For decades, mainstream television was under the apprehension that arguments and constant disagreements are a normal, and even preferable, part of relationships. But attitudes towards marriage, divorce, and family have since changed, so when modern audiences look back at these old shows, they usually say ‘but why don’t that couple just get divorced?’

Today’s consumers aren’t accepting of actions that can be interpreted as abusive and are bored to tears of nagging wives babysitting their lazy husbands. Many of them might have even grown up in these types of households and have experienced first-hand why they are so destructive in real life. So no matter what, don’t make your readers question why your couple ever got together in the first place or why they are accepting of a miserable living situation.

Write them as characters

In cartoons it is normal to have stock parent characters who are only ever referred to as ‘Mum and Dad’ even by other characters. Am I the only person who has noticed how weird that is? But you hopefully aren’t writing this type of story. You want to write your long term couple or parent characters as people, not stick figures. Give them backstories, goals, likes and dislikes, and everything else you would give your protagonists and they will become some of the most memorable and lovable characters of all.

20 years later and I’m still trying to figure out their names.

The Villain Redemption Story. Part 1: Why Redeem Villains?

22 Monday Feb 2016

Posted by in Common Criticism, culture, fairy tale, fantasy, film, My Little Pony Friendship is Magic, story, villain, writing, writing advice

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Discord_sitting_ashamed_S03E10

In classic storytelling there are two types of characters, good guys and bad guys. They both serve important purposes. The hero is intended as the person we should all strive to be and who’s story we want to follow and watch as they succeed. The villain is needed to provide a foil to them, give the hero somebody to fight, create conflict by keeping them from what they want, and show us what we shouldn’t try to be.

Maleficent_poster

In recent years, writers are starting to deconstruct classic villain tropes and present different types of villain. There’s the anti-hero who fits in a morally grey area (Game of Throne’s Tyrion Lannister), the protagonist villain (Lolita’s Humbert Humbert), and the redeemed villain (Ebeneezer Scrooge, perhaps the most famous example). Not that there’s anything wrong with the classic baddie, there are many big bads who we all love to hate. But it’s reached the point where that character has become clichéd and boring and we like to see different types of villain and villain story arcs. These often form some of the most interesting and memorable stories of all. Changes to society mean that some people who were previously seen as villains are now the heroes, and vice-versa. Here are some reasons why I really love the villain redemption story and why you should consider it in your own stories:

  1. It opens up the possibility for more types of story other than the standard good vs. evil. This post on Tumblr gives a whole list of villain redemption stories which have hardly ever been seen so far.
  2. It asks some important questions, like can people ever be truly forgiven for an act of evil. A good example is a book I recently reviewed and haven’t stopped gushing about since, Before the Court of Heaven. It tells the story of the real life German assassin Ernst Techow. In the first half of the book I hated him because of his racism and lack of empathy for his Jewish victims. In the second half he goes through a surprisingly touching change of heart but no matter how much good he tries to do, he can never change the terrible things he did in his youth and never truly forgive himself.
  3. There is some of the best potential for character development. Like the example above, the hero isn’t the only one who has to go through the hero’s journey. Character development is the key stone of all good stories and what could be better than the development from bad to good?
  4. More potential for drama. I don’t think that story tropes should be thrown in purely for the sake of increased drama, but if a story is lagging then a villain redemption plot could be what it is lacking. It is unique, emotional, memorable, and opens up the doorway to many more future stories.
  5. It can teach the protagonist an important lesson about themselves and have a great impact in their own story arc. Villains are supposed to be the opposite of the hero and keep them from what they want. One way for the hero to get what they want isn’t just to defeat the villain but change them for the better. It says a lot about a hero if they are willing to take a chance on the villain instead of taking the easy option of running their sword through them. Or perhaps the change in the villain inspires the hero to change in a way too or shows them what is truly important.

In my next post, I’ll talk about when to redeem a villain and when not to, and provide more examples of villain redemption stories done right.

8 creatures that fantasy needs more of.

12 Friday Dec 2014

Posted by in Dungeons and Dragons, fantasy, musings, My Little Pony Friendship is Magic, story, writing

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I love dragons. And griffins and pegasi and unicorns and mermaids. That’s why I populate my fantasy worlds with them, as do many authors. But these standard fantasy creatures have been done to death so much they have become boring and unoriginal. Writers don’t need to restrict themselves to fantasy archetypes. There are numerous creatures in mythology and monster manuals that are just as interesting, weird and terrifying and serve the purpose just as well. These are just some of the creatures I’d like to see more of in fantasy:

1. Kelpie

kelpie

From Scottish folklore, they look like those weird water ponies from My Little Pony except that they can take on human form outside of water, except for their hooves. They lure people to ride on their backs and then drag them under water and drown them. An interesting and twisted alternative to mermaids.

  1. Dames Blanches

Or ‘white women’ are like the bridge keepers that show up in fantasy and won’t let you pass unless you answer a riddle, except instead of a riddle they’ll throw you into a thistle patch if you refuse to dance with them.

  1. Tsukumogami

Yoshikazu_Kasa-obake

A Japanese myth of objects gaining life and sentience after 100 years. My favourites are the ittan-momen, bolts of cotton that wrap around people’s necks to choke them and the kasa-obake, living umbrellas that hop around on one leg. There is a whole list on Wikipedia: http://en.wikipedia.org/wiki/Tsukumogami. This sounds like the sort of overblown whimsy you see in Ghibli films, but there’s no reason a fantasy novel can’t have a similar concept.

4. Beholder.

beholder

Possibly one of Dungeons and Dragon’s most famous creatures, they look like big floating heads with scary huge teeth and single eyes. From their eye stalks they fires rays that can cause damage, put you to sleep, restrain, levitate, confuse, induce fear, or disintegrate.

As they are registered property of Wizards of the Coast, you probably can’t use the word ‘beholder’ but you can use them as the base for your own monster.

5. Dryad

Tree nymphs from Greek mythology, with similar creatures in many other countries’ myths as well. They usually appear as human women and their lives are tied to their trees. They must replant their trees whenever they move somewhere new and if the tree dies then they die with it.

  1. Gelatinous cube.

Gelatinous_Cube

Anyone who’s ever played Dungeons and Dragons has just groaned. These things are horrible and nearly impossible to defeat. They are literally just ten foot cubes of ooze which cause paralysis when touched and absorb anything they come into contact with. You’d better have a good magic user in your party because they can’t be hurt with physical force or weapons.

  1. Will-o-wisp.

will o wisp

There are many stories of lights that float over swamps or bogs, seemingly to lure unsuspecting travelers away from safe paths to their deaths, but there are many variations. Scandinavian folklore says they point the way to treasure, especially on Midsummer’s day. The German version likes to make fun of couples making out. There are numerous possibilities that your wisps can have.

8. Golem

Golem

Also known as a construct, guardian, homunculus, and many other names, these are inanimate beings made of metal, stone, wood, mud, or sometimes even human flesh brought to life by magic, spells or some kind of energy. I don’t know why but I’m fascinated by things like these. Maybe it’s because mythology had the concept of a robot long before science fiction ever did.

Some tips for filling your fantasy world with monsters:

  • Use mythology books or RPG monster manuals for inspiration. But if the creatures are under copyright, such as the ones invented for the Dungeons and Dragons games, use them as a base instead of directly copying them.
  • If you still want to include dragons or griffins or any other standard fantasy creature into your book, that’s still fine, as long as you find an original angle for it and don’t rely on decades old stereotypes that have long since become old. For instance, Futurama had a beholder working an office job!

    'Please don't tell my supervisor I was sleeping!'

    ‘Please don’t tell my supervisor I was sleeping!’

  • Avoid the ‘calling a rabbit a smeerp’ trope. This is where authors are trying to be clever by using a made up word for something that doesn’t need it, which only confuses the reader. It would make sense if the dragons in your fantasy world are called ‘wryms’ or ‘drakes’ but not if they are called ‘Qiznars’.
  • Use real life animals for inspiration. How about a dire hyena or a ten foot tall swan? All mythology has a basis in reality, after all.
  • Combining two animals into one is another popular option. Just off the top of my head I have penguin-monkey, owl-toad, and horse-bear. Ok, those need work but you get what I mean.
  • Mix and match your mythological creatures to create original combinations. One of the best short stories I ever read was a dryad who fell in love with a dwarf.

Fantasy writers and readers, are there any little known creatures you’d like to see in more fantasy stories?