Category Archives: film

My Top Five Favourite Pieces of Junk Food Media

06 Tuesday Aug 2019

Posted by in Blog, film, top 5 list, tv

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I enjoy a wide range of books, tv shows, and films. I also enjoy a wide variety of different types of food. Often the way we consume media is similar to the way we eat. There are days when we want to eat a fine gourmet meal or watch or read something deep and important. But there are also days when we’re tired or stressed and just want to stop at Burger King or watch a stupid movie. It isn’t the most nutritious food there is or the most intellectually stimulating entertainment to choose from, but it’s comforting and easy, and there are days when we need that. That’s why I call these types of books, shows, and films ‘junk food media’.

It’s not as if these works never deal with tough themes or have sadder moments. It’s just that they don’t make up the main bulk of the story, and there are always plenty of uplifting moments to get you through them.

These are my personal favourite junk food pieces of pop culture which never fail to cheer me up when I’m in a bad mood:

Cardcaptor Sakura

Not only is Sakura an adorable and perpetually cheerful little ball of funshine, the town she and her friends live in is essentially a utopia. The cast have an endless supply of lovely clothes, eat delicious dinners every night, and live in houses which are almost unaffordable in real-life Japan. Even most of the problems which Sakura faces are a mere apocalypse of mild peril (the threat in one episode was that their cakes were too sweet). Sakura and company do still go through the many perils of growing up and feeling their first heartbreak. The episodes dealing with Sakura’s dead mother are especially tear-jerking. Yet even while watching these moments, you always know they’re going to make it through, which is why the series is so endearing even over 20 years after its debut.

The Moomins

Yes, it’s basically the law that I have to include this on my list when I live in Finland. But there’s a reason why the show is so insanely popular in the country. Moominvalley is a throwback to a more rustic, relaxing time of countryside living. That and the cast of fun, quirky characters makes any variation of this massive franchise fun to watch. Again, there are sadder moments. The scene where Snufkin leaves for the winter could easily be symbolic of losing a loved one or having a friend move away (the author, Tove Jansson, seemingly based it upon her best friend fleeing the Nazis). My particular favourite is the UK-produced new version, mostly because it has prominent British comedians amongst the English cast, including Matt Berry as the voice of Moominpapa.

Friends

Maybe it’s because the show is ‘lifestyle porn’. Maybe it’s because I’ve seen it so many times that it is comfortable and familiar. Or maybe it just is that good. Whatever the reason, watching Friends feels like having coffee and cake in Central Perk. As much as I love the darker comedy of British shows or the more subtle humour of modern sit-coms, I will always have a soft spot for these cosy, found family, laugh-out-loud comedies.

Bee Movie

It’s a children’s film about bees suing the human race for using their honey, and is apparently full of political symbolism. And a woman leaves her boyfriend for a bee. I have no idea if the writers intended for this film to be taken seriously or if they knew how absurd their premise was and made it silly on purpose, knowing that nobody would ever take it seriously. Either way, the film is unapologetically stupid, nonsensical, and completely lacking in morals and I couldn’t love it more.

Mystery Science Theatre 3000

One of the reasons I love Bee Movie so much is that it’s so bad that it lends itself to making jokes about it as you watch – also known as ‘riffing’. MST3K invented this concept and is still going strong with it 30 years later (in fact, the show is only slightly older than I am). Not only is it hilarious to hear riffs on terrible old movies, but the skits by the hosts and bots are insanely fun. It almost feels as if you’d like to hang out on the Satellite of Love. Well, almost…

What are your favourite pieces of ‘junk food media’ that never fail to cheer you up on a bad day? Tell me in the comments below!

I Just Don’t Like Star Wars – What Happens When You’re Not Into the Latest Big Thing

12 Tuesday Feb 2019

Posted by in culture, film, musings

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I’m just going to come out and say it – I don’t like Star Wars.

Just saying that is already going to piss off a lot of die-hard fans.

To clarify, I don’t actually hate Star Wars. I’ve seen some of the films and there are some parts I like. I think that Princess Leia is an awesome feminist icon, I love that John Boyega is from the same home town as my dad, and I love telling people that my dad once worked at a hospital with the actor who played Chewbacca. And I appreciate what the franchise did for popularising the sci-fi genre and nerd culture in general.

But even after watching the films, I still haven’t gotten personally invested into the series. In fact, I’m not really into a lot of things which dominate pop culture right now like superheroes or video games. I’ll go and see the latest superhero film if someone in my family wants to see it, but I don’t go out of my way to watch every single film which comes out, regardless of its popularity.

I do know the reasons why I don’t particularly like Star Wars. I was born a generation too late to watch and appreciate the original trilogy when it hit theatres, and now the sci-fi tropes which made Star Wars unique back then have been so overused that they have turned into cliches.

In a way it’s good that nerd culture has pushed into the mainstream and the same people who were picked on when I was at school are now at the top of the high school hierarchy. Yet it does mean that those same people who were the victims of bullying have become the bullies, and not just at school. Fans will jump down your throat and accuse you of being a ‘hater’ if you express an opinion different than their own, or will view you as strange if you don’t have in-depth knowledge of whatever is big in pop culture at the present moment.

When I was at school, being a nerd still meant being a part of the counter-culture and enjoying things outside of the mainstream. That’s why I was writing shitty anime fanfiction while everyone at my school was obsessing over some show called Big Brother. I just couldn’t understand the hype and join in with everyone else, so it made me feel incredibly isolated when I was younger.

But now that the tables have turned, I still feel isolated and locked out of the mainstream. For instance, I have fond memories of visiting the Disney theme parks with my family, but now that my favourite attractions are closing down or being altered to become Star Wars or Marvel themed, I wouldn’t enjoy a Disney trip as much as I once would. I’m feeling isolated from my own childhood nostalgia.

Yet despite what this article implies, I’m still glad to be a nerd and part of the counter culture. I’ve been this way since I was a teenager and I’m not going to change anytime soon. Yes, it’s a little disappointing that I don’t enjoy Disneyland as much as I once did or I have no idea what all the parody videos on Dorkly are talking about. But I still get to enjoy the fanart, fanfics, and discussions for my niche fandoms, and that’s good enough for me.

Are We Over-Analysing Stories?

08 Wednesday Aug 2018

Posted by in author, Blog, book review, criticism, culture, film, film review, musings, story, writing

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An analysis on both the shortcomings and successes of capitalism and the disillusionment of a capitalist society and aversion to manual labour, the exploited proletariat, and the realities of Marxist socialism. With references to Ayn Rand, Soviet propaganda, and Bernard Manderville. That’s Wisecrack’s view of Bee Movie, anyway. To me it’s just a so-bad-it’s-good failed Jerry Seinfeld animated children’s film about bees that I watch when I’m drunk.

Also a woman fell in love with a bee

Why analyse stories?

I like most writers gained an interest in the field through English literature classes at school. I was encouraged to analyse and critique books, and later films at university, and never stopped. There’s nothing wrong with this as it’s both enjoyable and an essential part of being a writer. How can you hope to write well if you don’t know the elements of good storytelling?

There’s not even anything wrong with making analysis part of fandom activity. Often the most loyal fans are the most critical since they pay closer attention to the work. And being aware of the flaws in a piece of fiction doesn’t mean you can’t still enjoy it. I could write essays about what is wrong with Tolkien’s books and the film adaptations, but I could also write twice as much on everything great about them.

I have a lot to say about Legolas’ mullet

The critic problem

Being so obsessed with stories has naturally led me to making extra money by writing book reviews, and occasionally posting reviews on this blog. The general structure of a review which was given to me by the editor is supposed to be:

  • The general plot of the novel
  • What works and doesn’t work about it
  • Who would enjoy the book and who should avoid it

In my spare time I enjoy watching reviews and video essays on Youtube. I even enjoy Wisecrack’s series of philosophy and deeper meaning videos, since it puts a lot of my favourite stories in an entirely new context that I never noticed before. Some online critics have even turned critiquing into an artform in itself, by making their videos both informative and funny. Tony Goldmark, who reviews theme parks on his show ‘Some Jerk With a Camera’ is my favourite reviewer since he uses his background in comedy music to make his videos half review and half comedy sketch show.

But even the critics I used to enjoy are deviating away from the formula that I obey strictly, something which was made even clearer during the recent Change the Channel fiasco. I’m not alone in feeling that some professional critics are getting a little too invested in what is supposed to be just entertainment and angry over what they deem as subpar. I understand that they care deeply about maintaining a high standard of quality in the industry. Yet even as a writer and part-time critic myself, sometimes I just want to scream at them ‘it’s only a story! Get over yourself. It’s not worth getting this angry’.

The rise in popularity of Youtube channels such as Cinema Sins has also created the idea that we need to nitpick every tiny detail of a work of fiction and that anything less than perfect is worthless. Yet nobody in history has ever created anything completely perfect (except for my parents when they made me!). Just look at their critique on Ratatouille. Did you even notice half of the ‘sins’ they bring up? Did it ruin your enjoyment of the film? Probably not. You were probably just paying attention to the story, characters, and great comedy, not minor continuity errors that nobody cares about.

Obsessively critical attitudes like this are part of the reason why people seem to be becoming more cynical and judgemental about media today and may even be putting off great artists from creating the things they love. Nitpicking is neither good criticism nor good entertainment. That’s why nobody wants to hang out with the person who teases you for every little thing.

The ‘wrong’ perspective

This can happen in English literature classes too. True most authors do write for their love of the craft, and with the average pay for writers being so low that’s the only real reason people should write. But what they don’t teach you at school is that more often than we’d like to admit, if you ask a writer the real meaning behind their work, they’ll answer ‘because I needed the money’ or ‘that’s the only way I could get the story to work’.

We tend to view Shakespeare’s plays as the height of sophistication which people quote to sound smart (I know I do). Yet we forget that at the time they were written, they were seen as populist entertainment, the same way that soap operas and sitcoms are generally viewed today. If you analyse them deep enough, you will find lots of bawdy humour, black comedy, and words Shakespeare made up just to suit the scene (did you know he invented the word ‘elbow’?). Some even theorise that he had to write his plays a certain way to entertain royals, not because he wanted to bore school children hundreds of years later.

This is happening even to more contemporary authors. Right up to his death, Ray Bradbury had people arguing to his face that his novel Fahrenheit 451 is about censorship, not a commentary on television like he intended.

I suppose having your work mis-interpreted is one of the risks of being an author. Then again, the entire point of literature, in my opinion at least, is that each reader is allowed to interpret it the way that they want. And if thousands of people view Farenheit 451 as a critique on censorship then there’s nothing wrong with that. There is something wrong with telling the guy who wrote the book that his own interpretation is incorrect and that theirs is the only right one.

Analyse at your own will

It is enjoyable to look for the meaning and symbolism in fiction and to write it into your own stories. But I’m against the idea that all stories need to be layered in symbolism or have a deep and important message. Stories can be read and written just for fun, not because we want to play a game of ‘spot the symbolism’. Some stories can just be about an exciting adventure or two people falling in love, not a veiled essay on the Irish potato famine.

Maybe Bee Movie is a genius deconstruction of capitalism. Or maybe it’s a dumb animated movie about bees which is fun to riff on with friends. At the end of the day the only thing that really matter is what you thought of it.

What #ChangetheChannel has taught me about online content creation

12 Thursday Apr 2018

Posted by in Blog, Common Criticism, criticism, film, indie, internet, musings

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You might have heard of a controversy that’s circulating the internet right now going by the name #ChangetheChannel. In a nutshell, it involves a website called Channel Awesome which hosts video reviews, recaps, etc about pop culture. It was started by Doug Walker as a place to showcase his Nostalgia Critic character but went on to host dozens of other reviewers. For years it was an incredibly popular website and I’m one of the many who used to visit it religiously. I used to have a lot of fun watching videos with my boyfriend (now my husband) and fondly remember watching Kickassia together and holding each other’s hands as we chanted ‘We believe in Santa Christ!’

But like any big company, it had immoral things going on behind the scenes. Previous contributors to the site have revealed that they were let go for arbitrary reasons and that the management was incredibly poor and misogynistic. In March, a Twitter thread and later a compiled document from over a dozen past and present contributors to the site revealed that things were much worse than anybody suspected. The worst allegation is that the higher ups in the site were involved in sexual abuse which went unreported.

I may create written content rather than videos, but this controversy has told me a few things about making content online, and I hope that other creators can take something away from this too:

It’s not the You show starring You

Ok I’ll admit it, I like being praised for my work. It’s just a natural human instinct. But if you become big enough, it’s easy to become elitist and snobby, which definitely seems to have happened to Doug Walker and the other Channel Awesome higher ups. Many of the website’s problems seem to have come from them treating Doug as a star who could do no wrong and neglecting the other contributors because they weren’t as important in their eyes.

Youtubers usually need to use themselves to brand their work, just as authors need to sell themselves to sell their books. But all creators, no matter how popular they get, need to remember that it is the content that is drawing in their audience, not just themselves.

Respond to controversy correctly

To add further fuel to the fire, Channel Awesome responded to the allegations with a non-apology statement, posted on Twitter, by far the best place for public apologies, which actually included the phrase “we’re sorry you felt that way”. This was basically saying ‘it’s your own fault if you were offended by the horrible things we did’.

Channel Awesome aren’t the first media producers to be involved with a controversy, but some others who have did at least acknowledged their mistakes and apologised for them. Some even voluntarily stepped down from the websites they were associated with.

While sincere apologies don’t automatically excuse you from bad behaviour, they are at least the right way to respond to controversy, rather than trying to weasel your way out of them and avoiding blame.

Being a critic doesn’t make you a creator

It’s almost painfully ironic that Doug Walker famously reviewed The Room, which is regarded as one of the worst movies ever due to the incompetence of its director. The making of the film was so awful that it has had books and films made about it (which I highly recommend, btw). Based on the testimonies made by CA contributors, when Walker made his own movies, he did similar things (not providing food and water, ignoring continuity errors, spending hours filming scenes which never made it into the film, etc) and has a similarly over-inflated ego.

I occasionally get paid book review jobs, but that’s more of a side hustle for extra pocket money. Learning what works and what doesn’t work in books can help with my own writing, but I know that being a critic doesn’t automatically make me a great writer, because criticism and writing are two highly different skills.

Don’t settle for a shitty company

I’ve worked for shitty companies before, both as a writer and in my previous career in retail. Thankfully I’ve never been involved with a company which has committed sexual assault, but I did briefly work for one which was involved with attempted murder.

The signs of a shitty company are almost always the same; poor management, lack of communication, overworking staff, no respect for employees, and those who act like paying others is a favour rather than an obligation. I know that financial necessity often leads us to settle for shitty companies, but the golden rule of ‘never work for exposure’ always stands. Your time and talent are worth so much more and moving on from an awful company is the best feeling in the world.

 

The nature of the internet is ever changing and some of the forecasts are scary for those of us who make a living from creating online content. But this controversy shows all online creators, be they writers, Youtubers, streamers, bloggers, podcasters, artists, or whatever else that if we respect each other and our work, we can still keep on creating the content that we and our audiences love.

This is the quality content I go online for.

Update: Right after I published this post (and I do mean right after), I found out that Channel Awesome has posted a more detailed response to their website. But this too doesn’t contain an apology and once again comes across as their way to try and weasel out of the accusations.

My Top Six Childhood Traumas

05 Monday Feb 2018

Posted by in Blog, fantasy, film, story, villain

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I’ve seen a lot of videos on Youtube lately about childhood traumas – the movies or tv shows which gave people nightmares when they were children. It’s a real eye opener into what people found scary when they are children, compared to when they’re adults. There are a lot of things you’d expect children to fear which they don’t find frightening at all. I was never scared by Goosebumps or Are You Afraid of the Dark. But there are a lot of things which end up frightening children when they’re not supposed to, even when they’re intended to be cute and harmless. These are my top childhood traumas which freaked me out when I was younger, and still do a little bit today:

Muppet Christmas Carol

Muppet Christmas Carol is now amongst my favourite Christmas films, and the season doesn’t feel complete without watching it at least once. But the reason why it is one of the best adaptations of A Christmas Carol is because the filmmakers knew that it was primarily a ghost story, and the addition of Muppets somehow only makes it scarier. The parts which always freaked me out when I was young where when the doorknocker turns into the face of Jacob Marley, the entire scene right before the ghosts first appear, and of course the Ghost of Christmas Yet to Come, who literally has the face of death.

Jumanji

I’ve only seen this film once when it first came out, but it terrified me so much that I can’t bring myself to watch it again, or even the reboot. I genuinely don’t know why they thought this would be an ideal film for children, just because they cast Robin Williams in it. It was made in the early days of CGI when it was still incredibly uncanny, and having all of them coming straight at the camera only makes it worse.

The burglars from Home Alone

How could the most popular family comedy of the 90’s possibly traumatise me? Because it prays on the primal childhood fear of burglars breaking into your house and trying to hurt you. The burglars were genuinely terrifying until Kevin set all of his death traps, and even a little bit afterwards. The video game was even worse. I always felt a lot of anxiety for the burglars capturing my character and hanging him on a hook. I think that’s part of the reason why I can’t stand playing video games today.

The junk yard from The Brave Little Toaster

Have you ever noticed what an incredible work of art The Brave Little Toaster is? On first glance, it seems like just another animated children’s film about talking objects. Instead, it’s a painfully poignant tale about what becomes of your life when you can no longer meet your purpose.

The junk yard scene is one of the most frightening scenes in any children’s film, when you think about it. As the cars sing upbeat tune which sounds like it could have come from Rocky Horror, they reminisce about their lives as one by one they are picked up by the omnipotent magnet and dropped onto a conveyer belt to be crushed to death. The magnet is a sort-of metaphor for the Grim Reaper – It picks up the cars and other pieces of junk seemingly at random with no mercy to meet their demise. The cars know that their deaths are inevitable, they just don’t know when it is coming.

I think I need to go and watch My Little Pony for a while…

Return to Oz

Because I’m one of those ‘edgy’ kids, I much prefer Return to Oz to the original The Wizard of Oz, but again, it took me several years of therapy to come to fully appreciate it. First, Dorothy’s aunt and uncle send her to an asylum for electric shock therapy treatment. Next, when she’s back in Oz, she’s stalked by these terrifying wheeler things. Then she’s imprisoned by a woman who has a whole collection of interchangeable heads. When Dorothy tries to steal from her, they all start screaming while the headless body comes after her. Even the uncanny stop motion on the mountain thing was nothing after that horror.

Now that I think of it, couldn’t you escape the wheelers just by climbing some stairs?

Chernobog from Fantasia

Say, here’s a good idea; Let’s raise children as innocent little Christians, instil a fear of hell and demons inside of them to keep them away from bad things like gay thoughts, and then let’s put FUCKING THIS into a Disney film:

Seriously, Walt Disney did know that he had to include a little darkness in his films (Have you ever actually watched Pinocchio? It’s fucked up.), but why did he think it would be a good idea to put the literal, actual devil into the same film as prancing hippos, dancing flowers, and pretty centaurs?

Remember kids, the devil is coming for you!

Nowadays, I can appreciate the sequence for its artistry, and actually admire that they managed to get away with something so intense in the 1940s (this was the same decade when you couldn’t even say the word ‘virgin’ on screen).

But as a sheltered Christian child, I was so scared whenever the Night on Bald Mountain segment started that I fled to the other room. It hadn’t occurred to me yet that I could just turn off the VHS. And I didn’t know that if I had kept watching, I would’ve found out that Chernobog is a complete pussy who is scared off by just a bit of light and choral music. But six-year-old me just didn’t know any better.

 

What were your childhood traumas from film and television which scared you when you were younger? Were my fears justified, or was I a complete baby? Tell me in the comments below!

Top Ten Anime and Manga to Inspire Writers

14 Sunday May 2017

Posted by in anime, art, author, convention, fairy tale, film, shojo, story, top ten list, tv

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The stories which inspire you to write will largely depend upon the genre in which you write. However, I have found that stories about the journey of writers, or people of any creative discipline, are especially inspirational and motivating. Here are just a few of the top anime and manga which use this to inspire writers, or any creatives:

  1. Princess Tutu

Have you ever had the feeling that your story is running wild and your characters are making decisions on their own? Well this is an anime in which that literally happens. It starts off as an enchantingly strange tale of a duck-turned-human at a ballet school who turns into a magical girl and uses complex ballet moves to save her beloved prince. It takes its fairy tale inspiration and parodies, subverts, twists, and turns it every possible way. The ballet and classical music references are so accurate that the anime is even used as a reference in university courses and has had academic papers written about it.

2. Whisper of the Heart

One of Studio Ghibli’s most understated films tells the simple story of a young writer working on her first story, adjusting to changes in her life, and finding her place in the world. Some write this film off as boring or lacking in conflict, especially compared to some other Ghibli films, but it is an often painfully honest portrayal of the process that writers go through in their early stages. Like Shizuka, many of us do like to believe that life is like a fairy tale and become sourly disappointed when it doesn’t turn out to be true. But that doesn’t mean that we can’t find great stories within our own lives.

All writers will know this feeling

3. Kiki’s Delivery Service

Another Ghibli film and another about a young person discovering their unique talents and forging their own life path. Again, Kiki’s Delivery Service can come across to some as slow and boring as it has no antagonist (outside of one little bitch who rejects her grandmother’s lovingly baked pie). The antagonistic force is actually Kiki’s lack of self-confidence as she goes through a period of transformation in finding her unique skill as a witch. There is also a lengthy portion about Kiki’s interaction with a young artist, which helps her to determine her reasons for doing what she does and gain her confidence back.

Ursula’s painting from Kiki’s Delivery Service

4. Sunshine Sketch

Also known as Hidamari Sketch, I have rambled on before about how this is one of my favourite anime and manga series, both for its lovable characters and how accurately it portrays the emergence of a trainee artist. The protagonist Yuno suffers disappointing setbacks and encouraging accomplishments as she tries to find out what she wants out of her artistic career, while also spending plenty of time having fun with her friends.

5. Kaleido Star

An anime about a girl training at a huge Cirque du Soleil style show, I love how this series portrays both the struggles of an emerging performer and of an established performer, almost in equal measure. It faces some tough issues that artists actually face at the beginning, such as becoming overly arrogant, wanting to hog the spotlight, and the balance between creating art and making revenue from it. It also subverts the recent American Idol idea that a positive attitude alone is enough to succeed, showing that setbacks can and do happen and can even cripple a career. Instead, the message is that consistent hard effort and learning from mistakes are the only way to succeed. The circus performances are also a tonne of fun to watch.

6. Dramacon

Back in the heyday of Tokyopop’s domination of the manga marketplace, they put out this three issue series by Russian-Canadian artist Svetlana Chmakova about a romance blooming at an anime convention. Not only is it a hilarious send up of fandom culture and the convention circuit, it also carries many lessons of becoming a creator, particularly of comics, such as accepting constructive criticism. The standard ‘fantasy forbidding parent’ plot is somewhat clichéd and the suffering artist plot is settled a little too easily, but it still alludes to several harsh truths about being a full time creator, presenting both the positive and negatives. There is an entire scene spelling out the multiple reasons not to be a creator and it is made clear that it is a large risk that requires a strong backbone even if you do become successful.

7. Love Live! School Idol Project

In this anime, a high school student starts up a school idol group as a way to drum up publicity for her school and prevent it from shutting down. Perhaps a somewhat naïve reason to get into the arts, but one which ultimately pays off and helps each of the group members to discover great things about themselves, which is why their group is fittingly named μ (muse). Plus there are more than enough musical numbers and cute outfits to entertain.

8. Full Moon Wo Sagashite

Another series about a wannabe singer, but one with a more rounded and tragic plot. In this case, the protagonist, Mizuki, loves to sing but has a malignant tumour in her throat that can only be cured by removing her vocal cords. She opts out of the surgery to achieve her dream of being a singer, even though it means she only has a year left to live. This is a rather tragic take on the ‘follow your dreams’ plot, but one that is subverted as the story goes on. Knowing that she only has a year left to live actually frees Mizuki from many of the pressures of the music industry and allows her to focus on her music rather than the industry drama.

9. Velvet Blue Rose

This obscure manga is hard to find in English, as unfortunately Tokyopop went bankrupt before the entire series could be translated. But if you can find it, it is both an entertaining story with vibrant characters and an inspiring tale on creating beautiful things for the happiness of others. The wedding dress makers in this manga frequently take on impossible jobs which keep them up multiple nights in a row, yet their passion for their work and the smile on the customer’s faces is what keeps them going. Yet there is also an underlying message about getting out of the studio once in a while to spend time with the people you love. Oh, and lots of lovely pictures of wedding dresses.

10. The Wind Rises

This one more than any other anime on this list will make you cry buckets, but in a good way. It is fitting that for Hayao Miyazaki’s final film he paid tribute to his hero, the real life plane engineer Jiro Horikoshi. The outbreak of World War Two means Jiro has to live with the fact that the planes he loves so much and works on so passionately are being used to kill people. And as we know from history, he was on the losing side of the war. Despite its highly controversial subject matter, it is a tragic yet also inspiring story, teaching us that we can’t control how our work will be used, critiqued, or interpreted, but that shouldn’t stop us from trying to make the world a better place. Watching this film actually taught me that the most important thing about being a creative is creating something that inspires others.

What anime and manga inspire you as a writer or creator? Tell me in the comments below!

The Villain Redemption Story. Part 2: When to Redeem Villains

05 Friday Aug 2016

Posted by in Common Criticism, culture, fantasy, film, musings, story, tv, villain, writing, writing advice

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I previously wrote about the villain redemption story and why it is such a great story to write about. But just like with every type of story, it can only work if it is done correctly. There are villain redemption stories which work and ones which don’t work. When is it right for a villain to be redeemed and when should they be left as they are? I’ve listed some examples of both to help identify when the right time to redeem a villain is:

  1. The Comic Villain

Discord_sitting_ashamed_S03E10

Cartoonishly comic villains such as Discord, Gideon Gleeful, or Dr. Doofenshmirtz were all funny villain characters but they could also be genuine threats, and sometimes even outright terrifying. This type of villain can be redeemed since they are rarely the standard big bads so it is easier for readers to relate to and even sympathise with them. Funny villains are often much more incompetent compared to their darker counterparts so we can buy that they can be converted to the good side.

  1. Story Potential

As I mentioned, there are countless numbers of stories you can have with a redeemed villain. It is often an ongoing process that can stretch over several books and provide your readers with many moral questions to mull over.

  1. The Morality Pet

Ideally someone needs to show the villain the error of their ways and inspire them on the path to goodness. The morality pet trope is ideal for this, by providing the villain with a change in perspective, giving them something they can care for, and showing the readers their good side in how they protect and care for that person.

When not to redeem villains:

  1. For the Sake of Drama

While the villain redemption story can increase drama, using it purely for the sake of increased drama rarely works well. There needs to be a reason for the drama to exist otherwise it will seem forced and unconvincing. Don’t shove in a redemption arc into your story just for the sake of it either. If you look at your story and find that a redemption arc doesn’t fit into it anywhere, then don’t feel as if you need to include one.

  1. The Moral Guardian Ending

I call it this because a villain redeemed at the very end of the story with no build up feels like an ending suggested by a focus group or a concerned parent’s union and not by the author. If you have your villain change at the very end just for the sake of everyone feeling happy and getting along, the concerned parents may be happy but your readers won’t be. It is much better to redeem a villain with an ongoing story arc, and even with good characters struggling with viewing them as good, instead of at the last minute.

  1. Mind Wipe

A common way that writers try to force in the Moral Guardian Ending is not by having the villain decide to change but for the heroes to turn them good by use of magic. This is problematic for two reasons. First of all, it is assuming that good and evil are easily identifiable, when as I discussed earlier they are in fact subjective and sometimes even ambiguous. Secondly, it doesn’t look too good when the hero essentially mind rapes the villain into thinking exactly as they do. If the villain did something like that then everybody would be saying how terrible it is.

The Care Bears were the real villains all along...

The Care Bears were the real villains all along…

  1. Irredeemable Villains

200px-ClaudeFrollo

While many villains can be redeemed, there are others who can’t be redeemed and shouldn’t. These are characters who you want to see punished. In Disney’s adaptation of The Hunchback of Notre Dame, Frollo spends the story as a murderous bigot so it is intensely satisfying when he is flung down to hell at the end. If a villain has no reason to be forgiven for something truly evil then they shouldn’t be, by either the characters or the author. Otherwise readers will be wondering why other characters are showing sympathy for a villain who doesn’t deserve it or why they should feel any sympathy themselves.

Next time I’ll be taking these last two posts together and detail fully how to write the villain redemption story.

The Villain Redemption Story. Part 1: Why Redeem Villains?

22 Monday Feb 2016

Posted by in Common Criticism, culture, fairy tale, fantasy, film, story, villain, writing, writing advice

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Discord_sitting_ashamed_S03E10

In classic storytelling there are two types of characters, good guys and bad guys. They both serve important purposes. The hero is intended as the person we should all strive to be and who’s story we want to follow and watch as they succeed. The villain is needed to provide a foil to them, give the hero somebody to fight, create conflict by keeping them from what they want, and show us what we shouldn’t try to be.

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In recent years, writers are starting to deconstruct classic villain tropes and present different types of villain. There’s the anti-hero who fits in a morally grey area (Game of Throne’s Tyrion Lannister), the protagonist villain (Lolita’s Humbert Humbert), and the redeemed villain (Ebeneezer Scrooge, perhaps the most famous example). Not that there’s anything wrong with the classic baddie, there are many big bads who we all love to hate. But it’s reached the point where that character has become clichéd and boring and we like to see different types of villain and villain story arcs. These often form some of the most interesting and memorable stories of all. Changes to society mean that some people who were previously seen as villains are now the heroes, and vice-versa. Here are some reasons why I really love the villain redemption story and why you should consider it in your own stories:

  1. It opens up the possibility for more types of story other than the standard good vs. evil. This post on Tumblr gives a whole list of villain redemption stories which have hardly ever been seen so far.
  2. It asks some important questions, like can people ever be truly forgiven for an act of evil. A good example is a book I recently reviewed and haven’t stopped gushing about since, Before the Court of Heaven. It tells the story of the real life German assassin Ernst Techow. In the first half of the book I hated him because of his racism and lack of empathy for his Jewish victims. In the second half he goes through a surprisingly touching change of heart but no matter how much good he tries to do, he can never change the terrible things he did in his youth and never truly forgive himself.
  3. There is some of the best potential for character development. Like the example above, the hero isn’t the only one who has to go through the hero’s journey. Character development is the key stone of all good stories and what could be better than the development from bad to good?
  4. More potential for drama. I don’t think that story tropes should be thrown in purely for the sake of increased drama, but if a story is lagging then a villain redemption plot could be what it is lacking. It is unique, emotional, memorable, and opens up the doorway to many more future stories.
  5. It can teach the protagonist an important lesson about themselves and have a great impact in their own story arc. Villains are supposed to be the opposite of the hero and keep them from what they want. One way for the hero to get what they want isn’t just to defeat the villain but change them for the better. It says a lot about a hero if they are willing to take a chance on the villain instead of taking the easy option of running their sword through them. Or perhaps the change in the villain inspires the hero to change in a way too or shows them what is truly important.

In my next post, I’ll talk about when to redeem a villain and when not to, and provide more examples of villain redemption stories done right.

Top Seven Signs of Good Writing

01 Thursday Oct 2015

Posted by in Common Criticism, culture, fairy tale, fantasy, film, musings, story, writing, writing advice

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Last time I talked about the warning signs of bad writing, so I thought it only fair that I also talk about the signs of good writing. It’s much more difficult to define, as ‘good’ writing is subjective and it isn’t always possible to identify why we find something enjoyable. Years of Hollywood films and creepy book fads has also taught us that what is good isn’t necessarily the same as what is popular or financially successful. Still, these are the things I’ve discovered which set great novelists apart:

  1. Exposition done right.

Exposition is one of the hardest things for writers to learn. It is far too easy to dump all of your worldbuilding into the novel all at once or forget about it completely. Writers who can figure out the right balance are amongst the most skilled.

  1. Something unique.

No novel can be 100% original, unless you want an incomprehensible avant-garde mess, but all of the best novels contain something that is different from the rest. It doesn’t matter if it’s a relationship, a setting, or a little seen perspective. If the book can beat a reader’s expectations in a good way then it is doing something right.

  1. Diverse cast.

Most authors and publishers are beginning to wake up to the issue of diversity in fiction (or lack thereof), but there is still a long way to go. For many writers it still means shoehorning in a black side character then not knowing what to do with them and killing them off about a third of the way through. This is why there is nothing more refreshing than an author who accurately and sympathetically portrays a diverse cast of characters fitting for the novel’s setting.

  1. Villains with backstory.

And by backstory, I mean more than just ‘tragic past’ or ‘they were created evil’. I often think that a story is only as good as its villain and a good villain is more than just a guy sitting on his black throne laughing about how evil he is and how much he loves suffering. If we can find out why they are bad, why they genuinely think that what they are doing is right, and how they react when everything they’ve been working for is ruined then that alone makes for a great story.

  1. Active characters.

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For God’s sake Aurora, get off your lazy ass and do something!

I’ve talked before about characters who exist in a story only to have things happen to them and not actively take charge of their own story. One of Pixar’s rules of storytelling is ‘Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.’ Stories need characters who will use their own skills, experiences, and qualities to make something happen and cause their own happy ending, not sit around and wait for somebody to do it for them. These characters gain much more sympathy than characters who just drift from scene to scene barely doing anything.

  1. Actions have consequences.

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Everything that your characters do or experience in the story must have some kind of reaction or consequence, be it positive or negative. The reason The Hobbit has remained a beloved story for 60 years and made a killing in the box office is that it isn’t a standard ‘Go on quest, defeat dragon, get gold’ story. Thorin Oakenshield goes across Middle Earth pissing off just about every person he meets and has to meet the consequences of this later on when he almost dooms the kingdom he’s been working so hard to retake. Almost everything that Bilbo and company encounter on their journey comes together in the climactic battle.

  1. The story leaves you with something.

This doesn’t have to mean a tacked on last minute lesson or moral. Whether it is an emotion, a memorable character, or just the feeling of a really good story, the novel should leave the reader with something other than just the thought ‘is that it?’

 

While I was putting together this list, I found out that what I have put here is actually just a small selection of what makes a good story. I wouldn’t be able to list all of them. Most bad novels use the same cut and paste formula as all the others. A great novel can be anything.

Top 13 non-cliched romantic moments

25 Tuesday Aug 2015

Posted by in Common Criticism, film, musings, romance, story, writing, writing advice

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My fiance and I showing great trust in each other.

My fiancee and I showing great trust in each other.

It can be difficult writing romantic moments to show a couple’s developing relationship as many of these moments have become so clichéd and overdone that they have lost all of their impact. Not all of them are necessarily bad. It’s still sweet to read about your favourite fictional couple sheltering from the rain together or raising a baby bird like it’s their own child. But modern fiction still needs more original and more realistic moments to show that a couple are in love. Here are some to get you started:

  1. Looking out for each other in dangerous situations. This doesn’t mean the guy saving the girl (yes, it is still usually that way around) all the time. The couple can trust each other’s fighting abilities but still glance at each other occasionally to check that the other is ok.

Use instead of: Girl falls for guy after he rescues her. When this happens in a story, it’s seen almost as a crime if the girl doesn’t fall madly in love with him as thanks for saving her.

  1. Respecting each other’s privacy. While quality time together is important in a relationship, it’s equally important to know when the other needs personal time. Often, especially after an argument, it’s best to back off rather than make a situation worse.

Use instead of: Being forced into every situation together. Stuck in a broken lift? Forced to do a report together? It probably won’t turn hatred into love as years of romantic movies have told us. It’ll probably just make them hate each other even more.

  1. Talking things out after an argument. It’s inevitable that even the most stable of couples will fight sometimes, even do awful things to each other without meaning to. The way they deal with their arguments and issues often says more about their relationship than anything else.

Use instead of: Make up sex. Seriously, does anyone actually do this? An emotional argument is probably the least sexy thing ever. Aren’t you just using sex to ignore your issues?

  1. Making a partner’s favourite dinner after they’ve had a terrible day. Double points if the partner doesn’t actually say they’ve had a terrible day, they just know and want to cheer them up.

Use instead of: Cooking dinner together. My parents said that they would end up getting divorced if they ever tried cooking together. It’s not quite as romantic and cute as sit-coms will have you think.

  1. Leading someone with a fear of heights down to safety. Good relationships are about looking after each other’s needs and making each other feel safe, calm, and secure. Not every romantic rescue needs to be about beating up an attacker, often it can be something as simple as this.

Use instead of: ‘I have a fear of heights that is instantly cured so that I can go on the ferris wheel with you.’ Sorry to tell you this but true love isn’t an insta-cure for all phobias. It’s not going to be very romantic if one person is secretly terrified.

  1. Ordering food for a shy person. Similar to the above example, helping out someone with social anxiety instead of condemning them for it is the nicest thing you can do for them.

Use instead of: Forcing a shy person to ‘come out of their shell’. Forcing  someone into a situation that they’re uncomfortable with is going to do them much more harm than good and drive them away from the person you’re trying to hook them up with. If they really must open up more then it must be done gradually with gentle encouragement.

  1. Finding each other irresistibly cute.

Have you ever heard of cuteness aggression? It’s when you see a baby animal that is so unbearably cute that you quite literally want to hug it to death. I often feel this way towards my fiancé, which is a little disturbing if you think about it…

Use instead of: Finding each other irresistibly sexy. Couples do need to find something physically attractive about the other, but you don’t want to imply that sexual attraction is the only reason they like each other.

  1. Giving each other good advice.

I’ve never really thought before how often my fiancé and I give each other advice about careers, family, or life in general, but it helps us both through a lot of tough situations.

Use instead of: Asking friends for ill-informed relationship advice. It will inevitably lead to misunderstandings that will almost doom the relationship but it will all be fixed at the last moment and the idiot friend will receive no repercussions for almost breaking up a loving couple.

  1. Sharing each other’s food. My fiancé and I have this weird running gag that when we’re having chips, we always steal some from the other’s place, even if we’re both having chips.

Use instead of: The ‘s/he stole food from my plate’ relationship dilemma. Did the fact that you’re going on dates not tip you off that you’re in a relationship? And does it really matter if someone you’re dating takes food from your plate?

  1. Watching silly movies together. Similar to cooking their favourite dinner when they’re feeling sad, doing things like watching light hearted fun films, particularly ones they can riff on together, can make each other feel better.

Use instead of: Watching sappy romance movies together (and the guy hating it). It’s not treated as ‘sitting through a film I hate for my partner’ so much as ‘my wife is forcing me to watch a film I hate’. I also despise the guy making a girl watch a scary film she can’t stand just so she can cling onto him when she’s scared cliché. It borders on emotional manipulation.

  1. Talking like best friends. Doesn’t matter if it’s normal everyday banter or confiding secrets that they can’t tell anybody else. Preferably there should be moments of both.

Use instead of: Can’t form coherent sentences around a crush. How can characters form relationships if they can’t even communicate with each other coherently? It makes it hard to get to know anything about each other.

  1. Towling each other off after a rain storm. It’s sweet, caring, and even a little sexy. How can you go wrong?

Use instead of: Kissing in the rain. Why is this such a big thing? Has anybody ever had a decent kiss while being drenched with rain? Potentially catching pneumonia doesn’t seem that romantic to me.

  1. Driving a partner to the airport at 5am.

If this isn’t the ultimate act of true love then I don’t know what is.

Use instead of: Chasing someone through the airport. ‘Being with me will make you so much happier than moving on with your life and pursuing your dream career! Whoops, is that airport security behind me?’

 

What other supposedly romantic moments do you think have become clichéd? What do you think make better alternatives?